Notice
Go-
[Holiday] Wednesday, October 9th - Hangul Proclamation Day
Oct 07, 2024
-
[Festival info] 2024 Korea Stage Festa
Oct 07, 2024
-
[Festival info] 2024 K-LINK Festival
Oct 04, 2024
Special Events
GoAbout KCC
- Opening hours
- • Weekdays 9AM – 6PM (*Gallery Open: 10AM - 5PM) • Closed for Lunch 12 – 1PM
- Tel
- +1-202-939-5688
- Event Gallery
-
- Korean National Ballet Gala Performance delights Washington, D.C. Audiences
- The Korean National Ballet, alongside fellow world-class dancers from American Ballet Theater and The Washington Ballet, headlined a major performance event at The Kennedy Center hosted by the Korean Cultural Center Washington, D.C. on July 10, 2024. The spectacular show case of ballet elegance and Korea-US cultural exchange featured original performances and rare collaborations that thrilled a packed house of more than 1,100 special guests and members of the public in Washington, D.C. This special event presented a curated selection of timeless classics and captivating contemporary works from the global ballet repertoire and feature esteemed principal dancers Hee Seo and Cory Stearns of the American Ballet Theatre and Eun Won Lee and Ariel Martinez of The Washington Ballet as special guests, symbolizing the enduring cultural bonds between two nations. Each ensemble presented original and classical dance compositions, reflecting their distinctive styles and creative inspirations through a narrative of movement and personal reflection. The Korean National Ballet showcased the essence of classical ballet with performances of iconic works such as “Swan Lake” and “Le Corsaire,” alongside original ballet productions that draw inspiration from Korean culture. Eun Won Lee unveiled a compelling ballet piece entitled “Finding Light,” choreographed by the renowned Edwaard Liang, artistic director of The Washington Ballet. Meanwhile, Hee Seo captivated audiences with a performance of the Pas de Deux from “The Seasons: Summer,” choreographed by Alexei Ratmansky. This unique gala performance offered a rare glimpse into the trends and techniques of Korean and American ballet, fostering a platform for cultural and artistic exchange between the two nations through the medium of dance. See the original event announcement for more background information.
-
- Opening night of 'Merging Realms: Art Across Boundaries'
- The Korean Cultural Center Washington, D.C. on Friday, June 7 from 6:30 p.m. hosted an evening showing of the exhibition "Merging Realms: Art Across Boundaries" to celebrate its opening. Over 50 visitors enjoyed the event to enjoy special extended hours of the exhibition, a live art and dance performance and a reception. The event coincided with Art Walk Dupont's local community art event First Friday, and featured a live performance by fellow Korean artists Junghee Oh and Songhee Lee-Chung in collaboration with featured artists Dabal Kim. The performance was held in front of Kim's new work Twelve Doors. After the performance, visitors had the chance to engage in conversation with the artists and performers. "Merging Realms: Art Across Boundaries" is an exhibition of sculpture, installation, fashion and video works by artists Donghun Sung and Dabal Kim on view from June 7 to August 9. Artists Donghun Sung and Dabal Kim have collaborated for decades. Their visually compelling works aim to blur the lines between different cultures, media, spaces, and times. By crossing the social and cultural boundaries between tradition and modernity, myth and history, and feminine and masculine, their collective artistic journey reflects their objective of creating a novel visual world—one that blends values and questions modern dichotomies of knowledge. The exhibition will remain on view at the KCCDC June 7 through August 9, 2024 during regular visitor hours (M-F, 10 AM-noon & 1-5 PM) 2024 with an opening reception during extended evening hours on Friday, June 7 (6:30 p.m. to 8:00 p.m.).
-
- Embassy Adoption Program 2024: Student Presentations and Closing Event with Houston Elementary
- The Korean Cultural Center Washington, D.C. (Embassy of the Republic of Korea) wrapped up the Embassy Adoption Program 2024 with one of its partnering schools Houston Elementary on May 10th. Fifth-grade students gave presentations about Korean culture and what they learned during the semester-long program. Afterward, the students learned how to make japchae (stir-fried glass noodles and vegetables) with Patrice Cunningham, CEO of Taegu Kimchi. The Korean Cultural Center Washington, D.C. is a longtime participant in the Embassy Adoption Program, which pairs local embassies with elementary and middle school classrooms for a series of cultural workshops and lessons throughout the school year. Presented in partnership with District of Columbia Public Schools and Washington Performing Arts, EAP itself has a long history of providing DC public school children with valuable cultural experiences and knowledge as they learn about the countries of the world first hand. For more information about the Embassy Adoption Program, visit the DCPS EAP website.
-
- Korean folk group 'bob' kicks off OnStage 2024 Season at Capital One Hall
- The Korean Cultural Center Washington, D.C. showcased the Korean "newtro" (new retro) folk group 'bob' to the Capital region audience on Sunday, May 5 at Capital One Hall's The Vault in Tysons, Virginia. 160 people attended the show which kicked off the 2024 season of the KCCDC's ongoing performing art series OnStage Korea. OnStage Korea seeks to discover brilliant Korean and Korean-inspired artists and groups performing around the world, giving them an opportunity to showcase their creativity on stage for the American public in the Capital region. The performance, particularly focused on audience participation, featured a repertoire of 11 mesmerizing songs including original compositions, Korean pop music with a retro twist, and reinterpretations of traditional Korean folk music, minyo. The five members of the group included Suwan Lee (vocals), Yesul Lee (keyboards), Seoyon Hong (Haegum), Minsoo Jung (bass), and Boreum Kim (drums). They performed "Kkaekkijeogori," "Arirang, Your Song," "Gyeongbokgung Palace," "Summer Time," "Today's youth, Nililiya," "Drink Magic," "Dreaming with a Love Song," "Real to Reel," "Twinkle," "Kwaejina Ching Ching Nane," and "Pyeongchang Arirang." Known for their cross-generational appeal and original compositions that fuse traditional melodies with contemporary style, bob has become one of Korea’s beloved folk ensembles, appearing on national Korean broadcasts. The group’s clever moniker is derived from a playful and literal twist on the word “pop” that reflects their vibrant and infectious sound. With a skillful blend of intricate instrumentation and authentic folk elements, bob creates a dynamic musical experience steeped in Korea’s rich history of retro pop genres. Their repertoire includes lively adaptations of the iconic Arirang and other folk songs (known in Korean as minyo) transformed into upbeat, modern arrangements. Founded in 2016, bob earned the silver prize in the Gugak Broadcasting Company’s 21C Korean Music Project in 2020.
-
- Korean National Ballet Gala Performance delights Washington, D.C. Audiences
- The Korean National Ballet, alongside fellow world-class dancers from American Ballet Theater and The Washington Ballet, headlined a major performance event at The Kennedy Center hosted by the Korean Cultural Center Washington, D.C. on July 10, 2024. The spectacular show case of ballet elegance and Korea-US cultural exchange featured original performances and rare collaborations that thrilled a packed house of more than 1,100 special guests and members of the public in Washington, D.C. This special event presented a curated selection of timeless classics and captivating contemporary works from the global ballet repertoire and feature esteemed principal dancers Hee Seo and Cory Stearns of the American Ballet Theatre and Eun Won Lee and Ariel Martinez of The Washington Ballet as special guests, symbolizing the enduring cultural bonds between two nations. Each ensemble presented original and classical dance compositions, reflecting their distinctive styles and creative inspirations through a narrative of movement and personal reflection. The Korean National Ballet showcased the essence of classical ballet with performances of iconic works such as “Swan Lake” and “Le Corsaire,” alongside original ballet productions that draw inspiration from Korean culture. Eun Won Lee unveiled a compelling ballet piece entitled “Finding Light,” choreographed by the renowned Edwaard Liang, artistic director of The Washington Ballet. Meanwhile, Hee Seo captivated audiences with a performance of the Pas de Deux from “The Seasons: Summer,” choreographed by Alexei Ratmansky. This unique gala performance offered a rare glimpse into the trends and techniques of Korean and American ballet, fostering a platform for cultural and artistic exchange between the two nations through the medium of dance. See the original event announcement for more background information.
-
- Opening night of 'Merging Realms: Art Across Boundaries'
- The Korean Cultural Center Washington, D.C. on Friday, June 7 from 6:30 p.m. hosted an evening showing of the exhibition "Merging Realms: Art Across Boundaries" to celebrate its opening. Over 50 visitors enjoyed the event to enjoy special extended hours of the exhibition, a live art and dance performance and a reception. The event coincided with Art Walk Dupont's local community art event First Friday, and featured a live performance by fellow Korean artists Junghee Oh and Songhee Lee-Chung in collaboration with featured artists Dabal Kim. The performance was held in front of Kim's new work Twelve Doors. After the performance, visitors had the chance to engage in conversation with the artists and performers. "Merging Realms: Art Across Boundaries" is an exhibition of sculpture, installation, fashion and video works by artists Donghun Sung and Dabal Kim on view from June 7 to August 9. Artists Donghun Sung and Dabal Kim have collaborated for decades. Their visually compelling works aim to blur the lines between different cultures, media, spaces, and times. By crossing the social and cultural boundaries between tradition and modernity, myth and history, and feminine and masculine, their collective artistic journey reflects their objective of creating a novel visual world—one that blends values and questions modern dichotomies of knowledge. The exhibition will remain on view at the KCCDC June 7 through August 9, 2024 during regular visitor hours (M-F, 10 AM-noon & 1-5 PM) 2024 with an opening reception during extended evening hours on Friday, June 7 (6:30 p.m. to 8:00 p.m.).
-
- Embassy Adoption Program 2024: Student Presentations and Closing Event with Houston Elementary
- The Korean Cultural Center Washington, D.C. (Embassy of the Republic of Korea) wrapped up the Embassy Adoption Program 2024 with one of its partnering schools Houston Elementary on May 10th. Fifth-grade students gave presentations about Korean culture and what they learned during the semester-long program. Afterward, the students learned how to make japchae (stir-fried glass noodles and vegetables) with Patrice Cunningham, CEO of Taegu Kimchi. The Korean Cultural Center Washington, D.C. is a longtime participant in the Embassy Adoption Program, which pairs local embassies with elementary and middle school classrooms for a series of cultural workshops and lessons throughout the school year. Presented in partnership with District of Columbia Public Schools and Washington Performing Arts, EAP itself has a long history of providing DC public school children with valuable cultural experiences and knowledge as they learn about the countries of the world first hand. For more information about the Embassy Adoption Program, visit the DCPS EAP website.
-
- Korean folk group 'bob' kicks off OnStage 2024 Season at Capital One Hall
- The Korean Cultural Center Washington, D.C. showcased the Korean "newtro" (new retro) folk group 'bob' to the Capital region audience on Sunday, May 5 at Capital One Hall's The Vault in Tysons, Virginia. 160 people attended the show which kicked off the 2024 season of the KCCDC's ongoing performing art series OnStage Korea. OnStage Korea seeks to discover brilliant Korean and Korean-inspired artists and groups performing around the world, giving them an opportunity to showcase their creativity on stage for the American public in the Capital region. The performance, particularly focused on audience participation, featured a repertoire of 11 mesmerizing songs including original compositions, Korean pop music with a retro twist, and reinterpretations of traditional Korean folk music, minyo. The five members of the group included Suwan Lee (vocals), Yesul Lee (keyboards), Seoyon Hong (Haegum), Minsoo Jung (bass), and Boreum Kim (drums). They performed "Kkaekkijeogori," "Arirang, Your Song," "Gyeongbokgung Palace," "Summer Time," "Today's youth, Nililiya," "Drink Magic," "Dreaming with a Love Song," "Real to Reel," "Twinkle," "Kwaejina Ching Ching Nane," and "Pyeongchang Arirang." Known for their cross-generational appeal and original compositions that fuse traditional melodies with contemporary style, bob has become one of Korea’s beloved folk ensembles, appearing on national Korean broadcasts. The group’s clever moniker is derived from a playful and literal twist on the word “pop” that reflects their vibrant and infectious sound. With a skillful blend of intricate instrumentation and authentic folk elements, bob creates a dynamic musical experience steeped in Korea’s rich history of retro pop genres. Their repertoire includes lively adaptations of the iconic Arirang and other folk songs (known in Korean as minyo) transformed into upbeat, modern arrangements. Founded in 2016, bob earned the silver prize in the Gugak Broadcasting Company’s 21C Korean Music Project in 2020.
-
- Performing Arts
-
- Laboratory Dance Project at The Kennedy Center (Oct. 31 - Nov. 2)
- The Korean Cultural Center Washington, D.C. (KCCDC) is pleased to partner with the Kennedy Center to present three performances by acclaimed Korean company Laboratory Dance Project (LDP) on Oct. 31, Nov. 1, and Nov 2 at 8:00 p.m. as a part of the 2024–2025 Kennedy Center Dance Season. This three-night series will highlight the cutting edge of contemporary Korean dance with one of its most recognizable and exceptional talents, LDP, performing two of their signature high-energy works: Ash and MOB. Don’t miss this opportunity to experience the vivacious, world-class quality of contemporary Korean performing arts in Washington, D.C. Founded in 2001, LDP is a contemporary dance project whose goal is to bring Korean contemporary dance to the global stage. Since its founding, LDP has played a role in enhancing the value of the arts while shaping a repertoire that emphasizes a rich artistic and communicative philosophy, including experimental challenges based on individuality and uniqueness. LDP's dancers have earned the public’s trust through their tireless efforts and sincerity, as well as their distinctive gifts and talents. Tickets are available through the Kennedy Center's Box Office. For more information, please see the Kennedy Center announcement. This performance series is presented by the Kennedy Center and sponsored by the Korean Cultural Center in Washington, D.C. Laboratory Dance Project Oct. 31, Nov. 1, and Nov. 2 (8:00 PM daily) Eisenhower Theater, The Kennedy Center (Washington, DC) NOTE: Tickets are available through the Kennedy Center Box Office, with special $39 and $59 ticket discounts for select Orchestra seating on Oct. 31 and Nov. 1 using this link or promo code 589082. See the Kennedy Center announcement for details. About the Works MOB Synopsis The German proverb “Nur tote Fische schwimmen mit dem Strom” translates to "only dead fish swim with the stream." This proverb reflects the idea that individuals who lose their personal perception and become part of a crowd may sometimes rise above simpler ideas with dignity, but at other times may regress to a more barbaric state. With anonymity, people tend to hide, exaggerate, and simplify their desires while shirking responsibility. The transformation of individuals into a mob, and the manipulation of individuals within a mob, is both intriguing and alarming, yet common. This dynamic of intolerance and brutality against others contrasts with a subtle sense of unity and intimacy. MOB closely examines these two facets of humanity, scrutinizing the interplay between the individual and the collective in society. The work explores the human inner self and the individual within society, focusing on the duality of human nature through crowd psychology. While individual dancers showcase their unique styles, they either blend into or are overwhelmed by the collective. The piece is characterized by LDP’s signature energetic masculinity and a palpable sense of tension. MOB premiered at the Arko Arts Theater in Seoul, Republic of Korea, on March 24, 2022. Credits Choreographer: Kim Dongkyu Dancers: Yoon Nara, Jeong Geon, Yun Seungmin, Kim Youngchae, Choi Hojeong, Bae Hyeonwoo, Kim Minseo, Kim Seokhyun Composer: Jang Jiho Lighting Designer: Kim Jung Wha Stage Manager/Staff Masterpiece: Kim Jisu Costume Designer: Choi Insook Photographer: BAKI Producer: NINANO Gook Jisoo Ash Synopsis I am not interested in reminiscing about drowsy nostalgia. Instead, I focus on the now faded appearance and question my fear of moving backward, despite my denial of reality. I reflect on my own disappearances and deficiencies, remembering the good old days, but I attempt to revisit the past without alteration. Just as the future remains invisible, the past may have also endured suffering. Is there a pile of ashes hidden deep in my heart, like how I now view the ashes? Since COVID-19, societal polarization has accelerated, prompting a reevaluation of how art reflects humanity. During a time when everything was paused and restricted, the gaps left by scarcity have grown ever larger. What has vanished without a trace? Are the things I claim have disappeared truly real? This work explores the concept of reversing time to address a period when even deprivation meant indifference. In this piece the choreographer questions individual deficiencies and embarks on a journey to return to an original, intact state by moving backward through time. Ash premiered at the Arko Arts Theater in Seoul, Republic of Korea, on March 24, 2022. Credits Choreographer: Kim Dongkyu Dancers: Jang Jiho, Shin Hoyoung, Jeong Geon, Joo Han Yoon, Lee Hong, Yun Seungmin, Kim Youngchae, Lee Jeongeun, Choi Hojeong, Park Jihee, Jang Hoiwon, Kim Yeona, Choi Yewon, Bae Hyeonwoo, Kim Seokhyun, Kim Minseo Composer: Jang Jiho Lighting Designer: Kim Jung Wha Stage Manager / Staff Masterpiece: Kim Jisu Costume Designer: Choi Insook Photographer: BAKI Producer: NINANO Gook Jisoo About LDP Founded in 2001, LDP is a contemporary dance project whose goal is to bring Korean contemporary dance to the global stage. Since its founding, LDP has played a role in enhancing the value of the arts while shaping a repertoire that emphasizes a rich artistic and communicative philosophy, including experimental challenges based on individuality and uniqueness. LDP's dancers have earned the public’s trust through their tireless efforts and sincerity, as well as their distinctive gifts and talents. LDP enjoys widespread acclaim in South Korea, consistently achieving sold-out performances and garnering invitations to prestigious international dance festivals. The company's global presence was established with its early collaborations, including notable performances at I-camp and Muffathalle Theater in Munich with Micha Purucker of Tanztendenz. LDP’s international footprint expanded through festivals in Mannheim, Hannover, France, and Slovenia, as well as appearances at the Venice Dance Biennale (2006 and 2007), the Frankfurt Book Fair, and Switzerland's Winterthur Arts Festival. The company has also participated in the New York APAP Conference, Japan Society Showcase, Suzanne Dellal Festival in Israel, and various European tours. In 2011, LDP was featured at the White Bird Festival in Portland and the Jacob's Pillow Dance Festival in the United States and was further boosted by an invitation to New York City Center’s Fall For Dance Festival in 2012. Dancers Kim Minseo, Kim Seokhyun, Kim Yeona, Kim Youngchae, Park Jihee, Bae Hyeonwoo, Shin Hoyoung, Yoon Nara, Yun Seungmin, Lee Jeongeun, Lee Hong, Jang Jiho, Jang Hoiwon, Jeong Geon, Choi Ye Won, Choi Hojeong, Han Yoon Joo About the CEO Yoon Nara, CEO Yoon Nara is a choreographer and the chief representative for LDP. He graduated with a Bachelor of Fine Arts in Contemporary Dance from Korea National University of Arts in 2011 and completed his Master’s degree in the same field in 2018. He has served as a lecturer at Kaywon High School of the Arts and as a mentor at the Korea National University of Arts Gifted Education Center. Yoon has received numerous dance accolades, including 3rd place at the Korea International Dance Competition in 2012, 2nd place at the Berlin International Dance Competition in 2013, 2nd place at the Hellas International Dance Competition in Greece in 2014, 1st place in the Contemporary Male Category at the Seoul International Dance Competition in 2015, the Best Choreographer Award at the Korean Dance Association’s 2018 Young Choreographer’s Exhibition, and the Grand Prize at the Duet Festival in 2018. His notable choreographic works include We Need a Dialogue (2011), What's Your Name? (2017), Essential Emotion (2018), I Will Assist You (2018), and Not Sun View (2018). About the Choreographer Kim Dongkyu, Choreographer Kim Dongkyu demonstrates his artistic sense of balance by presenting movements based on rich skills in flexible and natural patterns. For the public, he is a choreographer who presents modern dance styles that are truly comfortable, easy, fun and free. His greatest strength is showing the possibility of expanding the performance space and exceeding its fixed limits. LDP Achievements 2024 May 5-7: 24th Laboratory Dance Project, Arko Arts Theater, Seoul, Korea <View> <Intricate Threads of Humanity> 2023 April 7-9: 23rd Laboratory Dance Project, Daehakro Arts Theater, Seoul, Korea <Children> September 13-14: Seoul International Dance Festival SIDANCE, Seoul, Korea <Children> September 28 – October 1: Seoul Street Arts Festival, Seoul City Hall, Seoul, Korea <Rebirth> October 13: Busan Dance Market, Geumjeong Arts Center, Busan, Korea <Stagnant Water> October 22: K-Wave Dance Festival, Han River, Seoul, Korea <Stagnant Water> December 19: Seoul International Choreography Festival, SCF, Arko Arts Theater, Seoul, Korea 2022 March 24-27: 22nd Laboratory Dance Project, Arko Arts Theater, Seoul, Korea July 23: Gunsan Arts Center <No Comment> <MOMBURIM> July 29: Jeju Arts Center <Ash> August 12: LG Arts Center, Seoul, Korea <Look Look> September 3: Sungnam Arts Center <Ash> September 17: International Modern Dance Festival MODAFE, Kyoungki Arts Center <No Comment> September 18: Haebichi Art Festival Showcase, Jeju, Korea <Look Look> October 2: Hansung Culture Festival, Olympic Park, Seoul, Korea <Ash> October 13-14: Cervantino Festival, Teatro Principal, Mexico <Ash> 2021 April 29-May 2: 21st Laboratory Dance Project, Daehakro Arts Theater, Seoul, Korea June 4: International Dance Festival <MOMBURIM> August 12: Chuncheon Performing Arts Festival, Chuncheon, Korea <MOB> August 28-29: Goyang Culture Foundation, Saerasae ON, Goyang, Korea <No Comment>, <MOMBURIM> September 1: Dancers Career Development Center invited performance, Seongnam Arts Center <MOB> September 9: Daegu International Dance Festival, Daegu, Korea <Lavender Vender> October 17: 2021 Taewhagang Performing Arts Festival, Korea <MOB> October 28: Gunsan International Dance Festival, Gunsan, Korea <Lavender Vender> November 19: The 42nd Seoul Dance Festival, Arko Arts Theater, Seoul, Korea <Ash> November 24: 2021 Haebichi Art Festival Showcase, Jeju, Korea <MOMBURIM> 2020 May 2-10: 20th Laboratory Dance Project, Seoul, Korea June: Dancers Career Development Center invited performance, Jeju, Korea <MOB> July 17-18: Goyang Culture Foundation, Goyang AreumNuri Theater, Korea <No Comment>, <MOMBURIM> October: LDP x Eric Languet (FR) Coproduction <MAT(T)ER> 2019 February 9: PyeongChang Winter Olympics Korea, 1st Anniversary, PyeongChang Arena, Korea <MOB> April 5-7: 19th Laboratory Dance Project, Daehakro Arts Theater, Seoul, Korea May 17: The Inauguration, The Embassy of Switzerland in Korea, Seoul, Korea <360° 92W Dance Loop> May 24-25: ILT Festival, Aarhus, Denmark <No Comment>, <MOB> May 29: Dancers Career Development Center invited performance, Jeju, Korea <No Comment> September 26-29: LDP X LG Arts Center, LG Arts Center, Seoul, Korea <Triple Bill> October 17: ECM 50th Anniversary exhibition, Hyundai Card Storage <RE:ECM> October 28-December 1: LAVA Company Invited Choreography, Tenerife, Spain <YALACHA> November 22-23: ECM 50th Anniversary exhibition, Hyundai Card Storage <RE:ECM> 2018 February 25: PyeongChang Winter Olympics Korea, Closing Ceremony March 23-25: 18th Laboratory Dance Project, Arko Arts Theater, Seoul, Korea April 13: Dancers Career Development Center invited performance, Seoul, Korea <MOB> May 5-6: Ansan International Street Arts Festival (ASAF), Korea <Look Look> May 17: The 10th Dancing City Incheon, Incheon, Korea <MOB> June 1: The 14th Busan International Dance Festival, Busan, Korea <MOB> June 2: Busan International Street Arts Festival, Busan, Korea <MOB> June 20: Haebichi Art Festival Showcase, Jeju, Korea <Look Look> July 5: Hanam Asia Comic Dance Festival, Hanam, Korea <Look Look> July 25: Chuncheon Culture & Art Center - La Siesta, Korea <MOB>, <No Comment> August 13: The 63rd Anniversary Kukbang UNIV., Korea <MOB> August 31: Tanzmesse, Germany <No Comment> September 22-24: La Merce, Barcelona, Spain <Look Look> September 27 - October 2: MilanOltre Festival, Italy <No Comment>, <BOW>, <Look Look>, <Black Comedy> October 24: Ansan Arts Center <THIS IS NOT MY LIFE> October 28: All That Dance Festival, Seoul, Korea <MOB> November 16 - December 1: The Istanbul State Opera & Ballet - Modern Dance Theatre Istanbul Invited Choreography <Heyecan> November 29: Early Winter Festival, Incheon Culture and Arts Center, Korea <No Comment>, <BOW>, <MOB> December 11: Seoul International Choreography Festival, GALA, Arko Arts Theater, Korea <MOB> 2017 March 31 - April 2: 17th Laboratory Dance Project, Arko Arts Theater, Seoul, Korea June 13: 10th Haebichi Art Festival Showcase, Jeju, Korea <MOB> October 6-7: Seoul Street Arts Festival (SSAF), Seoul, Korea <Look Look> October 10-11: Seoul Performing Arts Festival (SPAF), Seoul, Korea <Look Look> October 14: Daegu Asia Dance Festival (DACDF), Daegu, Korea <Look Look>
-
- Korean National Ballet Gala Performance
- Join us for a celebration of cultural exchange between the Republic of Korea and the United States during a Korean National Ballet Gala Performance at The Kennedy Center, featuring Korea's premier performing arts ensemble under the guidance of artistic director Kang Suejin. This special event will present a curated selection of timeless classics and captivating contemporary works from the global ballet repertoire and feature esteemed principal dancers Hee Seo and Cory Stearns of the American Ballet Theatre and Eun Won Lee and Ariel Martinez of The Washington Ballet as special guests, symbolizing the enduring cultural bonds between two nations. (Note: Due to scheduling, Aran Bell of ABT will be unable to take part as originally announced.) Each performer will present original and classical dance compositions, reflecting their distinctive styles and creative inspirations through a narrative of movement and personal reflection. The Korean National Ballet will showcase the essence of classical ballet with performances of iconic works such as “Swan Lake” and “Le Corsaire,” alongside original ballet productions that draw inspiration from Korean culture. Eun Won Lee will unveil a compelling ballet piece entitled “Finding Light,” choreographed by the renowned Edwaard Liang, artistic director of The Washington Ballet. Meanwhile, Hee Seo will captivate audiences with a performance of the Pas de Deux from “The Seasons: Summer,” choreographed by Alexei Ratmansky. This unique gala performance will offer a rare glimpse into the trends and techniques of Korean and American ballet, fostering a platform for cultural and artistic exchange between the two nations through the medium of dance. Korean National Ballet Gala Performance Wednesday, July 10 at 7:00 p.m. Eisenhower Theater, The Kennedy Center Tickets for this event are free with and RSVP (below), but seating is limited. This performance is an external rental presented in coordination with the Kennedy Center Campus Rentals Office and is not produced by the Kennedy Center. RSVP UPDATE Due to a strong response, this event has reached full capacity and we are unable to accept additional RSVPs at this time. While we will do our best to accommodate any walk-in guests without an RSVP, admission and seating are not guaranteed. Thank you for your understanding, and we look forward to welcoming you to future events! Program Swan Lake: Grand Pas de Deux Finding Light Hoi Rang: Pas de Deux Quartet of the Soul Season: SPRING Swan Lake: White Swan Pas de Deux Le Corsaire: Pas de Trois Bow About the Artists Korean National Ballet The Korean National Ballet was founded in 1962 as the first professional ballet company in Korea. Today, it features a superb and versatile troupe of Korean dancers capable of performing an extensive repertoire. The Korean National Ballet performs a worldwide acclaimed repertoire including The Nutcracker, Swan Lake, Spartacus, La Bayadère choreographed by Yuri Grigorovich, Giselle by Patrice Bart, The Taming of the Shrew by John Cranko, Sleeping Beauty by Marcia Haydée, Anna Karenina by Christian Spuck, Serenade and Jewels by George Balanchine, Forgotten Land and Sechs Tänze by Jiří Kylián, The Seventh Symphony by Uwe Scholz, The Rite of Spring by Glen Tetley, La Fille mal gardée by Frederick Ashton, and The Little Mermaid by John Neumeier. The Korean National Ballet has also presented its own versions of Le Corsaire in 2020 and Don Quixote in 2023, based on Marius Petipa’s famous classical ballets. The Korean National Ballet created Prince Hodong, Heonanseolheon-Suwolkyunghwa, and Hoi Rang, and they are seeking new choreographers and repertoires through the KNB Movement Series started in 2015. The Korean National Ballet also performs on stages around the world, earning notable accolades in Italy, Russia, Belgium, Colombia, Canada, Hong Kong, the United Arab Emirates, the Czech Republic, Switzerland, Germany, Japan and the United Kingdom. The company strives to enhance the prominence of Korean ballet on the international stage. In May 2023, the Korean National Ballet was invited to the International May Festival held in Wiesbaden, Germany, to perform its own version of Le Corsaire. In April 2024, the company was invited by The Royal Ballet to perform Season: Spring at the International Draft Works 2024, improving the international status of Korean Ballet on the world stage. Since 2021, through its public non-profit project Fly Higher with KNB, the Korean National Ballet offers ballet lessons to elementary school students in rural provinces, providing the opportunity to perform with the company’s dancers on stage. Kang Suejin | Artistic Director, Korean National Ballet Artistic Director Kang Suejin boasts an impressive career trajectory and a multitude of accolades. From 1986 to 2016, she graced the stages of the Stuttgart Ballet in Germany, steadily climbing the ranks from Soloist in 1994 to Principal dancer in 1997. Her exceptional talent was further recognized in 2007 when she was appointed as Kammertänzerin (Royal Court Dancer) in Germany. In 2013, she was appointed as an honorary ambassador for the PyeongChang 2018 Olympics. Transitioning to her role as the Artistic Director at the Korean National Ballet in 2014, she has continued to shape the landscape of ballet in Korea. Notably, in 2022, she served as the principal speaker for International Dance Day. Kang's achievements have been recognized with honors and awards throughout her career, including the Prix de Lausanne scholarship in 1985, the Prix Benois de la Danse for Best Female Dancer in 1999, and the Bogwan Order of Cultural Merit from Republic of Korea, also in 1999. She has received recognition from various organizations and foundations, including the Ho-Am Foundation, the Ministry of Culture, Sports and Tourism of Korea, and the Korean-German Society, among others. Beyond her own performances, Kang has served as a jury member in several prestigious international dance competitions, including the Prix de Lausanne and the Seoul International Dance Competition. In 2013, she penned her autobiography, "A Passionate Heart Takes a Long Breath," followed by "Every Step I Take Is My Own" in 2017. Her influence extends beyond the stage, with the German Orchid Society naming a brand-new orchid after her in 1998. Additionally, she was invited to participate in the Fourth St. Petersburg International Cultural Forum in 2015, further solidifying her presence and influence in the world of ballet and the arts. In 1985, she graduated from the Académie de Danse Princesse Grace in Monte Carlo, Monaco, and in 2016, she was honored with an honorary doctorate degree from the Department of Dance at Sookmyung Women’s University in Seoul, Republic of Korea. Dancers | Korean National Ballet Kang Hyohyung, Kim Byeol, Park Seohyun, Sim Hyunhee, An Suyeon, Yang Heejae, Lee Eunseo, Lee Hayeon, Jung Eunji, Cho Yeonjae, Hwang Yubin, Kwak Donghyeon, Ryu Jewon, Byun Seongwan, Song Jungbin, Yang Junyoung, Lee Yoohong, Lee Jaewoo, Ha Jiseok, Heo Seomyeong Hee Seo | Principal Dancer, American Ballet Theatre Born in Seoul, South Korea, Hee Seo began her ballet training in her hometown at the Sun-hwa Arts Middle School. She was awarded a three-year full scholarship to continue her training at the Universal Ballet Academy in Washington, D. C. In 2003, Seo won a scholarship to train at the John Cranko Ballet Academy in Stuttgart. She is the recipient of the 2003 Prix de Lausanne Award and the 2003 Grand Prix at the Youth American Grand Prix in New York. She joined ABT Studio Company in 2004, became an apprentice with the main Company in May 2005, and joined the corps de ballet in March 2006. She was promoted to Soloist in August 2010 and to Principal Dancer in July 2012. Her repertoire with the company includes Terpsichore and Polyhymnia in Apollo, Nikiya, Gamzatti, a Lead D’Jampe, and a Shade in La Bayadère, Cinderella in Frederick Ashton’s Cinderella, Twig in James Kudelka’s Cinderella, Concerto pas de deux, Prayer in Coppélia, Medora in Le Corsaire, Depuis le Jour, Kitri, Mercedes, the Dryad Queen, and a flower girl in Don Quixote, The Dying Swan, Glove Seller in Gaîté Parisienne, Giselle and Zulma in Giselle, Queen of Shemakahn in the Golden Cockerel, Pierrette in Alexei Ratmansky’s Harlequinade, Blanche Ingram in Jane Eyre, Caroline in Jardin aux Lilas, Olympia in Lady of the Camellias, Rosaura in Like Water for Chocolate, the title role in Manon, Natalia Petrovna in A Month in the Country, Clara, the Princess and one of the Nutcracker’s Sisters in Ratmansky’s The Nutcracker, Callirhoe in Of Love and Rage, Tatiana in Onegin, Natalia in On the Dnipro, Other Dances, The Siren in Prodigal Son, Juliet in Romeo and Juliet, The Spirit of the Corn in The Seasons, Princess Aurora, the Lilac Fairy, the Fairy of Sincerity, and Princess Florine in The Sleeping Beauty, Princess Aurora in Ratmansky’s The Sleeping Beauty, Odette-Odile, the pas de trois, the Polish Princess, and a big swan in Swan Lake, the Sylph in La Sylphide, Prelude in Les Sylphides, Sylvia and Ceres in Sylvia, Thaïs Pas de Deux, Princess Tea Flower in Whipped Cream, leading roles in The Brahms-Haydn Variations, Chamber Symphony, Dark Elegies, The Leaves Are Fading, Monotones II, Mozartiana, Piano Concerto No. 1, Raymonda Divertissements, Seven Sonatas, Serenade after Plato’s Symposium, Thirteen Diversions, A Time There Was, and Valse Fantaisie, and featured roles in Ballo della Regina, Birthday Offering, Drink to Me Only With Thine Eyes, Duets, From Here On Out, Petite Mort, Overgrown Path, and Sinfonietta. She created Frost in The Seasons and leading roles in AFTERITE, Garden Blue, I Feel The Earth Move, and With a Chance of Rain. Seo has appeared as a guest artist with the Mariinsky Ballet dancing the title role in Giselle and Princess Aurora in The Sleeping Beauty. Cory Stearns | Principal Dancer, American Ballet Theatre Born on Long Island, New York, Cory Stearns began his classical training at the age of five with Mme. Valia Seiskaya at the Seiskaya Ballet. At age 15, he participated in the Youth America Grand Prix and was offered a full scholarship to The Royal Ballet School in London. Stearns performed in Madrid, Moscow, Milan, Düsseldorf, and London while at The Royal, and appeared with Kylie Minogue in her music video Chocolate in 2004. Upon graduating from The Royal Ballet School with honors, he received, for the second year, the Dame Ruth Railton Award for excellence in dance. Stearns joined American Ballet Theatre Studio Company in September 2004, the main Company as an apprentice in January 2005, and became a member of the corps de ballet in January 2006. He was appointed a Soloist in January 2009 and a Principal Dancer in January 2011. Stearns repertory with the Company includes The Man in AfterEffect, The Awakening Pas de Deux, Solor in La Bayadère, The Ballet Dancer in The Bright Stream, a featured role in Brief Fling, Her Prince Charming in Cinderella, Concerto pas de deux, Conrad in Le Corsaire, Daphnis in Daphnis and Chloe, Basilio and Espada in Don Quixote, Oberon in The Dream, a leading role in Études, Second Sailor in Fancy Free, Colas in La Fille mal gardée, Kaschei in Firebird, Baron in Gaîté Parisienne, Albrecht in Giselle, Astrologer in The Golden Cockerel, Grand Pas Classique, Her Lover in Jardin aux Lilas, Edward Rochester in Jane Eyre, Armand Duval in Lady of the Camellias, Let Me Sing Forevermore, Dr. John Brown in Like Water for Chocolate, Des Grieux in Manon, Beliaev in A Month in the Country, His Friend in The Moor’s Pavane, the Nutcracker Prince in Alexei Ratmansky’s The Nutcracker, Sergiy in On the Dnipro, Onegin in Onegin, Iago and a Carnival Dancer in Othello, Other Dances, Man From the House Opposite in Pillar of Fire, Romeo and Paris in Romeo and Juliet, the Terrestrial in Shadowplay, Prince Désiré, the Celtic Prince, and a Fairy Knight in The Sleeping Beauty, Prince Désiré in Ratmansky’s The Sleeping Beauty, Prince Siegfried and von Rothbart in Swan Lake, James in La Sylphide, the Poet in Les Sylphides, Some Assembly Required, Orion and Apollo in Sylvia, Prospero in The Tempest, Prince Coffee in Whipped Cream, leading roles in Allegro Brillante, The Brahms-Haydn Variations, Duo Concertant, Études, Everything Doesn’t Happen at Once, The Leaves Are Fading, Mozartiana, Monotones II, Rabbit and Rogue, Raymonda Divertissements, Symphony in C, Theme and Variations, Thirteen Diversions, and With a Chance of Rain, and featured roles in Citizen, Drink to Me Only With Thine Eyes, Duets, In the Upper Room, Overgrown Path, and Petite Mort. Stearns created Mithridates in Of Love and Rage, leading roles in AFTERITE, I Feel The Earth Move, Her Notes, Piano Concerto No. 1, Single Eye, A Time There Was, and ZigZag, and featured roles in From Here On Out, One of Three, and Private Light. Stearns won the 2009 Erik Bruhn Prize for best male dancer. Eun Won Lee | Principal Dancer, The Washington Ballet Eun Won Lee is in her third season with The Washington Ballet. She was formerly a Principal dancer with Korean National Ballet for six years and received her Bachelor of Fine Arts from Korea National University of Arts in Seoul, South Korea. She also attended Ye Won Art School. Lee is a distinguished recipient of The Korea Ballet Association’s Prima Ballerina Award and New Artist Award, Korea Ballet Competition’s Senior Silver Medal and Prima Ballerina Award, Varna Ballet Competition’s Junior Bronze Medal, Shanghai Ballet Competition’s Junior Silver Medal, Seoul International Ballet Competition’s Grand Prix Junior Gold Medal, and Vaganova Prix International Competition’s Elegance Award. Lee has danced diverse repertoire including leading roles in The Taming of the Shrew (Cranko), Giselle, Swan Lake, Don Quixote, La Bayadère, Spartacus, Raymonda, L’Arlésienne, The Nutcracker, The Seventh Symphony, Prince Ho Dong, Holberg Pas de deux, Tchaicovsky and Poise. Ariel Martínez | Principal Dancer, The Washington Ballet Ariel Martínez began his ballet studies at the School of Ballet Alejo Carpentier and continued his education at Fernando Alonso National Ballet School, associated with Ballet Nacional de Cuba. His instructors included Dunia Vera, Verónica Muxó, Normaria Olaechea, and Elena Cangas. He has competed in Italy, South Africa, Mexico, and Cuba, obtaining awards in many of these events, including a silver medal in the contest of the International Meeting of Academies for the Teaching of Ballet in 2014 and a gold medal for contemporary ballet performing Innovation in South Africa in 2016. In 2014 he became a company member of Ballet Nacional de Cuba, becoming a first soloist in 2016. He performed in the world premiere of Annabelle Lopez-Ochoa’s Oscurio, as well as her ballet Celeste. His repertoire includes Giselle, Swan Lake, Nutcracker, Don Quixote, Coppélia, and other other ballets by notable Cuban choreographers. Martínez is now a company member of The Washington Ballet. Aran Bell | Principal Dancer, American Ballet Theatre Note: Due to scheduling, Aran Bell of ABT will be unable to take part as originally announced. Aran Bell was born in Bethesda, Maryland. He began studying ballet at age four, receiving the majority of his early training at Central Pennsylvania Youth Ballet and with Denys Ganio in Rome, Italy. He continued his training with Fabrice Herrault in New York City and Magaly Suarez in Florida. He spent several summers at The Royal Ballet School in London, and at American Ballet Theatre’s Summer Intensive in New York City. Bell’s awards include the Hope Award at the Youth America Grand Prix Finals in New York City in 2009 and 2010, followed by the Junior Grand Prix in 2011, Grand Prix at the Milan International Ballet Competition (2010), the Premio Positano (2011), the Premio Amalfi Young Talent Award (2012), Gold Medal at Tanzolymp Berlin (2012), Gold Medal and Audience Choice Award at Rieti International Ballet Competition (2012), the Premio Roma Jia Ruskaja (2012), and the Premio Capri Danza International Award (2014). He has performed in galas throughout Europe and the United States. Bell was featured in the 2011 film First Position: A Ballet Documentary. Bell joined ABT Studio Company in September 2014, joined the main Company as an apprentice in May 2016 and became a member of the corps de ballet in March 2017. He was promoted to Soloist in September 2019 and to Principal Dancer in September 2020. His repertoire includes Lankendem in Le Corsaire, Basilio in Don Quixote, Albrecht in Giselle, Harlequin’s Friend in Harlequinade, St. John Rivers in Jane Eyre, The Leaves Are Fading pas de deux, Juan Alejandrez in Like Water for Chocolate, the Nutcracker Prince and the Mouse King in Alexei Ratmansky’s The Nutcracker, Romeo in Romeo and Juliet, Prince Désiré and the Spanish Prince in Ratmansky’s The Sleeping Beauty, Prince Siegfried and von Rothbart in Swan Lake, leading roles in Garden Blue, Thirteen Diversions, and ZigZag, and featured roles in AfterEffect, Deuce Coupe, In the Upper Room, Sinfonietta, and Songs of Bukovina. He created Mme. de Staël in A Gathering of Ghosts, Chaereas in Of Love and Rage, Winter in The Seasons, leading roles in AFTERITE, Danzón No. 2, Let Me Sing Forevermore, and New American Romance, and a featured role in Bernstein in a Bubble. Credits, Korean National Ballet Kang Suejin | Artistic Director & CEO Lee Jongmin | Managing Director Sin Museop | Deputy Artistic Director Park Il | Ballet Master Shin Hyun-seung | Director of Management Division Oh Jahyun | Director of Planning Department Lee Jung | Manager of Planning Department Hyunah Kim | Director of Marketing & PR Choi Taeeun | Team Member of Arts & Technical Support Park Changmo | Technical Director Lee Youngdon | Stage Manager Park Seong-jin | Sound Director Kim Inok | Costume Director Park Inhye | Makeup Director Ko Eilarn | Trainer Lee Hwayoung | Gayageum Musician Baek Siwon | Lighting Director Jeong Guhong | Lighting Programmer
-
- OnStage Korea performance series returns with “newtro” folk group bob in DC and at Capital One Hall in Tysons, VA
- The Korean Cultural Center Washington, D.C. (KCCDC) proudly presents innovative Korean “newtro” (new-retro) group bob as they redefine traditional folk music with contemporary style in a free ticketed concert at Capital One Hall in Tyson Corner, Va. on Sunday May 5 at 6:00 p.m., plus outdoor public performances in Washington, D.C. on Saturday, May 4 at the KCCDC during cultural festivities for Passport DC. This first showcase of the KCCDC’s performing arts series OnStage Korea kicks off the 2024 Season with an eye-opening look at recent trends in Korean creative music—often inspired by but not bound by tradition—including new takes on K-Pop and Korea’s most beloved classic folk song, Arirang. In addition to the public performances, bob members will make special visits to two DC Public Schools, King Elementary School and Houston Elementary School, on May 3 to introduce their music to American students participating in the Embassy Adoption Program with the KCCDC. Tickets to the May 5 concert are available free with online registration. The annual Around the World Embassy Tour open-house event on May 4, part of city-wide Passport DC festivities presented by Events DC, will include free casual performances by bob on the KCCDC outdoor stage at 11:30 a.m. and 1:30 p.m., among other cultural activities throughout the day. Information about Embassy Adoption Program visits can be found on the KCCDC website, or by contacting KCCDC staff. RSVP UPDATE Due to a strong response, this event has reached full capacity and we're unable to accept additional RSVPs at this time. We appreciate your understanding. While we will do our best to accommodate walk-in guests, please note that admission and seating cannot be guaranteed. We look forward to welcoming you to our future events. Thank you for your support. About the Performers Known for their cross-generational appeal and original compositions that fuse traditional melodies with contemporary style, bob has become one of Korea’s beloved folk ensembles, appearing on national Korean broadcasts. The group’s clever moniker is derived from a playful and literal twist on the word “pop” that reflects their vibrant and infectious sound. With a skillful blend of intricate instrumentation and authentic folk elements, bob creates a dynamic musical experience steeped in Korea’s rich history of retro pop genres. Their repertoire includes lively adaptations of the iconic Arirang and other folk songs (known in Korean as minyo) transformed into upbeat, modern arrangements. Founded in 2016, bob earned the silver prize in the Gugak Broadcasting Company’s 21C Korean Music Project in 2020. Suwan Lee | Vocals Suwan Lee is a graduate of the National High School of Traditional Korean Arts, Chugye University for the Arts, and the Graduate School of Chugye University for the Arts. She won the Overall Grand Prize in the Master Singer category at the National Folk Song and Gyeongchang Contest in Guri-si (Minister of Culture Award), the Gold Prize in the Master Singer category at the Gisan National Gugak Contest, Second Prize in the Master Singer category at the Grand Reading Sound Contest, First Prize in the Korea Hanbok Model Contest 2019, and the Participation Prize at the 21st Century Korean Music Project for "Swan." Yesul Kim | Keyboard Yesul Kim is a graduate of Seoul Institute of the Arts with a Bachelor's Degree in Applied Music and the Graduate School of Performing Arts at Ewha Womans University with a Master's Degree in Film Music. She won the Grand Prize at the 29th Baekma Singing Contest, Gold Prize at the 29th SWBS University Singing Contest, and First Prize at the 5th National Applied Music Contest of Dong-eui University. She joined the Im Chang-jeong Concert and the national tour of the SHOWComedian Concert, and played for the Kim Bo-kyeong (NEON) Concert. Seoyon Hong | Haegeum Seyon Hong is a graduate of the Gugak National High School and the Postmodern Music Department of Kyung Hee University. She won the Silver Award at the Sixth Gugak Chamber Music Festival and the "K-bridge" Participation Award at the 21st Century Korean Music Project in 2014 and 2015. She appeared in Gugak Scandal: Kkun for TVN, served as the chief Haegeum player for the Seoul Youth Gugak Group at Sejong Center, and completed major training at Thailand Superstar College of Asia. Minsoo Jung | Bass Minsoo Jung, a distinguished graduate of Berklee College of Music with a scholarship, has cultivated a rich career collaborating with a diverse array of local musicians. Despite initially lacking a musical background, his dedication and passion have propelled him to excel across various genres, including gospel, funk, CCM, pop, and jazz. Noteworthy collaborations include his work alongside esteemed Christian artists, such as YWAM Worship, Anointing, MyungSik Kang, and more. Boreum Kim | Drums Boreum Kim is a graduate of Seoul Institute of the Arts’ Department of Applied Music. He was invited to perform by the Korean national team in Kanazawa, Japan, played and has played drums in the orchestra for the musical Hamlet, for Yoo Jae-hwan, on the JTBC program Maknaga Show (Gyurangdan), and for singer CHEETAH on SBS's Midnight Entertainment Show. About the Performance Program Kkaekkijeogori (깨끼저고리) Arirang, Your Song (아리랑 너의노래) Gyeongbokgung Palace (경복궁타령) Summer Time (섬머타임) “Today’s youth” Nilniliya (“오늘, 청춘” 늴리리야) Drink Magic (주술) Dreaming with a Love Song (몽련가) Real to Reel Twinkle (트윙클) Kwaejina Ching Ching Nane (쾌지나 칭칭나네) Pyeongchang Arirang (평창아리랑) Performers Suwan Lee | Vocals Yesul Kim | Keyboard Seoyon Hong | Haegeum Minsoo Jung | Bass Boreum Kim | Drums About OnStage Korea OnStage Korea presented by the Korean Cultural Center Washington, D.C. seeks to discover brilliant Korean and Korean-inspired artists and groups performing around the world, giving them an opportunity to showcase their creativity on stage for the American public in the Capital region. The program also fosters international cultural exchange by expanding the visibility of Korean performing arts and artists in mainstream America. Featuring a diverse range of new artists each year, OnStage Korea presents unique, exceptional performances free to the public in and around Washington, D.C.
-
- A Special Performance for the Korean National Day and a Celebration of the 70th Anniversary of the ROK-US Alliance
- A Special Performance for the Korean National Day and a Celebration of the 70th Anniversary of the ROK-US Alliance Wednesday, October 18, 2023 at 8:00 p.m. The John F. Kennedy Center for the Performing Arts Eisenhower Theater RSVP UPDATE Thanks for your interest! Due to a strong response, this event is currently full and we are no longer accepting additional RSVPs. We appreciate your understanding. Hope to see you soon at our future events. Thank you. Experience the contemporary evolution of Korean culture with a special performance of trend-setting and innovative Korean performing arts groups in commemoration of the 70th anniversary of the Korea-US Alliance and Korea’s National Foundation Day, presented by the Embassy of Republic of Korea and the Korean Cultural Center Washington, D.C. Inspired by the shared history and vibrant cultural ties that unite Koreans and Americans moving forward, this event explores the past, present, and future of performing arts in Korea, from an original work by the National Dance Company of Korea to a hanbok fashion show presented by The Korean Cultural Association and dynamic LED dance by Saengdonggam Crew. The National Dance Company of Korea presents Scent of Ink, an original contemporary dance infused with the lofty spirit of traditional scholars. The intellectual nobility who once aspired to be free from the taint of the world are visualized in graceful style, represented on stage by an iconic form of Korean literary painting and traditional philosophy known as the Four Gracious Plants. The work consists of a prologue, epilogue, and a scene for each of the four seasonal florae: plum blossom (spring), orchid (summer), chrysanthemum (autumn), and bamboo (winter). Lush imagery unfolds on the stage, conveying virtuous and pure sentiments while inviting viewers to meditate on the harmonies they evoke. Like ink on paper, each dancer’s movements spread out to create a human painting set to classical Korean sanjo and elegant jeongga music. Audiences will find respite from the routines of daily life while being connected to the dignified spirit of ancient scholars. Saeng Dong Gam Crew presents two dynamic dances, Hwagwanmu and Cheongomu dances representing a rebirth of Korean beauty through a harmonious blend of splendid traditional court attire and vibrant LED technology. Each dance preserves traditional aesthetics and etiquette in a digital-age package. In a traditional Hwagwanmu, beautifully dressed dancers flick elongated hansam sleeves in the air to welcome and bless their audience, while Cheongomu uses the beating of a drum to symbolically open the gates of heaven and welcome an era of peace into our dizzying world. Traditional yonggo drums and rich costumes are integrated with LED lighting systems to create an original performance of percussion, dance, and play. The Korean Culture Association will showcase a hanbok fashion show that inherits the spirit of tradition and innovation with the traditional and modern clothes of Hanbok, the traditional Korean clothes. For the performance commemorating the 70th anniversary of the alliance between the two countries, special Stars and Stripes and Taegeukgi hanboks will be presented. *Disclaimer: This performance is an external rental presented in coordination with the Kennedy Center Campus Rentals Office and is not produced by the Kennedy Center. About the Performing Arts Groups Since its foundation in 1962, the National Dance Company of Korea (NDCK), a resident company of the National Theater of Korea, has continued to engage in art activities under the motto of creation based on tradition. While inheriting traditional folk dances under the guidance of the greatest artists of the day, the NDCK works to create and develop modern renditions of Korean dances to attract and inspire contemporary audiences. NDCK is now at the forefront of Korean creative dance arts of different aesthetics based on tradition, including its main repertoire Korea Fantasy that combines traditional dances, the representative dance theatre Chum, Chunhyang, and its latest stylish work, Scent of Ink. Comprising more than 50 of Korea’s top dancers who offer dynamic and sophisticated performances, NDCK constantly strives to develop a range of repertoires and new works that will become the traditions of the future. Korean Culture Association (KCA) have worked since 1984, to promote succession, development, and globalization of Korean culture for 40 years. The KCA has been introducing the world to Korean traditional cultural items like Korean traditional paper, food, clothing, painting, crafts, and music. On top of the, we have talked lead as cultural ambassadors for the cultural exchange of Korean culture and world’s clutters through the event in which do participate diplomats in Korea from more than 50 countries. The KCA have organized international cultural exchange events by virtue of our close ties with some 100 Embassies in Korea for over 20 years. We are taking the lead in the field of the cultural exchange by letting the people of the world know the depth of the Korean culture and tourism resources through diplomats, international reporters, and other visitors in Korea, as well as in cooperation with the other representative cultural organizations from all over the world. We will do our best to contribute to the development of the Korean tourism industry alongside state and local government through the world-class festivals to attract foreign tourist, as well as the cultural diplomacy. S.D.G Crew (Saeng Dong Gam Crew) is a team that shows eye-catching dark dance performances with wonderful productions throughout the performance. It was formed in 2002 and has been active together for more than 10 years. As a b-boy performance team boasting the best teamwork It is a b-boy crew that is opening a new horizon of a different b-boy performance through a unique and ingenious device that combines laser and media, not just a simple b-boy performance. The lively crew's LED Tron Dance is a high-quality performance that can be counted on the first finger among domestic blackout performances. LED Tron Dance is fun just to watch the performance, but you can also deliver a message or corporate image using LED props. In addition, the LED Tron Dance media performance, which collaborated with media images such as LED 2color Tron Dance, Obangsaek, and Michael Jackson Dance, will show a more splendid stage. Saengdonggam Crew produced “LED Tron Dance” for the first time in Korea and received public attention, starting with “Korea’s Got Talent Season II” and “SBS Stockings”. In 2014, she was invited to 'THE BEST LE Meilleur Artiste', which is hosted by France's TF1 channel, in which artists representing countries around the world participate, and was the first Asian country to perform on the final stage among 64 countries, performing shoulder to shoulder with artists representing countries around the world. value has been recognized. A performance combining media performance and Tron dance was produced and introduced through ‘KBS2 VJ Special Forces’, and captured the public’s heart through directing that was different from the existing performances.
-
- Laboratory Dance Project at The Kennedy Center (Oct. 31 - Nov. 2)
- The Korean Cultural Center Washington, D.C. (KCCDC) is pleased to partner with the Kennedy Center to present three performances by acclaimed Korean company Laboratory Dance Project (LDP) on Oct. 31, Nov. 1, and Nov 2 at 8:00 p.m. as a part of the 2024–2025 Kennedy Center Dance Season. This three-night series will highlight the cutting edge of contemporary Korean dance with one of its most recognizable and exceptional talents, LDP, performing two of their signature high-energy works: Ash and MOB. Don’t miss this opportunity to experience the vivacious, world-class quality of contemporary Korean performing arts in Washington, D.C. Founded in 2001, LDP is a contemporary dance project whose goal is to bring Korean contemporary dance to the global stage. Since its founding, LDP has played a role in enhancing the value of the arts while shaping a repertoire that emphasizes a rich artistic and communicative philosophy, including experimental challenges based on individuality and uniqueness. LDP's dancers have earned the public’s trust through their tireless efforts and sincerity, as well as their distinctive gifts and talents. Tickets are available through the Kennedy Center's Box Office. For more information, please see the Kennedy Center announcement. This performance series is presented by the Kennedy Center and sponsored by the Korean Cultural Center in Washington, D.C. Laboratory Dance Project Oct. 31, Nov. 1, and Nov. 2 (8:00 PM daily) Eisenhower Theater, The Kennedy Center (Washington, DC) NOTE: Tickets are available through the Kennedy Center Box Office, with special $39 and $59 ticket discounts for select Orchestra seating on Oct. 31 and Nov. 1 using this link or promo code 589082. See the Kennedy Center announcement for details. About the Works MOB Synopsis The German proverb “Nur tote Fische schwimmen mit dem Strom” translates to "only dead fish swim with the stream." This proverb reflects the idea that individuals who lose their personal perception and become part of a crowd may sometimes rise above simpler ideas with dignity, but at other times may regress to a more barbaric state. With anonymity, people tend to hide, exaggerate, and simplify their desires while shirking responsibility. The transformation of individuals into a mob, and the manipulation of individuals within a mob, is both intriguing and alarming, yet common. This dynamic of intolerance and brutality against others contrasts with a subtle sense of unity and intimacy. MOB closely examines these two facets of humanity, scrutinizing the interplay between the individual and the collective in society. The work explores the human inner self and the individual within society, focusing on the duality of human nature through crowd psychology. While individual dancers showcase their unique styles, they either blend into or are overwhelmed by the collective. The piece is characterized by LDP’s signature energetic masculinity and a palpable sense of tension. MOB premiered at the Arko Arts Theater in Seoul, Republic of Korea, on March 24, 2022. Credits Choreographer: Kim Dongkyu Dancers: Yoon Nara, Jeong Geon, Yun Seungmin, Kim Youngchae, Choi Hojeong, Bae Hyeonwoo, Kim Minseo, Kim Seokhyun Composer: Jang Jiho Lighting Designer: Kim Jung Wha Stage Manager/Staff Masterpiece: Kim Jisu Costume Designer: Choi Insook Photographer: BAKI Producer: NINANO Gook Jisoo Ash Synopsis I am not interested in reminiscing about drowsy nostalgia. Instead, I focus on the now faded appearance and question my fear of moving backward, despite my denial of reality. I reflect on my own disappearances and deficiencies, remembering the good old days, but I attempt to revisit the past without alteration. Just as the future remains invisible, the past may have also endured suffering. Is there a pile of ashes hidden deep in my heart, like how I now view the ashes? Since COVID-19, societal polarization has accelerated, prompting a reevaluation of how art reflects humanity. During a time when everything was paused and restricted, the gaps left by scarcity have grown ever larger. What has vanished without a trace? Are the things I claim have disappeared truly real? This work explores the concept of reversing time to address a period when even deprivation meant indifference. In this piece the choreographer questions individual deficiencies and embarks on a journey to return to an original, intact state by moving backward through time. Ash premiered at the Arko Arts Theater in Seoul, Republic of Korea, on March 24, 2022. Credits Choreographer: Kim Dongkyu Dancers: Jang Jiho, Shin Hoyoung, Jeong Geon, Joo Han Yoon, Lee Hong, Yun Seungmin, Kim Youngchae, Lee Jeongeun, Choi Hojeong, Park Jihee, Jang Hoiwon, Kim Yeona, Choi Yewon, Bae Hyeonwoo, Kim Seokhyun, Kim Minseo Composer: Jang Jiho Lighting Designer: Kim Jung Wha Stage Manager / Staff Masterpiece: Kim Jisu Costume Designer: Choi Insook Photographer: BAKI Producer: NINANO Gook Jisoo About LDP Founded in 2001, LDP is a contemporary dance project whose goal is to bring Korean contemporary dance to the global stage. Since its founding, LDP has played a role in enhancing the value of the arts while shaping a repertoire that emphasizes a rich artistic and communicative philosophy, including experimental challenges based on individuality and uniqueness. LDP's dancers have earned the public’s trust through their tireless efforts and sincerity, as well as their distinctive gifts and talents. LDP enjoys widespread acclaim in South Korea, consistently achieving sold-out performances and garnering invitations to prestigious international dance festivals. The company's global presence was established with its early collaborations, including notable performances at I-camp and Muffathalle Theater in Munich with Micha Purucker of Tanztendenz. LDP’s international footprint expanded through festivals in Mannheim, Hannover, France, and Slovenia, as well as appearances at the Venice Dance Biennale (2006 and 2007), the Frankfurt Book Fair, and Switzerland's Winterthur Arts Festival. The company has also participated in the New York APAP Conference, Japan Society Showcase, Suzanne Dellal Festival in Israel, and various European tours. In 2011, LDP was featured at the White Bird Festival in Portland and the Jacob's Pillow Dance Festival in the United States and was further boosted by an invitation to New York City Center’s Fall For Dance Festival in 2012. Dancers Kim Minseo, Kim Seokhyun, Kim Yeona, Kim Youngchae, Park Jihee, Bae Hyeonwoo, Shin Hoyoung, Yoon Nara, Yun Seungmin, Lee Jeongeun, Lee Hong, Jang Jiho, Jang Hoiwon, Jeong Geon, Choi Ye Won, Choi Hojeong, Han Yoon Joo About the CEO Yoon Nara, CEO Yoon Nara is a choreographer and the chief representative for LDP. He graduated with a Bachelor of Fine Arts in Contemporary Dance from Korea National University of Arts in 2011 and completed his Master’s degree in the same field in 2018. He has served as a lecturer at Kaywon High School of the Arts and as a mentor at the Korea National University of Arts Gifted Education Center. Yoon has received numerous dance accolades, including 3rd place at the Korea International Dance Competition in 2012, 2nd place at the Berlin International Dance Competition in 2013, 2nd place at the Hellas International Dance Competition in Greece in 2014, 1st place in the Contemporary Male Category at the Seoul International Dance Competition in 2015, the Best Choreographer Award at the Korean Dance Association’s 2018 Young Choreographer’s Exhibition, and the Grand Prize at the Duet Festival in 2018. His notable choreographic works include We Need a Dialogue (2011), What's Your Name? (2017), Essential Emotion (2018), I Will Assist You (2018), and Not Sun View (2018). About the Choreographer Kim Dongkyu, Choreographer Kim Dongkyu demonstrates his artistic sense of balance by presenting movements based on rich skills in flexible and natural patterns. For the public, he is a choreographer who presents modern dance styles that are truly comfortable, easy, fun and free. His greatest strength is showing the possibility of expanding the performance space and exceeding its fixed limits. LDP Achievements 2024 May 5-7: 24th Laboratory Dance Project, Arko Arts Theater, Seoul, Korea <View> <Intricate Threads of Humanity> 2023 April 7-9: 23rd Laboratory Dance Project, Daehakro Arts Theater, Seoul, Korea <Children> September 13-14: Seoul International Dance Festival SIDANCE, Seoul, Korea <Children> September 28 – October 1: Seoul Street Arts Festival, Seoul City Hall, Seoul, Korea <Rebirth> October 13: Busan Dance Market, Geumjeong Arts Center, Busan, Korea <Stagnant Water> October 22: K-Wave Dance Festival, Han River, Seoul, Korea <Stagnant Water> December 19: Seoul International Choreography Festival, SCF, Arko Arts Theater, Seoul, Korea 2022 March 24-27: 22nd Laboratory Dance Project, Arko Arts Theater, Seoul, Korea July 23: Gunsan Arts Center <No Comment> <MOMBURIM> July 29: Jeju Arts Center <Ash> August 12: LG Arts Center, Seoul, Korea <Look Look> September 3: Sungnam Arts Center <Ash> September 17: International Modern Dance Festival MODAFE, Kyoungki Arts Center <No Comment> September 18: Haebichi Art Festival Showcase, Jeju, Korea <Look Look> October 2: Hansung Culture Festival, Olympic Park, Seoul, Korea <Ash> October 13-14: Cervantino Festival, Teatro Principal, Mexico <Ash> 2021 April 29-May 2: 21st Laboratory Dance Project, Daehakro Arts Theater, Seoul, Korea June 4: International Dance Festival <MOMBURIM> August 12: Chuncheon Performing Arts Festival, Chuncheon, Korea <MOB> August 28-29: Goyang Culture Foundation, Saerasae ON, Goyang, Korea <No Comment>, <MOMBURIM> September 1: Dancers Career Development Center invited performance, Seongnam Arts Center <MOB> September 9: Daegu International Dance Festival, Daegu, Korea <Lavender Vender> October 17: 2021 Taewhagang Performing Arts Festival, Korea <MOB> October 28: Gunsan International Dance Festival, Gunsan, Korea <Lavender Vender> November 19: The 42nd Seoul Dance Festival, Arko Arts Theater, Seoul, Korea <Ash> November 24: 2021 Haebichi Art Festival Showcase, Jeju, Korea <MOMBURIM> 2020 May 2-10: 20th Laboratory Dance Project, Seoul, Korea June: Dancers Career Development Center invited performance, Jeju, Korea <MOB> July 17-18: Goyang Culture Foundation, Goyang AreumNuri Theater, Korea <No Comment>, <MOMBURIM> October: LDP x Eric Languet (FR) Coproduction <MAT(T)ER> 2019 February 9: PyeongChang Winter Olympics Korea, 1st Anniversary, PyeongChang Arena, Korea <MOB> April 5-7: 19th Laboratory Dance Project, Daehakro Arts Theater, Seoul, Korea May 17: The Inauguration, The Embassy of Switzerland in Korea, Seoul, Korea <360° 92W Dance Loop> May 24-25: ILT Festival, Aarhus, Denmark <No Comment>, <MOB> May 29: Dancers Career Development Center invited performance, Jeju, Korea <No Comment> September 26-29: LDP X LG Arts Center, LG Arts Center, Seoul, Korea <Triple Bill> October 17: ECM 50th Anniversary exhibition, Hyundai Card Storage <RE:ECM> October 28-December 1: LAVA Company Invited Choreography, Tenerife, Spain <YALACHA> November 22-23: ECM 50th Anniversary exhibition, Hyundai Card Storage <RE:ECM> 2018 February 25: PyeongChang Winter Olympics Korea, Closing Ceremony March 23-25: 18th Laboratory Dance Project, Arko Arts Theater, Seoul, Korea April 13: Dancers Career Development Center invited performance, Seoul, Korea <MOB> May 5-6: Ansan International Street Arts Festival (ASAF), Korea <Look Look> May 17: The 10th Dancing City Incheon, Incheon, Korea <MOB> June 1: The 14th Busan International Dance Festival, Busan, Korea <MOB> June 2: Busan International Street Arts Festival, Busan, Korea <MOB> June 20: Haebichi Art Festival Showcase, Jeju, Korea <Look Look> July 5: Hanam Asia Comic Dance Festival, Hanam, Korea <Look Look> July 25: Chuncheon Culture & Art Center - La Siesta, Korea <MOB>, <No Comment> August 13: The 63rd Anniversary Kukbang UNIV., Korea <MOB> August 31: Tanzmesse, Germany <No Comment> September 22-24: La Merce, Barcelona, Spain <Look Look> September 27 - October 2: MilanOltre Festival, Italy <No Comment>, <BOW>, <Look Look>, <Black Comedy> October 24: Ansan Arts Center <THIS IS NOT MY LIFE> October 28: All That Dance Festival, Seoul, Korea <MOB> November 16 - December 1: The Istanbul State Opera & Ballet - Modern Dance Theatre Istanbul Invited Choreography <Heyecan> November 29: Early Winter Festival, Incheon Culture and Arts Center, Korea <No Comment>, <BOW>, <MOB> December 11: Seoul International Choreography Festival, GALA, Arko Arts Theater, Korea <MOB> 2017 March 31 - April 2: 17th Laboratory Dance Project, Arko Arts Theater, Seoul, Korea June 13: 10th Haebichi Art Festival Showcase, Jeju, Korea <MOB> October 6-7: Seoul Street Arts Festival (SSAF), Seoul, Korea <Look Look> October 10-11: Seoul Performing Arts Festival (SPAF), Seoul, Korea <Look Look> October 14: Daegu Asia Dance Festival (DACDF), Daegu, Korea <Look Look>
-
- Korean National Ballet Gala Performance
- Join us for a celebration of cultural exchange between the Republic of Korea and the United States during a Korean National Ballet Gala Performance at The Kennedy Center, featuring Korea's premier performing arts ensemble under the guidance of artistic director Kang Suejin. This special event will present a curated selection of timeless classics and captivating contemporary works from the global ballet repertoire and feature esteemed principal dancers Hee Seo and Cory Stearns of the American Ballet Theatre and Eun Won Lee and Ariel Martinez of The Washington Ballet as special guests, symbolizing the enduring cultural bonds between two nations. (Note: Due to scheduling, Aran Bell of ABT will be unable to take part as originally announced.) Each performer will present original and classical dance compositions, reflecting their distinctive styles and creative inspirations through a narrative of movement and personal reflection. The Korean National Ballet will showcase the essence of classical ballet with performances of iconic works such as “Swan Lake” and “Le Corsaire,” alongside original ballet productions that draw inspiration from Korean culture. Eun Won Lee will unveil a compelling ballet piece entitled “Finding Light,” choreographed by the renowned Edwaard Liang, artistic director of The Washington Ballet. Meanwhile, Hee Seo will captivate audiences with a performance of the Pas de Deux from “The Seasons: Summer,” choreographed by Alexei Ratmansky. This unique gala performance will offer a rare glimpse into the trends and techniques of Korean and American ballet, fostering a platform for cultural and artistic exchange between the two nations through the medium of dance. Korean National Ballet Gala Performance Wednesday, July 10 at 7:00 p.m. Eisenhower Theater, The Kennedy Center Tickets for this event are free with and RSVP (below), but seating is limited. This performance is an external rental presented in coordination with the Kennedy Center Campus Rentals Office and is not produced by the Kennedy Center. RSVP UPDATE Due to a strong response, this event has reached full capacity and we are unable to accept additional RSVPs at this time. While we will do our best to accommodate any walk-in guests without an RSVP, admission and seating are not guaranteed. Thank you for your understanding, and we look forward to welcoming you to future events! Program Swan Lake: Grand Pas de Deux Finding Light Hoi Rang: Pas de Deux Quartet of the Soul Season: SPRING Swan Lake: White Swan Pas de Deux Le Corsaire: Pas de Trois Bow About the Artists Korean National Ballet The Korean National Ballet was founded in 1962 as the first professional ballet company in Korea. Today, it features a superb and versatile troupe of Korean dancers capable of performing an extensive repertoire. The Korean National Ballet performs a worldwide acclaimed repertoire including The Nutcracker, Swan Lake, Spartacus, La Bayadère choreographed by Yuri Grigorovich, Giselle by Patrice Bart, The Taming of the Shrew by John Cranko, Sleeping Beauty by Marcia Haydée, Anna Karenina by Christian Spuck, Serenade and Jewels by George Balanchine, Forgotten Land and Sechs Tänze by Jiří Kylián, The Seventh Symphony by Uwe Scholz, The Rite of Spring by Glen Tetley, La Fille mal gardée by Frederick Ashton, and The Little Mermaid by John Neumeier. The Korean National Ballet has also presented its own versions of Le Corsaire in 2020 and Don Quixote in 2023, based on Marius Petipa’s famous classical ballets. The Korean National Ballet created Prince Hodong, Heonanseolheon-Suwolkyunghwa, and Hoi Rang, and they are seeking new choreographers and repertoires through the KNB Movement Series started in 2015. The Korean National Ballet also performs on stages around the world, earning notable accolades in Italy, Russia, Belgium, Colombia, Canada, Hong Kong, the United Arab Emirates, the Czech Republic, Switzerland, Germany, Japan and the United Kingdom. The company strives to enhance the prominence of Korean ballet on the international stage. In May 2023, the Korean National Ballet was invited to the International May Festival held in Wiesbaden, Germany, to perform its own version of Le Corsaire. In April 2024, the company was invited by The Royal Ballet to perform Season: Spring at the International Draft Works 2024, improving the international status of Korean Ballet on the world stage. Since 2021, through its public non-profit project Fly Higher with KNB, the Korean National Ballet offers ballet lessons to elementary school students in rural provinces, providing the opportunity to perform with the company’s dancers on stage. Kang Suejin | Artistic Director, Korean National Ballet Artistic Director Kang Suejin boasts an impressive career trajectory and a multitude of accolades. From 1986 to 2016, she graced the stages of the Stuttgart Ballet in Germany, steadily climbing the ranks from Soloist in 1994 to Principal dancer in 1997. Her exceptional talent was further recognized in 2007 when she was appointed as Kammertänzerin (Royal Court Dancer) in Germany. In 2013, she was appointed as an honorary ambassador for the PyeongChang 2018 Olympics. Transitioning to her role as the Artistic Director at the Korean National Ballet in 2014, she has continued to shape the landscape of ballet in Korea. Notably, in 2022, she served as the principal speaker for International Dance Day. Kang's achievements have been recognized with honors and awards throughout her career, including the Prix de Lausanne scholarship in 1985, the Prix Benois de la Danse for Best Female Dancer in 1999, and the Bogwan Order of Cultural Merit from Republic of Korea, also in 1999. She has received recognition from various organizations and foundations, including the Ho-Am Foundation, the Ministry of Culture, Sports and Tourism of Korea, and the Korean-German Society, among others. Beyond her own performances, Kang has served as a jury member in several prestigious international dance competitions, including the Prix de Lausanne and the Seoul International Dance Competition. In 2013, she penned her autobiography, "A Passionate Heart Takes a Long Breath," followed by "Every Step I Take Is My Own" in 2017. Her influence extends beyond the stage, with the German Orchid Society naming a brand-new orchid after her in 1998. Additionally, she was invited to participate in the Fourth St. Petersburg International Cultural Forum in 2015, further solidifying her presence and influence in the world of ballet and the arts. In 1985, she graduated from the Académie de Danse Princesse Grace in Monte Carlo, Monaco, and in 2016, she was honored with an honorary doctorate degree from the Department of Dance at Sookmyung Women’s University in Seoul, Republic of Korea. Dancers | Korean National Ballet Kang Hyohyung, Kim Byeol, Park Seohyun, Sim Hyunhee, An Suyeon, Yang Heejae, Lee Eunseo, Lee Hayeon, Jung Eunji, Cho Yeonjae, Hwang Yubin, Kwak Donghyeon, Ryu Jewon, Byun Seongwan, Song Jungbin, Yang Junyoung, Lee Yoohong, Lee Jaewoo, Ha Jiseok, Heo Seomyeong Hee Seo | Principal Dancer, American Ballet Theatre Born in Seoul, South Korea, Hee Seo began her ballet training in her hometown at the Sun-hwa Arts Middle School. She was awarded a three-year full scholarship to continue her training at the Universal Ballet Academy in Washington, D. C. In 2003, Seo won a scholarship to train at the John Cranko Ballet Academy in Stuttgart. She is the recipient of the 2003 Prix de Lausanne Award and the 2003 Grand Prix at the Youth American Grand Prix in New York. She joined ABT Studio Company in 2004, became an apprentice with the main Company in May 2005, and joined the corps de ballet in March 2006. She was promoted to Soloist in August 2010 and to Principal Dancer in July 2012. Her repertoire with the company includes Terpsichore and Polyhymnia in Apollo, Nikiya, Gamzatti, a Lead D’Jampe, and a Shade in La Bayadère, Cinderella in Frederick Ashton’s Cinderella, Twig in James Kudelka’s Cinderella, Concerto pas de deux, Prayer in Coppélia, Medora in Le Corsaire, Depuis le Jour, Kitri, Mercedes, the Dryad Queen, and a flower girl in Don Quixote, The Dying Swan, Glove Seller in Gaîté Parisienne, Giselle and Zulma in Giselle, Queen of Shemakahn in the Golden Cockerel, Pierrette in Alexei Ratmansky’s Harlequinade, Blanche Ingram in Jane Eyre, Caroline in Jardin aux Lilas, Olympia in Lady of the Camellias, Rosaura in Like Water for Chocolate, the title role in Manon, Natalia Petrovna in A Month in the Country, Clara, the Princess and one of the Nutcracker’s Sisters in Ratmansky’s The Nutcracker, Callirhoe in Of Love and Rage, Tatiana in Onegin, Natalia in On the Dnipro, Other Dances, The Siren in Prodigal Son, Juliet in Romeo and Juliet, The Spirit of the Corn in The Seasons, Princess Aurora, the Lilac Fairy, the Fairy of Sincerity, and Princess Florine in The Sleeping Beauty, Princess Aurora in Ratmansky’s The Sleeping Beauty, Odette-Odile, the pas de trois, the Polish Princess, and a big swan in Swan Lake, the Sylph in La Sylphide, Prelude in Les Sylphides, Sylvia and Ceres in Sylvia, Thaïs Pas de Deux, Princess Tea Flower in Whipped Cream, leading roles in The Brahms-Haydn Variations, Chamber Symphony, Dark Elegies, The Leaves Are Fading, Monotones II, Mozartiana, Piano Concerto No. 1, Raymonda Divertissements, Seven Sonatas, Serenade after Plato’s Symposium, Thirteen Diversions, A Time There Was, and Valse Fantaisie, and featured roles in Ballo della Regina, Birthday Offering, Drink to Me Only With Thine Eyes, Duets, From Here On Out, Petite Mort, Overgrown Path, and Sinfonietta. She created Frost in The Seasons and leading roles in AFTERITE, Garden Blue, I Feel The Earth Move, and With a Chance of Rain. Seo has appeared as a guest artist with the Mariinsky Ballet dancing the title role in Giselle and Princess Aurora in The Sleeping Beauty. Cory Stearns | Principal Dancer, American Ballet Theatre Born on Long Island, New York, Cory Stearns began his classical training at the age of five with Mme. Valia Seiskaya at the Seiskaya Ballet. At age 15, he participated in the Youth America Grand Prix and was offered a full scholarship to The Royal Ballet School in London. Stearns performed in Madrid, Moscow, Milan, Düsseldorf, and London while at The Royal, and appeared with Kylie Minogue in her music video Chocolate in 2004. Upon graduating from The Royal Ballet School with honors, he received, for the second year, the Dame Ruth Railton Award for excellence in dance. Stearns joined American Ballet Theatre Studio Company in September 2004, the main Company as an apprentice in January 2005, and became a member of the corps de ballet in January 2006. He was appointed a Soloist in January 2009 and a Principal Dancer in January 2011. Stearns repertory with the Company includes The Man in AfterEffect, The Awakening Pas de Deux, Solor in La Bayadère, The Ballet Dancer in The Bright Stream, a featured role in Brief Fling, Her Prince Charming in Cinderella, Concerto pas de deux, Conrad in Le Corsaire, Daphnis in Daphnis and Chloe, Basilio and Espada in Don Quixote, Oberon in The Dream, a leading role in Études, Second Sailor in Fancy Free, Colas in La Fille mal gardée, Kaschei in Firebird, Baron in Gaîté Parisienne, Albrecht in Giselle, Astrologer in The Golden Cockerel, Grand Pas Classique, Her Lover in Jardin aux Lilas, Edward Rochester in Jane Eyre, Armand Duval in Lady of the Camellias, Let Me Sing Forevermore, Dr. John Brown in Like Water for Chocolate, Des Grieux in Manon, Beliaev in A Month in the Country, His Friend in The Moor’s Pavane, the Nutcracker Prince in Alexei Ratmansky’s The Nutcracker, Sergiy in On the Dnipro, Onegin in Onegin, Iago and a Carnival Dancer in Othello, Other Dances, Man From the House Opposite in Pillar of Fire, Romeo and Paris in Romeo and Juliet, the Terrestrial in Shadowplay, Prince Désiré, the Celtic Prince, and a Fairy Knight in The Sleeping Beauty, Prince Désiré in Ratmansky’s The Sleeping Beauty, Prince Siegfried and von Rothbart in Swan Lake, James in La Sylphide, the Poet in Les Sylphides, Some Assembly Required, Orion and Apollo in Sylvia, Prospero in The Tempest, Prince Coffee in Whipped Cream, leading roles in Allegro Brillante, The Brahms-Haydn Variations, Duo Concertant, Études, Everything Doesn’t Happen at Once, The Leaves Are Fading, Mozartiana, Monotones II, Rabbit and Rogue, Raymonda Divertissements, Symphony in C, Theme and Variations, Thirteen Diversions, and With a Chance of Rain, and featured roles in Citizen, Drink to Me Only With Thine Eyes, Duets, In the Upper Room, Overgrown Path, and Petite Mort. Stearns created Mithridates in Of Love and Rage, leading roles in AFTERITE, I Feel The Earth Move, Her Notes, Piano Concerto No. 1, Single Eye, A Time There Was, and ZigZag, and featured roles in From Here On Out, One of Three, and Private Light. Stearns won the 2009 Erik Bruhn Prize for best male dancer. Eun Won Lee | Principal Dancer, The Washington Ballet Eun Won Lee is in her third season with The Washington Ballet. She was formerly a Principal dancer with Korean National Ballet for six years and received her Bachelor of Fine Arts from Korea National University of Arts in Seoul, South Korea. She also attended Ye Won Art School. Lee is a distinguished recipient of The Korea Ballet Association’s Prima Ballerina Award and New Artist Award, Korea Ballet Competition’s Senior Silver Medal and Prima Ballerina Award, Varna Ballet Competition’s Junior Bronze Medal, Shanghai Ballet Competition’s Junior Silver Medal, Seoul International Ballet Competition’s Grand Prix Junior Gold Medal, and Vaganova Prix International Competition’s Elegance Award. Lee has danced diverse repertoire including leading roles in The Taming of the Shrew (Cranko), Giselle, Swan Lake, Don Quixote, La Bayadère, Spartacus, Raymonda, L’Arlésienne, The Nutcracker, The Seventh Symphony, Prince Ho Dong, Holberg Pas de deux, Tchaicovsky and Poise. Ariel Martínez | Principal Dancer, The Washington Ballet Ariel Martínez began his ballet studies at the School of Ballet Alejo Carpentier and continued his education at Fernando Alonso National Ballet School, associated with Ballet Nacional de Cuba. His instructors included Dunia Vera, Verónica Muxó, Normaria Olaechea, and Elena Cangas. He has competed in Italy, South Africa, Mexico, and Cuba, obtaining awards in many of these events, including a silver medal in the contest of the International Meeting of Academies for the Teaching of Ballet in 2014 and a gold medal for contemporary ballet performing Innovation in South Africa in 2016. In 2014 he became a company member of Ballet Nacional de Cuba, becoming a first soloist in 2016. He performed in the world premiere of Annabelle Lopez-Ochoa’s Oscurio, as well as her ballet Celeste. His repertoire includes Giselle, Swan Lake, Nutcracker, Don Quixote, Coppélia, and other other ballets by notable Cuban choreographers. Martínez is now a company member of The Washington Ballet. Aran Bell | Principal Dancer, American Ballet Theatre Note: Due to scheduling, Aran Bell of ABT will be unable to take part as originally announced. Aran Bell was born in Bethesda, Maryland. He began studying ballet at age four, receiving the majority of his early training at Central Pennsylvania Youth Ballet and with Denys Ganio in Rome, Italy. He continued his training with Fabrice Herrault in New York City and Magaly Suarez in Florida. He spent several summers at The Royal Ballet School in London, and at American Ballet Theatre’s Summer Intensive in New York City. Bell’s awards include the Hope Award at the Youth America Grand Prix Finals in New York City in 2009 and 2010, followed by the Junior Grand Prix in 2011, Grand Prix at the Milan International Ballet Competition (2010), the Premio Positano (2011), the Premio Amalfi Young Talent Award (2012), Gold Medal at Tanzolymp Berlin (2012), Gold Medal and Audience Choice Award at Rieti International Ballet Competition (2012), the Premio Roma Jia Ruskaja (2012), and the Premio Capri Danza International Award (2014). He has performed in galas throughout Europe and the United States. Bell was featured in the 2011 film First Position: A Ballet Documentary. Bell joined ABT Studio Company in September 2014, joined the main Company as an apprentice in May 2016 and became a member of the corps de ballet in March 2017. He was promoted to Soloist in September 2019 and to Principal Dancer in September 2020. His repertoire includes Lankendem in Le Corsaire, Basilio in Don Quixote, Albrecht in Giselle, Harlequin’s Friend in Harlequinade, St. John Rivers in Jane Eyre, The Leaves Are Fading pas de deux, Juan Alejandrez in Like Water for Chocolate, the Nutcracker Prince and the Mouse King in Alexei Ratmansky’s The Nutcracker, Romeo in Romeo and Juliet, Prince Désiré and the Spanish Prince in Ratmansky’s The Sleeping Beauty, Prince Siegfried and von Rothbart in Swan Lake, leading roles in Garden Blue, Thirteen Diversions, and ZigZag, and featured roles in AfterEffect, Deuce Coupe, In the Upper Room, Sinfonietta, and Songs of Bukovina. He created Mme. de Staël in A Gathering of Ghosts, Chaereas in Of Love and Rage, Winter in The Seasons, leading roles in AFTERITE, Danzón No. 2, Let Me Sing Forevermore, and New American Romance, and a featured role in Bernstein in a Bubble. Credits, Korean National Ballet Kang Suejin | Artistic Director & CEO Lee Jongmin | Managing Director Sin Museop | Deputy Artistic Director Park Il | Ballet Master Shin Hyun-seung | Director of Management Division Oh Jahyun | Director of Planning Department Lee Jung | Manager of Planning Department Hyunah Kim | Director of Marketing & PR Choi Taeeun | Team Member of Arts & Technical Support Park Changmo | Technical Director Lee Youngdon | Stage Manager Park Seong-jin | Sound Director Kim Inok | Costume Director Park Inhye | Makeup Director Ko Eilarn | Trainer Lee Hwayoung | Gayageum Musician Baek Siwon | Lighting Director Jeong Guhong | Lighting Programmer
-
- OnStage Korea performance series returns with “newtro” folk group bob in DC and at Capital One Hall in Tysons, VA
- The Korean Cultural Center Washington, D.C. (KCCDC) proudly presents innovative Korean “newtro” (new-retro) group bob as they redefine traditional folk music with contemporary style in a free ticketed concert at Capital One Hall in Tyson Corner, Va. on Sunday May 5 at 6:00 p.m., plus outdoor public performances in Washington, D.C. on Saturday, May 4 at the KCCDC during cultural festivities for Passport DC. This first showcase of the KCCDC’s performing arts series OnStage Korea kicks off the 2024 Season with an eye-opening look at recent trends in Korean creative music—often inspired by but not bound by tradition—including new takes on K-Pop and Korea’s most beloved classic folk song, Arirang. In addition to the public performances, bob members will make special visits to two DC Public Schools, King Elementary School and Houston Elementary School, on May 3 to introduce their music to American students participating in the Embassy Adoption Program with the KCCDC. Tickets to the May 5 concert are available free with online registration. The annual Around the World Embassy Tour open-house event on May 4, part of city-wide Passport DC festivities presented by Events DC, will include free casual performances by bob on the KCCDC outdoor stage at 11:30 a.m. and 1:30 p.m., among other cultural activities throughout the day. Information about Embassy Adoption Program visits can be found on the KCCDC website, or by contacting KCCDC staff. RSVP UPDATE Due to a strong response, this event has reached full capacity and we're unable to accept additional RSVPs at this time. We appreciate your understanding. While we will do our best to accommodate walk-in guests, please note that admission and seating cannot be guaranteed. We look forward to welcoming you to our future events. Thank you for your support. About the Performers Known for their cross-generational appeal and original compositions that fuse traditional melodies with contemporary style, bob has become one of Korea’s beloved folk ensembles, appearing on national Korean broadcasts. The group’s clever moniker is derived from a playful and literal twist on the word “pop” that reflects their vibrant and infectious sound. With a skillful blend of intricate instrumentation and authentic folk elements, bob creates a dynamic musical experience steeped in Korea’s rich history of retro pop genres. Their repertoire includes lively adaptations of the iconic Arirang and other folk songs (known in Korean as minyo) transformed into upbeat, modern arrangements. Founded in 2016, bob earned the silver prize in the Gugak Broadcasting Company’s 21C Korean Music Project in 2020. Suwan Lee | Vocals Suwan Lee is a graduate of the National High School of Traditional Korean Arts, Chugye University for the Arts, and the Graduate School of Chugye University for the Arts. She won the Overall Grand Prize in the Master Singer category at the National Folk Song and Gyeongchang Contest in Guri-si (Minister of Culture Award), the Gold Prize in the Master Singer category at the Gisan National Gugak Contest, Second Prize in the Master Singer category at the Grand Reading Sound Contest, First Prize in the Korea Hanbok Model Contest 2019, and the Participation Prize at the 21st Century Korean Music Project for "Swan." Yesul Kim | Keyboard Yesul Kim is a graduate of Seoul Institute of the Arts with a Bachelor's Degree in Applied Music and the Graduate School of Performing Arts at Ewha Womans University with a Master's Degree in Film Music. She won the Grand Prize at the 29th Baekma Singing Contest, Gold Prize at the 29th SWBS University Singing Contest, and First Prize at the 5th National Applied Music Contest of Dong-eui University. She joined the Im Chang-jeong Concert and the national tour of the SHOWComedian Concert, and played for the Kim Bo-kyeong (NEON) Concert. Seoyon Hong | Haegeum Seyon Hong is a graduate of the Gugak National High School and the Postmodern Music Department of Kyung Hee University. She won the Silver Award at the Sixth Gugak Chamber Music Festival and the "K-bridge" Participation Award at the 21st Century Korean Music Project in 2014 and 2015. She appeared in Gugak Scandal: Kkun for TVN, served as the chief Haegeum player for the Seoul Youth Gugak Group at Sejong Center, and completed major training at Thailand Superstar College of Asia. Minsoo Jung | Bass Minsoo Jung, a distinguished graduate of Berklee College of Music with a scholarship, has cultivated a rich career collaborating with a diverse array of local musicians. Despite initially lacking a musical background, his dedication and passion have propelled him to excel across various genres, including gospel, funk, CCM, pop, and jazz. Noteworthy collaborations include his work alongside esteemed Christian artists, such as YWAM Worship, Anointing, MyungSik Kang, and more. Boreum Kim | Drums Boreum Kim is a graduate of Seoul Institute of the Arts’ Department of Applied Music. He was invited to perform by the Korean national team in Kanazawa, Japan, played and has played drums in the orchestra for the musical Hamlet, for Yoo Jae-hwan, on the JTBC program Maknaga Show (Gyurangdan), and for singer CHEETAH on SBS's Midnight Entertainment Show. About the Performance Program Kkaekkijeogori (깨끼저고리) Arirang, Your Song (아리랑 너의노래) Gyeongbokgung Palace (경복궁타령) Summer Time (섬머타임) “Today’s youth” Nilniliya (“오늘, 청춘” 늴리리야) Drink Magic (주술) Dreaming with a Love Song (몽련가) Real to Reel Twinkle (트윙클) Kwaejina Ching Ching Nane (쾌지나 칭칭나네) Pyeongchang Arirang (평창아리랑) Performers Suwan Lee | Vocals Yesul Kim | Keyboard Seoyon Hong | Haegeum Minsoo Jung | Bass Boreum Kim | Drums About OnStage Korea OnStage Korea presented by the Korean Cultural Center Washington, D.C. seeks to discover brilliant Korean and Korean-inspired artists and groups performing around the world, giving them an opportunity to showcase their creativity on stage for the American public in the Capital region. The program also fosters international cultural exchange by expanding the visibility of Korean performing arts and artists in mainstream America. Featuring a diverse range of new artists each year, OnStage Korea presents unique, exceptional performances free to the public in and around Washington, D.C.
-
- A Special Performance for the Korean National Day and a Celebration of the 70th Anniversary of the ROK-US Alliance
- A Special Performance for the Korean National Day and a Celebration of the 70th Anniversary of the ROK-US Alliance Wednesday, October 18, 2023 at 8:00 p.m. The John F. Kennedy Center for the Performing Arts Eisenhower Theater RSVP UPDATE Thanks for your interest! Due to a strong response, this event is currently full and we are no longer accepting additional RSVPs. We appreciate your understanding. Hope to see you soon at our future events. Thank you. Experience the contemporary evolution of Korean culture with a special performance of trend-setting and innovative Korean performing arts groups in commemoration of the 70th anniversary of the Korea-US Alliance and Korea’s National Foundation Day, presented by the Embassy of Republic of Korea and the Korean Cultural Center Washington, D.C. Inspired by the shared history and vibrant cultural ties that unite Koreans and Americans moving forward, this event explores the past, present, and future of performing arts in Korea, from an original work by the National Dance Company of Korea to a hanbok fashion show presented by The Korean Cultural Association and dynamic LED dance by Saengdonggam Crew. The National Dance Company of Korea presents Scent of Ink, an original contemporary dance infused with the lofty spirit of traditional scholars. The intellectual nobility who once aspired to be free from the taint of the world are visualized in graceful style, represented on stage by an iconic form of Korean literary painting and traditional philosophy known as the Four Gracious Plants. The work consists of a prologue, epilogue, and a scene for each of the four seasonal florae: plum blossom (spring), orchid (summer), chrysanthemum (autumn), and bamboo (winter). Lush imagery unfolds on the stage, conveying virtuous and pure sentiments while inviting viewers to meditate on the harmonies they evoke. Like ink on paper, each dancer’s movements spread out to create a human painting set to classical Korean sanjo and elegant jeongga music. Audiences will find respite from the routines of daily life while being connected to the dignified spirit of ancient scholars. Saeng Dong Gam Crew presents two dynamic dances, Hwagwanmu and Cheongomu dances representing a rebirth of Korean beauty through a harmonious blend of splendid traditional court attire and vibrant LED technology. Each dance preserves traditional aesthetics and etiquette in a digital-age package. In a traditional Hwagwanmu, beautifully dressed dancers flick elongated hansam sleeves in the air to welcome and bless their audience, while Cheongomu uses the beating of a drum to symbolically open the gates of heaven and welcome an era of peace into our dizzying world. Traditional yonggo drums and rich costumes are integrated with LED lighting systems to create an original performance of percussion, dance, and play. The Korean Culture Association will showcase a hanbok fashion show that inherits the spirit of tradition and innovation with the traditional and modern clothes of Hanbok, the traditional Korean clothes. For the performance commemorating the 70th anniversary of the alliance between the two countries, special Stars and Stripes and Taegeukgi hanboks will be presented. *Disclaimer: This performance is an external rental presented in coordination with the Kennedy Center Campus Rentals Office and is not produced by the Kennedy Center. About the Performing Arts Groups Since its foundation in 1962, the National Dance Company of Korea (NDCK), a resident company of the National Theater of Korea, has continued to engage in art activities under the motto of creation based on tradition. While inheriting traditional folk dances under the guidance of the greatest artists of the day, the NDCK works to create and develop modern renditions of Korean dances to attract and inspire contemporary audiences. NDCK is now at the forefront of Korean creative dance arts of different aesthetics based on tradition, including its main repertoire Korea Fantasy that combines traditional dances, the representative dance theatre Chum, Chunhyang, and its latest stylish work, Scent of Ink. Comprising more than 50 of Korea’s top dancers who offer dynamic and sophisticated performances, NDCK constantly strives to develop a range of repertoires and new works that will become the traditions of the future. Korean Culture Association (KCA) have worked since 1984, to promote succession, development, and globalization of Korean culture for 40 years. The KCA has been introducing the world to Korean traditional cultural items like Korean traditional paper, food, clothing, painting, crafts, and music. On top of the, we have talked lead as cultural ambassadors for the cultural exchange of Korean culture and world’s clutters through the event in which do participate diplomats in Korea from more than 50 countries. The KCA have organized international cultural exchange events by virtue of our close ties with some 100 Embassies in Korea for over 20 years. We are taking the lead in the field of the cultural exchange by letting the people of the world know the depth of the Korean culture and tourism resources through diplomats, international reporters, and other visitors in Korea, as well as in cooperation with the other representative cultural organizations from all over the world. We will do our best to contribute to the development of the Korean tourism industry alongside state and local government through the world-class festivals to attract foreign tourist, as well as the cultural diplomacy. S.D.G Crew (Saeng Dong Gam Crew) is a team that shows eye-catching dark dance performances with wonderful productions throughout the performance. It was formed in 2002 and has been active together for more than 10 years. As a b-boy performance team boasting the best teamwork It is a b-boy crew that is opening a new horizon of a different b-boy performance through a unique and ingenious device that combines laser and media, not just a simple b-boy performance. The lively crew's LED Tron Dance is a high-quality performance that can be counted on the first finger among domestic blackout performances. LED Tron Dance is fun just to watch the performance, but you can also deliver a message or corporate image using LED props. In addition, the LED Tron Dance media performance, which collaborated with media images such as LED 2color Tron Dance, Obangsaek, and Michael Jackson Dance, will show a more splendid stage. Saengdonggam Crew produced “LED Tron Dance” for the first time in Korea and received public attention, starting with “Korea’s Got Talent Season II” and “SBS Stockings”. In 2014, she was invited to 'THE BEST LE Meilleur Artiste', which is hosted by France's TF1 channel, in which artists representing countries around the world participate, and was the first Asian country to perform on the final stage among 64 countries, performing shoulder to shoulder with artists representing countries around the world. value has been recognized. A performance combining media performance and Tron dance was produced and introduced through ‘KBS2 VJ Special Forces’, and captured the public’s heart through directing that was different from the existing performances.
-
- Exhibitions
-
- Experiencing Autumn: Korean Traditional Culture (Oct. 10 - Nov. 30)
- Join us for Experiencing Autumn, a special interactive exhibition and activity space in the galleries of the Korean Cultural Center Washington, D.C., from October 10 through November 30, 2024! Across three galleries, visitors are invited to explore the beauty of Korean culture through holiday tradition displays, original artwork, and hands-on crafting and fashion experiences, all celebrating the themes of Chuseok and Hangeul Proclamation Day. The first of three experience galleries showcases the significance of Chuseok, the traditional fall harvest holiday akin to Thanksgiving, with displays of traditional folk crafts and a beautifully arranged authentic Charye table, a centerpiece of Korean homes used for ancestral rites. Also on display are traditional folk crafts and a stunning display of pressed flower art utilizing Korea’s national flower, Mugunghwa. The second gallery celebrates the Korean alphabet Hangeul and its deep cultural significance through board games, name-writing activities, and self-guided cultural workshops allowing participants to appreciate Korean heritage firsthand. The third gallery explores the making of traditional folk crafts such as fans and lanterns, providing a deeper understanding of Korea's rich and practical crafting history. In keeping with the Korean spirit of autumn, this exhibition will be held in concert with Language, Culture, & Society: A Close Reading of Cho Nam-ju's Novel, "Kim Ji-young, Born 1982" with Professor Immanuel Kim on Oct. 31 and Nov. 7 at the KCCDC. As the Korean saying going, 가을은 독서의 계절 – fall is the season for literature. Don’t miss this chance to immerse yourself in the beauty of Korean culture! Visitors can experience the galleries and self-guided workshops any time during regular KCCDC hours without an RSVP. Groups may also wish to schedule a presentation through the Befriend Korea Program which can coincide with Experiencing Autumn. Exhibition Activities All activities are free to participate in, and to take home in some cases, but supplies may be limited! Charye Sang: Ancestral Rites Table Learn about and participate in the deep, rich history of Charye, the tradition of honoring family ancestors with an offering of traditional foods. The Charye table is especially important during traditional holidays in Korea, including Chuseok in the fall. National Museum of Korea Coloring Books: “Precious Things We Meet at the Museum” Utilize our vibrant brush pens and markers to bring to life the pages of this incredibly detailed advanced coloring book that richly blends the museum’s collections with playful twists in the style of Korean traditional folk art. Hanbok: Korean Traditional Fashion Pick you hanbok, style yourself, and pose for an unforgettable, supremely instagrammable photo! Hanbok is traditional Korean clothing, for both men and women—they’re vibrant, iconic, and fabulous. Hangeul Bracelet Crafting Create your own customized bracelet with a rainbow of colored beads, emojis, or a special message in Hangeul, the Korean alphabet! Korean Heritage “Deung” Wish Lantern Paper Craft Kit Craft your very own Wish Lantern, known as deung in Korean, utilizing paper, glue, and your own crafting skills. This kit takes a bit more time but is worth the effort! Tray Inlaid with Mother-of-Pearl Craft Kit Create your very own replica of a classic Korean craft—a tray inlaid with mother-of-pearl that creates stunning iridescent folk culture imagery. Plus additional activities, with more being added! See below for some more things to see and do.
-
- Korean contemporary artists challenge social convention in new duo exhibition Merging Realms: Art Across Boundaries
- The Korean Cultural Center Washington, D.C. (KCCDC) proudly presents Merging Realms: Art Across Boundaries, a new exhibition of sculpture, installation, fashion, and video works by artists Donghun Sung and Dabal Kim that blur the lines between traditional social constructs, on view June 7 – August 9, 2024. The exhibition opening reception on Friday, June 7 at 6:30 p.m. (RSVP required) coincides with Art Walk Dupont’s local community art event First Friday and will feature a live performance by fellow artists Junghee Oh and Songhee Lee-Chung in collaboration with featured artist Dabal Kim in front of Kim’s new work, Twelve Doors. This central work in the show reinterprets Korean traditional attire from a contemporary perspective. After the performance, there will be an opportunity to engage in conversation with the artists and performers. Artists Donghun Sung and Dabal Kim have collaborated for decades. Their visually compelling works aim to blur the lines between different cultures, media, spaces, and times. By crossing the social and cultural boundaries between tradition and modernity, myth and history, and feminine and masculine, their collective artistic journey reflects their objective of creating a novel visual world—one that blends values and questions modern dichotomies of knowledge. Merging Realms: Art Across Boundaries will remain on view at the KCCDC June 7 through August 9, 2024 during regular visitor hours (M-F, 10 AM-noon & 1-5 PM) 2024 with an opening reception during extended evening hours on Friday, June 7 (6:30 p.m. to 8:00 p.m.). 👉RSVP here👈 About the Artists Donghun Sung explores cross-medium concepts in his sculpted works, often combining various materials that evoke a specific time, place, and set of values. For example, his pieces incorporate iron, representing industrial machinery, alongside wood and ceramics that are reminiscent of traditional Asian crafts. His subjects range from religious and mythical figures to animals, frequently portraying images of Buddha and of deer, symbolizing sacred icons and archetypes of myth across cultures. In this exhibition, Sung features small-scale works that capture this unique artistic essence. Video compilations of his extensive works and interviews provide further insight into his artistic world. Dabal Kim uses clothing as her primary artistic channel. She explores the cultural significance of traditional garments and ornaments, as clothes often represent socially and culturally defined identities such as customs and gender. By patching various elements into a single costume, she transcends these established values. Her works include large-scale costume installations, performances, photography, and video. A common subject in her work is the reinterpretation of traditional Korean clothing, hanbok. In this show Kim disassembles and redesigns sim-eui, a garment worn by the elites of Korea’s ancient Goryeo Dynasty who were heavily influenced by Confucianism, transforming its cultural meanings through a modern perspective. Also featured are some of Kim’s earlier video works. About the Opening Reception Performance Artists Songhee Lee-Chung is a dancer specializing in traditional Korean dance. In 1997, she had her first solo recital “Karma” which was featured in The New York Times. Since then, she has been actively performing around the world and the U.S. at such venues as Flushing Town Hall, Greek National Dance Theater, CID UNESCO World Congress on Dance, NEA Montana Folk Festival, and International Festival at Chihuahua, Mexico. She was also appointed as a member Artist teacher for K-12 public school for “Spotlight Korea” at The Korean Cultural Center New York from 2014. Currently, she is Artistic Director and Choreographer for the Songhee Lee Dance Company and serves as Teaching Artist in traditional Korean dance at Flushing Town Hall. She was QCA Grant Recipient in 2010 and 2014, and awarded QCA New Work Grant in 2022. Junghee Oh, leader of the group G-Hwaja, is a Korean traditional music artist specializing in Gayageum Byeongchang (singing with self-accompaniment on the 12-stringed Gayageum zither) as well as Pansori, the iconic traditional story-telling art performed by a solo vocalist and percussion accompaniment. Ms. Oh is officially recognized in Korea as a holder of intangible cultural property No. 23 in Gayageum Sanjo and Byeongchang. She has performed at major events as a featured performer in Korea and abroad. She had performances in numerous significant musical events and was featured as the main guest in many Korean Cultural events in prominent institutions. She received her master’s degree in Korean music from Chung-Ang University in Seoul Korea. She currently serves as the music director of the music band G-Hwaja and performing artist based in the NY & NJ metropolitan area.
-
- Korean contemporary artists explore post-human existence in Nature’s Echo exhibition series in DC
- The Korean Cultural Center Washington, D.C. (KCCDC) proudly presents Imagining Post-Anthropocene, an immersive new exhibition exploring the convergence of humanity, technology, and ecology in a modern society shaped by colonial legacies and rapid technological progress. Featuring provocative works by Korean artists Yeon Sung and Junha Kim, this second show in the Nature's Echo exhibition series aims to illuminate the fluidity of human and non-human elements of society at the intersection of reality and fantasy. From human beings as environmental metric tools to mechanical body dysmorphia, this exhibition aims to provoke reflections on the evolving nature of humanity’s relationship with a not-so-natural environment. Imagining Post-Anthropocene launches with a public opening reception and guided tour by artist Yeon Sung on April 16 at 6:00 p.m. and will remain on view at the KCCDC through May 17, 2024, including extended evening hours for the local community event Art Walk Dupont on May 3 (6:00 – 8:00 p.m.). About the Artists The artistic vision of Yeon Sung is embodied in her featured multimedia installation Weathering Ports. By integrating accessible technology and participatory performances, Sung strives to address colonial dynamics that limit marginalized communities’ access to resources and discourse participation. Her work thus aims to promote inclusivity in data sharing and discourse. Sung draws inspiration from her research into pollution in Europe's largest port, Maasvlakte in Rotterdam, and her installation features video documenting her journey to collect pollution data using a DIY apparatus. The audience is invited to participate in Sung’s data generation by replicating the process, and through such interactions the artist suggests human bodies as a medium for experiencing—and a literal embodiment of—environmental phenomena. For more information on this artist, visit Yeon Sung’s website at https://yeon-sung.com. Yeon Sung Weathering Ports Performance view (2023, Maasvlakte) Yeon Sung D: D-D-D Guerilla performance (2023, Mapo Air Monitoring Station) Junha Kim's surrealistic animation The Posthuman Hospital delves into the intricacies of the posthuman condition with mesmerizing detail. Inspired by Donna Haraway's Cyborg Manifesto, Kim's work endeavors to dissolve the boundaries between human and machine and between reality and fiction, prompting viewers to reevaluate the essence of identity in an era of profound technological change. Set within a hospital where humans and machines seamlessly interact and intermingle, The Posthuman Hospital presents multiple scenarios that challenge these traditional distinctions. Beyond mere physical attributes, Kim’s work suggests the inevitable overlap of emotion and cultural practices. He achieves his distinctive visual effects by creating three-dimensional scans of everyday objects and overlaying retro Super 8 film effects. Kim utilizes the uncanny valley effect—unease with human-like technology—to provoke viewers' discomfort and contemplation, demonstrating how ordinary objects in extraordinary contexts can blur the lines between human and non-human. For more information on this artist, visit Junha Kim’s website at https://www.junhakim.com. Junha Kim The Posthuman Hospital Still images from video (credit: Still from The Posthuman Hospital)
-
- Nature's Echo: Beyond the Human-Centric Perspectives (February 29 - April 5)
- The Korean Cultural Center Washington, D.C. (KCCDC) is delighted to present Nature's Echo, a new series of exhibitions delving into the intricate relationships between humanity, nature, and technology amidst the global climate crisis. The inaugural show, Beyond the Human-Centric Perspectives, invites visitors to explore diverse artistic lenses that challenge traditional views and offer fresh insights into the natural world, on view at the KCCDC February 29 through April 5, 2024 including extended evening hours for the local community event Art Walk Dupont on March 21 and April 5 (6-8 PM, RSVP below). In this exhibition, three Korean artists employ diverse media to explore this central theme. Hana Yoo delves into the complexities of laboratory rats, wild rats, and machine learning in her video installations, seeking a non-hierarchical system of coexistence between humans and nature. Bo Kim’s archival images of museum specimens challenge conventional narratives of human categorization and modern taxonomy. Hyewoo Shin, through affectionate examinations of plants, presents botanical representations that defy human-centric agendas, offering sincere portrayals of nature's essence. As they navigate the exhibition, visitors are encouraged to embrace these diverse perspectives and rediscover the profound beauty and complexity of the natural world from new vantage points. Embark on a journey of exploration and discovery where the boundaries between human, animal, and machine blur, and new possibilities emerge. Beyond the Human-Centric Perspectives will remain on view at the KCCDC February 29 through April 5, 2024 during regular visitor hours (M-F, 10 AM-noon & 1-5 PM) and during two extended evening showings as part of ArtWalk Dupont on Thursday, March 21, including remarks by artists Bo Kim and Hyewoo Shin, and on Friday, April 5 (6-8 PM both days, RSVP below). Nature’s Echo will also include future 2024 exhibitions at the KCCDC as well as local institutional art collaborations to be announced. Special Events: ArtWalk Dupont & Artist Talks Third Thursday Thursday, March 21, 6-8 PM Delve deeper into the artists' works and personal stories through in-person talks by Bo Kim and Hyewoo Shin. RSVP required to join the artist talk (below); exhibition open to walk-ins. Program (UPDATED) 6:00 - 6:30 pm | Check-in 6:30 - 7:00 pm | Exhibition Tour (self-guided) 7:00 - 7:30 pm | Artist Talks 7:30 - 7:45 pm | Q&A with the Artists and Curator First Friday Friday, April 5, 6-8 PM Program (UPDATED) 6:00 - 6:30 pm | Check-in 6:30 - 7:30 pm | 7:30 - 8:00 pm | Artist Talk with Hana Yoo 7:30 - 8:00 pm | 7:30 - 8:00 pm | Artist Talk Exhibition Tour (self-guided) RSVP FOR THIS EVENT! About the Artists Bo Kim is an artist, researcher, and educator based in Amherst, MA and Northern Virginia with a background spanning art therapy, oriental painting, and studio arts. Her practice involves meticulously reproducing photographs from museum archives using traditional materials, while scrutinizing elements of documentation that underscore institutionalization. Kim's work has been showcased nationally and internationally, including exhibitions at prestigious venues such as the Consulate General of the Republic of Korea in Washington, D.C., and the Korean Cultural Center in New York, NY. She has also participated in artist residencies and received various fellowships, demonstrating her commitment to advancing artistic discourse and exploration. Bo Kim Red-Headed Woodpeckers/ Chesnut-Collared Longspur (2022) Hana Yoo is an artist and researcher whose primary interest lies in the point where the spectrum of extremes bends into a circle and the two ends meet. Through film and installation, Yoo develops narratives in which dramatically exaggerated anthropomorphism loses its function, hoping that the subject and object dissolve into each other while leaving only the moment of transformation. Women, animals, and representations of the natural environment appear in superficial forms as the protagonists who have long been objectified, exploited, and oppressed. New technological media, institutions, and stereotyped concepts appear as tools or supporting actors that maximize the ambivalence of human perspectives on the environment, revealing the dynamics of power connected therein. Yoo’s previous and ongoing collaborations include IRI THESys (Integrative Research Institute on Transformations of Human-Environment Systems, Humboldt-Universität zu Berlin), KI-Camp (AI research association organized by the German Federal Ministry of Education and Research and the German Informatics Society), and the Institute of Animal Welfare, Animal Behavior, and Laboratory Animal Science (Freie Universität Berlin). Hana Yoo BareLife (2022) Digital film (still photo of installation) Hyewoo Shin, in her role as a full-time researcher at the Smithsonian Environment Research Center, finds a rich source of inspiration for her artistic endeavors through her daily interactions with plants. By incorporating actual seeds into her creations, she not only adds a tangible dimension to her artwork but also highlights the often-overlooked complexity and diversity of botanical treasures. Shin's exhibitions, which have garnered international attention with notable showcases including in Seoul at the National Museum of Modern and Contemporary Art, Korea as well as in the United States, UK, and Australia, serve as a platform for her to share her deep reverence for the natural world with audiences worldwide, fostering a deeper understanding of and connection to the intricate tapestry of the plant world. Hyewoo Shin Seeds of Gymnosperms in Korea (2022)
-
- Experiencing Autumn: Korean Traditional Culture (Oct. 10 - Nov. 30)
- Join us for Experiencing Autumn, a special interactive exhibition and activity space in the galleries of the Korean Cultural Center Washington, D.C., from October 10 through November 30, 2024! Across three galleries, visitors are invited to explore the beauty of Korean culture through holiday tradition displays, original artwork, and hands-on crafting and fashion experiences, all celebrating the themes of Chuseok and Hangeul Proclamation Day. The first of three experience galleries showcases the significance of Chuseok, the traditional fall harvest holiday akin to Thanksgiving, with displays of traditional folk crafts and a beautifully arranged authentic Charye table, a centerpiece of Korean homes used for ancestral rites. Also on display are traditional folk crafts and a stunning display of pressed flower art utilizing Korea’s national flower, Mugunghwa. The second gallery celebrates the Korean alphabet Hangeul and its deep cultural significance through board games, name-writing activities, and self-guided cultural workshops allowing participants to appreciate Korean heritage firsthand. The third gallery explores the making of traditional folk crafts such as fans and lanterns, providing a deeper understanding of Korea's rich and practical crafting history. In keeping with the Korean spirit of autumn, this exhibition will be held in concert with Language, Culture, & Society: A Close Reading of Cho Nam-ju's Novel, "Kim Ji-young, Born 1982" with Professor Immanuel Kim on Oct. 31 and Nov. 7 at the KCCDC. As the Korean saying going, 가을은 독서의 계절 – fall is the season for literature. Don’t miss this chance to immerse yourself in the beauty of Korean culture! Visitors can experience the galleries and self-guided workshops any time during regular KCCDC hours without an RSVP. Groups may also wish to schedule a presentation through the Befriend Korea Program which can coincide with Experiencing Autumn. Exhibition Activities All activities are free to participate in, and to take home in some cases, but supplies may be limited! Charye Sang: Ancestral Rites Table Learn about and participate in the deep, rich history of Charye, the tradition of honoring family ancestors with an offering of traditional foods. The Charye table is especially important during traditional holidays in Korea, including Chuseok in the fall. National Museum of Korea Coloring Books: “Precious Things We Meet at the Museum” Utilize our vibrant brush pens and markers to bring to life the pages of this incredibly detailed advanced coloring book that richly blends the museum’s collections with playful twists in the style of Korean traditional folk art. Hanbok: Korean Traditional Fashion Pick you hanbok, style yourself, and pose for an unforgettable, supremely instagrammable photo! Hanbok is traditional Korean clothing, for both men and women—they’re vibrant, iconic, and fabulous. Hangeul Bracelet Crafting Create your own customized bracelet with a rainbow of colored beads, emojis, or a special message in Hangeul, the Korean alphabet! Korean Heritage “Deung” Wish Lantern Paper Craft Kit Craft your very own Wish Lantern, known as deung in Korean, utilizing paper, glue, and your own crafting skills. This kit takes a bit more time but is worth the effort! Tray Inlaid with Mother-of-Pearl Craft Kit Create your very own replica of a classic Korean craft—a tray inlaid with mother-of-pearl that creates stunning iridescent folk culture imagery. Plus additional activities, with more being added! See below for some more things to see and do.
-
- Korean contemporary artists challenge social convention in new duo exhibition Merging Realms: Art Across Boundaries
- The Korean Cultural Center Washington, D.C. (KCCDC) proudly presents Merging Realms: Art Across Boundaries, a new exhibition of sculpture, installation, fashion, and video works by artists Donghun Sung and Dabal Kim that blur the lines between traditional social constructs, on view June 7 – August 9, 2024. The exhibition opening reception on Friday, June 7 at 6:30 p.m. (RSVP required) coincides with Art Walk Dupont’s local community art event First Friday and will feature a live performance by fellow artists Junghee Oh and Songhee Lee-Chung in collaboration with featured artist Dabal Kim in front of Kim’s new work, Twelve Doors. This central work in the show reinterprets Korean traditional attire from a contemporary perspective. After the performance, there will be an opportunity to engage in conversation with the artists and performers. Artists Donghun Sung and Dabal Kim have collaborated for decades. Their visually compelling works aim to blur the lines between different cultures, media, spaces, and times. By crossing the social and cultural boundaries between tradition and modernity, myth and history, and feminine and masculine, their collective artistic journey reflects their objective of creating a novel visual world—one that blends values and questions modern dichotomies of knowledge. Merging Realms: Art Across Boundaries will remain on view at the KCCDC June 7 through August 9, 2024 during regular visitor hours (M-F, 10 AM-noon & 1-5 PM) 2024 with an opening reception during extended evening hours on Friday, June 7 (6:30 p.m. to 8:00 p.m.). 👉RSVP here👈 About the Artists Donghun Sung explores cross-medium concepts in his sculpted works, often combining various materials that evoke a specific time, place, and set of values. For example, his pieces incorporate iron, representing industrial machinery, alongside wood and ceramics that are reminiscent of traditional Asian crafts. His subjects range from religious and mythical figures to animals, frequently portraying images of Buddha and of deer, symbolizing sacred icons and archetypes of myth across cultures. In this exhibition, Sung features small-scale works that capture this unique artistic essence. Video compilations of his extensive works and interviews provide further insight into his artistic world. Dabal Kim uses clothing as her primary artistic channel. She explores the cultural significance of traditional garments and ornaments, as clothes often represent socially and culturally defined identities such as customs and gender. By patching various elements into a single costume, she transcends these established values. Her works include large-scale costume installations, performances, photography, and video. A common subject in her work is the reinterpretation of traditional Korean clothing, hanbok. In this show Kim disassembles and redesigns sim-eui, a garment worn by the elites of Korea’s ancient Goryeo Dynasty who were heavily influenced by Confucianism, transforming its cultural meanings through a modern perspective. Also featured are some of Kim’s earlier video works. About the Opening Reception Performance Artists Songhee Lee-Chung is a dancer specializing in traditional Korean dance. In 1997, she had her first solo recital “Karma” which was featured in The New York Times. Since then, she has been actively performing around the world and the U.S. at such venues as Flushing Town Hall, Greek National Dance Theater, CID UNESCO World Congress on Dance, NEA Montana Folk Festival, and International Festival at Chihuahua, Mexico. She was also appointed as a member Artist teacher for K-12 public school for “Spotlight Korea” at The Korean Cultural Center New York from 2014. Currently, she is Artistic Director and Choreographer for the Songhee Lee Dance Company and serves as Teaching Artist in traditional Korean dance at Flushing Town Hall. She was QCA Grant Recipient in 2010 and 2014, and awarded QCA New Work Grant in 2022. Junghee Oh, leader of the group G-Hwaja, is a Korean traditional music artist specializing in Gayageum Byeongchang (singing with self-accompaniment on the 12-stringed Gayageum zither) as well as Pansori, the iconic traditional story-telling art performed by a solo vocalist and percussion accompaniment. Ms. Oh is officially recognized in Korea as a holder of intangible cultural property No. 23 in Gayageum Sanjo and Byeongchang. She has performed at major events as a featured performer in Korea and abroad. She had performances in numerous significant musical events and was featured as the main guest in many Korean Cultural events in prominent institutions. She received her master’s degree in Korean music from Chung-Ang University in Seoul Korea. She currently serves as the music director of the music band G-Hwaja and performing artist based in the NY & NJ metropolitan area.
-
- Korean contemporary artists explore post-human existence in Nature’s Echo exhibition series in DC
- The Korean Cultural Center Washington, D.C. (KCCDC) proudly presents Imagining Post-Anthropocene, an immersive new exhibition exploring the convergence of humanity, technology, and ecology in a modern society shaped by colonial legacies and rapid technological progress. Featuring provocative works by Korean artists Yeon Sung and Junha Kim, this second show in the Nature's Echo exhibition series aims to illuminate the fluidity of human and non-human elements of society at the intersection of reality and fantasy. From human beings as environmental metric tools to mechanical body dysmorphia, this exhibition aims to provoke reflections on the evolving nature of humanity’s relationship with a not-so-natural environment. Imagining Post-Anthropocene launches with a public opening reception and guided tour by artist Yeon Sung on April 16 at 6:00 p.m. and will remain on view at the KCCDC through May 17, 2024, including extended evening hours for the local community event Art Walk Dupont on May 3 (6:00 – 8:00 p.m.). About the Artists The artistic vision of Yeon Sung is embodied in her featured multimedia installation Weathering Ports. By integrating accessible technology and participatory performances, Sung strives to address colonial dynamics that limit marginalized communities’ access to resources and discourse participation. Her work thus aims to promote inclusivity in data sharing and discourse. Sung draws inspiration from her research into pollution in Europe's largest port, Maasvlakte in Rotterdam, and her installation features video documenting her journey to collect pollution data using a DIY apparatus. The audience is invited to participate in Sung’s data generation by replicating the process, and through such interactions the artist suggests human bodies as a medium for experiencing—and a literal embodiment of—environmental phenomena. For more information on this artist, visit Yeon Sung’s website at https://yeon-sung.com. Yeon Sung Weathering Ports Performance view (2023, Maasvlakte) Yeon Sung D: D-D-D Guerilla performance (2023, Mapo Air Monitoring Station) Junha Kim's surrealistic animation The Posthuman Hospital delves into the intricacies of the posthuman condition with mesmerizing detail. Inspired by Donna Haraway's Cyborg Manifesto, Kim's work endeavors to dissolve the boundaries between human and machine and between reality and fiction, prompting viewers to reevaluate the essence of identity in an era of profound technological change. Set within a hospital where humans and machines seamlessly interact and intermingle, The Posthuman Hospital presents multiple scenarios that challenge these traditional distinctions. Beyond mere physical attributes, Kim’s work suggests the inevitable overlap of emotion and cultural practices. He achieves his distinctive visual effects by creating three-dimensional scans of everyday objects and overlaying retro Super 8 film effects. Kim utilizes the uncanny valley effect—unease with human-like technology—to provoke viewers' discomfort and contemplation, demonstrating how ordinary objects in extraordinary contexts can blur the lines between human and non-human. For more information on this artist, visit Junha Kim’s website at https://www.junhakim.com. Junha Kim The Posthuman Hospital Still images from video (credit: Still from The Posthuman Hospital)
-
- Nature's Echo: Beyond the Human-Centric Perspectives (February 29 - April 5)
- The Korean Cultural Center Washington, D.C. (KCCDC) is delighted to present Nature's Echo, a new series of exhibitions delving into the intricate relationships between humanity, nature, and technology amidst the global climate crisis. The inaugural show, Beyond the Human-Centric Perspectives, invites visitors to explore diverse artistic lenses that challenge traditional views and offer fresh insights into the natural world, on view at the KCCDC February 29 through April 5, 2024 including extended evening hours for the local community event Art Walk Dupont on March 21 and April 5 (6-8 PM, RSVP below). In this exhibition, three Korean artists employ diverse media to explore this central theme. Hana Yoo delves into the complexities of laboratory rats, wild rats, and machine learning in her video installations, seeking a non-hierarchical system of coexistence between humans and nature. Bo Kim’s archival images of museum specimens challenge conventional narratives of human categorization and modern taxonomy. Hyewoo Shin, through affectionate examinations of plants, presents botanical representations that defy human-centric agendas, offering sincere portrayals of nature's essence. As they navigate the exhibition, visitors are encouraged to embrace these diverse perspectives and rediscover the profound beauty and complexity of the natural world from new vantage points. Embark on a journey of exploration and discovery where the boundaries between human, animal, and machine blur, and new possibilities emerge. Beyond the Human-Centric Perspectives will remain on view at the KCCDC February 29 through April 5, 2024 during regular visitor hours (M-F, 10 AM-noon & 1-5 PM) and during two extended evening showings as part of ArtWalk Dupont on Thursday, March 21, including remarks by artists Bo Kim and Hyewoo Shin, and on Friday, April 5 (6-8 PM both days, RSVP below). Nature’s Echo will also include future 2024 exhibitions at the KCCDC as well as local institutional art collaborations to be announced. Special Events: ArtWalk Dupont & Artist Talks Third Thursday Thursday, March 21, 6-8 PM Delve deeper into the artists' works and personal stories through in-person talks by Bo Kim and Hyewoo Shin. RSVP required to join the artist talk (below); exhibition open to walk-ins. Program (UPDATED) 6:00 - 6:30 pm | Check-in 6:30 - 7:00 pm | Exhibition Tour (self-guided) 7:00 - 7:30 pm | Artist Talks 7:30 - 7:45 pm | Q&A with the Artists and Curator First Friday Friday, April 5, 6-8 PM Program (UPDATED) 6:00 - 6:30 pm | Check-in 6:30 - 7:30 pm | 7:30 - 8:00 pm | Artist Talk with Hana Yoo 7:30 - 8:00 pm | 7:30 - 8:00 pm | Artist Talk Exhibition Tour (self-guided) RSVP FOR THIS EVENT! About the Artists Bo Kim is an artist, researcher, and educator based in Amherst, MA and Northern Virginia with a background spanning art therapy, oriental painting, and studio arts. Her practice involves meticulously reproducing photographs from museum archives using traditional materials, while scrutinizing elements of documentation that underscore institutionalization. Kim's work has been showcased nationally and internationally, including exhibitions at prestigious venues such as the Consulate General of the Republic of Korea in Washington, D.C., and the Korean Cultural Center in New York, NY. She has also participated in artist residencies and received various fellowships, demonstrating her commitment to advancing artistic discourse and exploration. Bo Kim Red-Headed Woodpeckers/ Chesnut-Collared Longspur (2022) Hana Yoo is an artist and researcher whose primary interest lies in the point where the spectrum of extremes bends into a circle and the two ends meet. Through film and installation, Yoo develops narratives in which dramatically exaggerated anthropomorphism loses its function, hoping that the subject and object dissolve into each other while leaving only the moment of transformation. Women, animals, and representations of the natural environment appear in superficial forms as the protagonists who have long been objectified, exploited, and oppressed. New technological media, institutions, and stereotyped concepts appear as tools or supporting actors that maximize the ambivalence of human perspectives on the environment, revealing the dynamics of power connected therein. Yoo’s previous and ongoing collaborations include IRI THESys (Integrative Research Institute on Transformations of Human-Environment Systems, Humboldt-Universität zu Berlin), KI-Camp (AI research association organized by the German Federal Ministry of Education and Research and the German Informatics Society), and the Institute of Animal Welfare, Animal Behavior, and Laboratory Animal Science (Freie Universität Berlin). Hana Yoo BareLife (2022) Digital film (still photo of installation) Hyewoo Shin, in her role as a full-time researcher at the Smithsonian Environment Research Center, finds a rich source of inspiration for her artistic endeavors through her daily interactions with plants. By incorporating actual seeds into her creations, she not only adds a tangible dimension to her artwork but also highlights the often-overlooked complexity and diversity of botanical treasures. Shin's exhibitions, which have garnered international attention with notable showcases including in Seoul at the National Museum of Modern and Contemporary Art, Korea as well as in the United States, UK, and Australia, serve as a platform for her to share her deep reverence for the natural world with audiences worldwide, fostering a deeper understanding of and connection to the intricate tapestry of the plant world. Hyewoo Shin Seeds of Gymnosperms in Korea (2022)
-
-
- Summer 2024: Korean Language & Culture Classes
- Focused on practical language skills and cultural context, the King Sejong Institute Washington, D.C. (KSIDC) offers a range of classes that build skills in speaking, reading, listening, and writing Korean. All classes are limited in size and led by native Korean-speaking instructors with teaching experience at U.S. universities or professional institutions. Classes primarily teach language skills, while also introducing students to the traditional, modern, and social culture of Korea.
-
- Visitor Guidelines
- Visiting Hours: Monday – Friday, 10 a.m. – 5p.m. (closed for Lunch 12 – 1 p.m.) Office Hours: Monday – Friday, 9 a.m.– 6 p.m. (closed for Lunch 12 – 1 p.m.)
