The Korean Cultural Center Washington, D.C. (KCCDC) proudly presents innovative Korean fusion band GONIA Performance Group for the first OnStage Korea performance of 2025! GONIA will showcase their unique blend of Korean traditional music and jazz fusion in a free concert at Capital One Hall’s The Vault.   GONIA is a distinctive “K-jazz” fusion group combining percussion and vocals rooted in Korean traditional music with guitar and bass musicians who have extensive jazz experience. Their music, though a simple combination on paper, is surprisingly captivating in practice. The energetic interplay of bass lines over the rhythms of the traditional Korean Janggu percussion instrument, vibrant improvisations on guitar, and the expressive stage presence of the traditional vocalist has left audiences mesmerized both in Korea and internationally. GONIA has performed at prominent world music festivals including Seoul Music Week, England’s English Folk Expo, Morocco’s Visa for Music, Chile’s Fluvial Festival, and Denmark’s Copenhagen Jazz Festival. Their international tours and festival appearances have earned them critical acclaim and a growing global fan base.   A Tension is GONIA's 60-minute performance that immerses audiences in a dynamic soundscape where Korean traditional and creative music converge. This tour features four talented members: Minsung Kim (Bass), Hyunjeong Kim (Janggu), Youjung Lee (Vocal), and Hyungtaek Kim (Guitar).   Don’t miss this extraordinary opportunity to experience the vibrant fusion of Korean tradition and modern jazz in a captivating live performance. Join us for an unforgettable evening with GONIA to kick off the On Stage Korea 2025! 2025 OnStage Korea: GONIA Performance Group Saturday, July 19, 2025 at 7:00pm Venue: The Vault at Capital One Hall 7750 Capital One Tower Rd, Tysons, VA 22102 RSVP UPDATE: This event has reached full capacity and is no longer accepting additional RSVPs. We appreciate your understanding. Walk-in guests may still be admitted if space is available, but please note that admission and seating cannot be guaranteed. Thank you for your interest and we hope to see you at future events!  About the Performers   GONIA (고니아) Performance Group is a unique quartet that pioneers an original genre called “K-Jazz” by blending traditional Korean rhythms with modern jazz. Through musical experimentation and cultural fusion, they showcase both artistic innovation and the depth of Korean culture.   The group creatively combines traditional Korean rhythmic patterns such as Gutgeori, Jajinmori, and Hwimori with jazz improvisation, forging a new musical language that offers fresh and captivating experiences to audiences both in Korea and internationally. At the heart of GONIA’s sound is the Janggu, a traditional Korean hourglass-shaped drum. This iconic double-sided instrument transcends percussion and serves as a vital medium to express a distinct Korean rhythmic identity within jazz.   GONIA’s dynamic bass performances, brilliant guitar improvisations, and the traditional vocalist’s expressive stage presence have impressed audiences worldwide. Their 2020 album A Tension, received widespread critical acclaim, including a nomination for Best Crossover Album at the Korean Music Awards, demonstrating the group’s musical excellence and originality. The group has performed at major international music festivals such as Seoul Music Week (Korea), English Folk Expo (UK), Visa for Music (Morocco), Fluvial (Chile), and the Copenhagen Jazz Festival (Denmark), earning positive reviews and promoting Korean cultural music on the global stage.   Members   Hyungtaek Kim (Leader / Guitar) Minsung Kim (Bass) Hyunjeong Kim (Janggu) Youjung Lee (Vocals) Yuri Jeong (Producer)   Performance History   Seoul Music Week (Korea) — 2018, 2019 Journey to Korean Music (Korea) — 2019 Japan Tour (Japan) — 2019 Colombia & Costa Rica Tour — 2021 Hidden Kingdom World Music Festival (Bhutan) — 2021 Copenhagen Jazz Festival (Denmark) — 2022 Aarhus Jazz Festival (Denmark) — 2022 English Folk Expo (UK) — 2023 Visa for Music (Morocco) — 2023 Fluvial Festival & Chile Tour (Chile) — 2023   About the Program   GONIA’s 2020 album A Tension showcases their innovative blend of traditional Korean rhythms and modern jazz improvisation. The album highlights the dynamic interplay between the janggu drum, bass, and guitar, creating a fresh sound that bridges cultural and musical boundaries. Recognized for its originality and artistry, A Tension was nominated for Best Crossover Album at the Korean Music Awards, cementing GONIA’s reputation as pioneers of the K-Jazz genre. Run Time: 60 minutes.   A Tension, 7:00 (Guitar, Bass, Janggu) Daseureum, 5:00 (Guitar, Bass, Janggu) Green Bee, 4:50 (Guitar, Bass, Janggu) Deongideok, 4:40 (Guitar, Bass, Janggu) Goeum, 5:10 (Guitar, Bass, Janggu, Vocal) Dancing the Fan Dance, 3:20 (Guitar, Bass, Janggu, Vocal) Baeksong, 4:30 (Guitar, Bass, Janggu) Penance, 5:00 (Guitar, Bass, Janggu) Sirirung, 3:30 (Guitar, Bass, Janggu, Vocal) Baedal Song, 4:20 (Guitar, Bass, Janggu, Vocal) East Sea, 3:00 (Guitar, Bass, Janggu, Vocal) Ongheya, 3:30 (Guitar, Bass, Janggu, Vocal)   About OnStage Korea   OnStage Korea presented by the Korean Cultural Center Washington, D.C. seeks to discover brilliant Korean and Korean-inspired artists and groups performing around the world, giving them an opportunity to showcase their creativity on stage for the American public in the Capital region. The program also fosters international cultural exchange by expanding the visibility of Korean performing arts and artists in mainstream America. Featuring a diverse range of new artists each year, OnStage Korea presents unique, exceptional performances free to the public in and around Washington, D.C.

Alfred Yun at Blues Alley (June 23) Emerging Artist Mondays Series Monday, June 23, 2025 Blues Alley Club 1073 Wisconsin Ave. NW, Washington, DC 20007 *This event is in collaboration with Blues Alley Jazz   Alfred Yun is a composer, pianist, producer, audio engineer, and music teacher. In 2019, Alfred Yun composed a score for Kookmin University in Seoul, South Korea. The video was featured on national television, movie theaters, subways, and airports. Alfred Yun was honored to be chosen by the Music Center At Strathmore as an Artist-in-Residence for the 2023-2024 season. This includes featured concerts at Strathmore’s prestigious AMP club in January and participating in programs hroughout the season. As a leader, Alfred Yun has led groups at venues like the Kennedy Center's Millennium Stage, Strathmore AMP, Blues Alley, The Arts Barn, An Die Musik Live, and Franklin Park Arts Center. Alfred Yun has had the fortune of performing at festivals like the KORUS Festival, Lake Anne Jazz Festival, Jazz in the Country Festival, Crossroads Festival, the Yellowdoor Concert Series, and Nowon Festival in Seoul, South Korea. Last but not least, Alfred Yun is a music teacher. Several of his students were accepted by the Chantilly Jazz Program and the National Jazz Workshop at Shenandoah Conservatory.   To learn more about, visit his website: https://www.alfredyun.com Monday, June 23, 7:00 & 9:30 PM Blues Alley (1073 Wisconsin Ave. NW Washington, DC 20007) Note: Ticket and $15 minimum food/beverage purchase is required for this event.  Purchase tickets for this event here: 7:00 p.m. performance | 9:30 p.m. performance

Experience the electrifying debut of The Empress, an all-female saxophone quartet led by award-winning saxophonist Pureum Jin. Celebrating the release of their album Square One (March 21, 2025, via Cellar Live), the group redefines jazz with fresh takes on standards and originals. Don’t miss this powerhouse ensemble featuring fellow saxophonists Lauren Sevian, Erena Terakubo, and Chelsea Baratzas as they bring swing, spontaneity, and extraordinary musicianship to DC’s renowned Blues Alley!   The Empress pays homage to jazz legends like Charlie Parker and John Coltrane while making a powerful statement about representation and artistry in jazz. The album delivers a collection of jazz standards and originals with unmatched artistry, breathing new life into timeless compositions while channeling the energy and spontaneity of New York’s vibrant jazz scene.   For Jin, Square One is more than just an album—it’s the culmination of over a decade of inspiration. Having been the only female member of Michael Lutzeier’s Supersax Korea project in the early 2010s, she dreamed of recreating that music with an all-women ensemble. Now, with Lutzeier’s stunning arrangements and her own reimagining of classics like Everything Happens to Me, The Empress brings a fresh perspective to traditional jazz.   This performance co-presented by Blues Alley and the KCCDC marks The Empress’s debut at the storied DC venue. From the energy of swing to dazzling interplay and rock-solid teamwork, you will witness the powerful artistry of four exceptional bandleaders like never before. To learn more about The Empress' members and previews of the new album music, visit the group's website.  Pureum Jin and the Empress: Recording Release Performance Monday, March 24, 7:00 & 9:30 PM Blues Alley (1073 Wisconsin Ave. NW Washington, DC 20007) Please note: ticket and $15 minimum food/beverage purchase is required for this event.  Purchase tickets for this event! 7:00 p.m. performance | 9:30 p.m. performance

The Korean Cultural Center Washington, D.C. (KCCDC) is proud to welcome the wildly innovative Korean percussion collective GongMyoung to the nation’s capital for a series of special events culminating in a free public performance and livestream on the Millennium Stage in partnership with the Kennedy Center on Feb. 5 at 6:00 p.m.   GongMyoung is renowned for its innovative reinterpretations of time-honored Korean music—with a modern jam-session flair, unconventional improvised instruments, and an effortless sense of cool. Formed in 1997, the group has the unique ability to recreate and rearrange traditional Korean music, showcasing the versatility and diversity of Korean culture through surprisingly approachable works.   Their performances often feature their namesake—a distinctive bamboo instrument they created, called the GongMyoung—plus a variety of wind and percussion instruments. As an ensemble, GongMyoung transcends genres in both their style and musical application, which includes major concerts, stage musicals, plays, dance performances, and film.   On Feb. 4, in coordination with the KCCDC, GongMyoung will conduct music workshops with DC public elementary school students and perform at the International Monetary Fund during its Lunar New Year celebration (both events not open to the public).   The culmination of the group’s tour in DC will be a free public performance on the Kennedy Center’s popular Millennium Stage at 6:00 p.m. on Wednesday, Feb. 5 presented in partnership with the KCCDC. Tickets for this event go on sale January 22 at 10:00 a.m. More information and the livestream can be found on the Kennedy Center website.   GongMyoung  Wednesday, Feb. 5 at 6:00 PM Millennium Stage, The Kennedy Center (Washington, DC) To reserve free tickets or watch the livestream, click below or see the Kennedy Center announcement.  RSVP FOR THIS EVENT! About the Performers GongMyoung’s global impact extends to over 50 countries and 130 international festivals. The group has been selected for some of the world’s largest art showcases and festivals, including performances at AAM 2001 in Singapore, GATEWAY 2006 in Mexico, APAP 2007 in New York, WOMEX 2008 in Spain, MIDEM 2009 in France, SXSW 2010 in Texas, and CINARS in 2007 and 2014 in Canada. They have performed at numerous international festivals including in Australia (Melbourne, Sydney), Norway (Ford), Sweden (Malmö, EBU Folk Festival), Italy (San Marino), China (Guangzhou), Germany (Pina Bausch), Canada (Vancouver), the Philippines, Zimbabwe (Harare), Mongolia (Playtime), Belgium (SFINKS Mixed Festival), and Taipei (WMF).  Their performances in international diplomacy and cross-cultural exchange has taken GongMyoung across the globe as well, to India (New Delhi, Mumbai, Kolkata, Chennai), Portugal, Greece, Bangladesh, the Philippines, China (Guangzhou), New Zealand (Auckland, Wellington, Christchurch), Chile, the USA (Los Angeles, Seattle, Boston), Vietnam, Japan (Tokyo), Brazil, Pakistan, the UAE, the UK (London), Germany (Wuppertal), Zimbabwe, Mauritius, Sweden, Bulgaria, Canada, Cambodia, Mongolia, Hong Kong, Egypt, Kuwait, Saudi Arabia, Finland, Estonia, Latvia, France, Belgium, Taiwan, Romania, Nauru, Saint Lucia, Saint Vincent, Trinidad and Tobago, and more. Their performances continue to expand globally, further cementing their place as a prominent cultural ambassador group.   Key Achievements ●Featured in elementary, middle, and high school textbooks under "Introduction to GongMyoung and their music" ●Actively participates in prominent international art markets including WOMEX, SXSW, APAP, CINARS, MIDEM, and AAM ●Performed in diplomatic exchanges across over 50 countries and at more than 130 international festivals ●Recognized with the 2018 Award of Recognition from Seoul Culture Today, Republic of Korea ●Awarded the 2012 Award of Recognition from the Minister of Culture, Sports and Tourism, Republic of Korea ●Received a Certificate of Recognition from the City of Los Angeles, State of California, in 2008 ●Honored with the 2007 Award for Ensemble Traditional Korean Music Performance from KBS, Republic of Kore Members Director: Seo Hyungwon Planning: Jeong Wooin Musicians: Kyongkeun Song (Sogeum, Daegeum), Youngju Lim (Percussion), Sunil Kang (Janggu, Gayanggeum), Seungwon Park (Guitar, String Bamboo)   Performance Program Walkabout The term "walkabout" refers to a journey without a predetermined return. We are always on a journey. We can never return to the exact time and place we once started. The most important task during this journey is to learn about love.   Morning Sound (7 min) "Morning Sound" features the unique sound and style of the small reed flute, the piri. Conversations between the piri and various percussive rhythms create a rich musical expression.   Cameloparadalis (8 min) As the title track of GongMyoung’s second album, "Dreaming of a Long-Necked Giraffe," this piece reflects the harmony of East and West. The main melody is provided by the guitar and sogeum.   Tonghaeya (7 min) Tonghaeya is the theme music of GongMyoung’s first album. It features traditional Korean instruments such as the sogeum, taepyeongso, and janggu, along with the GongMyoung, a self-titled musical instrument invented by the quartet. The song conveys GongMyoung’s wish to open people’s minds and bring them together.   Play with Us! (5 min) Inspired by the familiar neung-gye musical motif, "Play with Us!" attempts to create a lively and playful atmosphere.   Sunflower (5 min) Sunflower is an original piece with a joyful and beautiful melody, expressed through the sogeum, guitar, and percussion instruments, accompanied by Cajon, jaembe, triangle, egg shaker, and tambourine.   Gongmyungyoohee (7 min) Here, the groups original bamboo GongMyoung and other instruments come together in an ensemble to present a joyful celebration.   Joy (5 min) The melody from a tiger play serves as the backdrop for the song and dance performance of Joy. A sogeum made from a PVC pipe is also used.   Walkabout (8 min) This piece reflects one’s journey, time of departure, and time of arrival, all determined by oneself. It sings about the special gift of the journey and features Australian folk instruments such as the Didgeridoo and Hoon.   With Sea (5 min) With Sea explores the theme of the sea. It suggests that all creatures are born from the sea, or perhaps we are the sea itself. The piece highlights the preciousness of nature and relationships, urging us to sustain both with love. A unique Korean atmosphere emerges from the traditional Eonmorijangdan rhythm.     Above, photo credit: National Theater of Korea. 

The Korean Cultural Center Washington, D.C. (KCCDC) is pleased to partner with the Kennedy Center to present three performances by acclaimed Korean company Laboratory Dance Project (LDP) on Oct. 31, Nov. 1, and Nov 2 at 8:00 p.m. as a part of the 2024–2025 Kennedy Center Dance Season.   This three-night series will highlight the cutting edge of contemporary Korean dance with one of its most recognizable and exceptional talents, LDP, performing two of their signature high-energy works: Ash and MOB. Don’t miss this opportunity to experience the vivacious, world-class quality of contemporary Korean performing arts in Washington, D.C. Founded in 2001, LDP is a contemporary dance project whose goal is to bring Korean contemporary dance to the global stage. Since its founding, LDP has played a role in enhancing the value of the arts while shaping a repertoire that emphasizes a rich artistic and communicative philosophy, including experimental challenges based on individuality and uniqueness. LDP's dancers have earned the public’s trust through their tireless efforts and sincerity, as well as their distinctive gifts and talents.   Tickets are available through the Kennedy Center's Box Office. For more information, please see the Kennedy Center announcement. This performance series is presented by the Kennedy Center and sponsored by the Korean Cultural Center in Washington, D.C.   Laboratory Dance Project Oct. 31, Nov. 1, and Nov. 2 (8:00 PM daily) Eisenhower Theater, The Kennedy Center (Washington, DC) NOTE: Tickets are available through the Kennedy Center Box Office, with special $39 and $59 ticket discounts for select Orchestra seating on Oct. 31 and Nov. 1 using this link or promo code 589082. See the Kennedy Center announcement for details.  About the Works   MOB   Synopsis The German proverb “Nur tote Fische schwimmen mit dem Strom” translates to "only dead fish swim with the stream." This proverb reflects the idea that individuals who lose their personal perception and become part of a crowd may sometimes rise above simpler ideas with dignity, but at other times may regress to a more barbaric state. With anonymity, people tend to hide, exaggerate, and simplify their desires while shirking responsibility. The transformation of individuals into a mob, and the manipulation of individuals within a mob, is both intriguing and alarming, yet common. This dynamic of intolerance and brutality against others contrasts with a subtle sense of unity and intimacy.   MOB closely examines these two facets of humanity, scrutinizing the interplay between the individual and the collective in society. The work explores the human inner self and the individual within society, focusing on the duality of human nature through crowd psychology. While individual dancers showcase their unique styles, they either blend into or are overwhelmed by the collective. The piece is characterized by LDP’s signature energetic masculinity and a palpable sense of tension. MOB premiered at the Arko Arts Theater in Seoul, Republic of Korea, on March 24, 2022.   Credits Choreographer: Kim Dongkyu Dancers: Yoon Nara, Jeong Geon, Yun Seungmin, Kim Youngchae, Choi Hojeong, Bae Hyeonwoo, Kim Minseo, Kim Seokhyun Composer: Jang Jiho Lighting Designer: Kim Jung Wha Stage Manager/Staff Masterpiece: Kim Jisu Costume Designer: Choi Insook Photographer: BAKI Producer: NINANO Gook Jisoo   Ash   Synopsis I am not interested in reminiscing about drowsy nostalgia. Instead, I focus on the now faded appearance and question my fear of moving backward, despite my denial of reality. I reflect on my own disappearances and deficiencies, remembering the good old days, but I attempt to revisit the past without alteration. Just as the future remains invisible, the past may have also endured suffering. Is there a pile of ashes hidden deep in my heart, like how I now view the ashes?   Since COVID-19, societal polarization has accelerated, prompting a reevaluation of how art reflects humanity. During a time when everything was paused and restricted, the gaps left by scarcity have grown ever larger. What has vanished without a trace? Are the things I claim have disappeared truly real? This work explores the concept of reversing time to address a period when even deprivation meant indifference. In this piece the choreographer questions individual deficiencies and embarks on a journey to return to an original, intact state by moving backward through time. Ash premiered at the Arko Arts Theater in Seoul, Republic of Korea, on March 24, 2022.   Credits Choreographer: Kim Dongkyu Dancers: Jang Jiho, Shin Hoyoung, Jeong Geon, Joo Han Yoon, Lee Hong, Yun Seungmin, Kim Youngchae, Lee Jeongeun, Choi Hojeong, Park Jihee, Jang Hoiwon, Kim Yeona, Choi Yewon, Bae Hyeonwoo, Kim Seokhyun, Kim Minseo Composer: Jang Jiho Lighting Designer: Kim Jung Wha Stage Manager / Staff Masterpiece: Kim Jisu Costume Designer: Choi Insook Photographer: BAKI Producer: NINANO Gook Jisoo About LDP   Founded in 2001, LDP is a contemporary dance project whose goal is to bring Korean contemporary dance to the global stage. Since its founding, LDP has played a role in enhancing the value of the arts while shaping a repertoire that emphasizes a rich artistic and communicative philosophy, including experimental challenges based on individuality and uniqueness. LDP's dancers have earned the public’s trust through their tireless efforts and sincerity, as well as their distinctive gifts and talents.   LDP enjoys widespread acclaim in South Korea, consistently achieving sold-out performances and garnering invitations to prestigious international dance festivals. The company's global presence was established with its early collaborations, including notable performances at I-camp and Muffathalle Theater in Munich with Micha Purucker of Tanztendenz. LDP’s international footprint expanded through festivals in Mannheim, Hannover, France, and Slovenia, as well as appearances at the Venice Dance Biennale (2006 and 2007), the Frankfurt Book Fair, and Switzerland's Winterthur Arts Festival. The company has also participated in the New York APAP Conference, Japan Society Showcase, Suzanne Dellal Festival in Israel, and various European tours. In 2011, LDP was featured at the White Bird Festival in Portland and the Jacob's Pillow Dance Festival in the United States and was further boosted by an invitation to New York City Center’s Fall For Dance Festival in 2012.   Dancers Kim Minseo, Kim Seokhyun, Kim Yeona, Kim Youngchae, Park Jihee, Bae Hyeonwoo, Shin Hoyoung, Yoon Nara, Yun Seungmin, Lee Jeongeun, Lee Hong, Jang Jiho, Jang Hoiwon, Jeong Geon, Choi Ye Won, Choi Hojeong, Han Yoon Joo   About the CEO   Yoon Nara, CEO Yoon Nara is a choreographer and the chief representative for LDP. He graduated with a Bachelor of Fine Arts in Contemporary Dance from Korea National University of Arts in 2011 and completed his Master’s degree in the same field in 2018. He has served as a lecturer at Kaywon High School of the Arts and as a mentor at the Korea National University of Arts Gifted Education Center. Yoon has received numerous dance accolades, including 3rd place at the Korea International Dance Competition in 2012, 2nd place at the Berlin International Dance Competition in 2013, 2nd place at the Hellas International Dance Competition in Greece in 2014, 1st place in the Contemporary Male Category at the Seoul International Dance Competition in 2015, the Best Choreographer Award at the Korean Dance Association’s 2018 Young Choreographer’s Exhibition, and the Grand Prize at the Duet Festival in 2018. His notable choreographic works include We Need a Dialogue (2011), What's Your Name? (2017), Essential Emotion (2018), I Will Assist You (2018), and Not Sun View (2018).    About the Choreographer Kim Dongkyu, Choreographer Kim Dongkyu demonstrates his artistic sense of balance by presenting movements based on rich skills in flexible and natural patterns. For the public, he is a choreographer who presents modern dance styles that are truly comfortable, easy, fun and free. His greatest strength is showing the possibility of expanding the performance space and exceeding its fixed limits.     LDP Achievements   2024 May 5-7: 24th Laboratory Dance Project, Arko Arts Theater, Seoul, Korea <View> <Intricate Threads of Humanity>   2023 April 7-9: 23rd Laboratory Dance Project, Daehakro Arts Theater, Seoul, Korea <Children>  September 13-14: Seoul International Dance Festival SIDANCE, Seoul, Korea <Children>  September 28 – October 1: Seoul Street Arts Festival, Seoul City Hall, Seoul, Korea <Rebirth>  October 13: Busan Dance Market, Geumjeong Arts Center, Busan, Korea <Stagnant Water>  October 22: K-Wave Dance Festival, Han River, Seoul, Korea <Stagnant Water>  December 19: Seoul International Choreography Festival, SCF, Arko Arts Theater, Seoul, Korea    2022   March 24-27: 22nd Laboratory Dance Project, Arko Arts Theater, Seoul, Korea  July 23: Gunsan Arts Center <No Comment> <MOMBURIM>  July 29: Jeju Arts Center <Ash>  August 12: LG Arts Center, Seoul, Korea <Look Look>  September 3: Sungnam Arts Center <Ash>  September 17: International Modern Dance Festival MODAFE, Kyoungki Arts Center <No Comment>  September 18: Haebichi Art Festival Showcase, Jeju, Korea <Look Look>  October 2: Hansung Culture Festival, Olympic Park, Seoul, Korea <Ash>  October 13-14: Cervantino Festival, Teatro Principal, Mexico <Ash>    2021 April 29-May 2: 21st Laboratory Dance Project, Daehakro Arts Theater, Seoul, Korea  June 4: International Dance Festival <MOMBURIM>  August 12: Chuncheon Performing Arts Festival, Chuncheon, Korea <MOB>  August 28-29: Goyang Culture Foundation, Saerasae ON, Goyang, Korea <No Comment>, <MOMBURIM>  September 1: Dancers Career Development Center invited performance, Seongnam Arts Center <MOB>  September 9: Daegu International Dance Festival, Daegu, Korea <Lavender Vender>  October 17: 2021 Taewhagang Performing Arts Festival, Korea <MOB>  October 28: Gunsan International Dance Festival, Gunsan, Korea <Lavender Vender>  November 19: The 42nd Seoul Dance Festival, Arko Arts Theater, Seoul, Korea <Ash>  November 24: 2021 Haebichi Art Festival Showcase, Jeju, Korea <MOMBURIM>    2020 May 2-10: 20th Laboratory Dance Project, Seoul, Korea  June: Dancers Career Development Center invited performance, Jeju, Korea <MOB>  July 17-18: Goyang Culture Foundation, Goyang AreumNuri Theater, Korea <No Comment>, <MOMBURIM>  October: LDP x Eric Languet (FR) Coproduction <MAT(T)ER>    2019 February 9: PyeongChang Winter Olympics Korea, 1st Anniversary, PyeongChang Arena, Korea <MOB>  April 5-7: 19th Laboratory Dance Project, Daehakro Arts Theater, Seoul, Korea  May 17: The Inauguration, The Embassy of Switzerland in Korea, Seoul, Korea <360° 92W Dance Loop>  May 24-25: ILT Festival, Aarhus, Denmark <No Comment>, <MOB>  May 29: Dancers Career Development Center invited performance, Jeju, Korea <No Comment>  September 26-29: LDP X LG Arts Center, LG Arts Center, Seoul, Korea <Triple Bill>  October 17: ECM 50th Anniversary exhibition, Hyundai Card Storage <RE:ECM>  October 28-December 1: LAVA Company Invited Choreography, Tenerife, Spain <YALACHA>  November 22-23: ECM 50th Anniversary exhibition, Hyundai Card Storage <RE:ECM>    2018 February 25: PyeongChang Winter Olympics Korea, Closing Ceremony  March 23-25: 18th Laboratory Dance Project, Arko Arts Theater, Seoul, Korea  April 13: Dancers Career Development Center invited performance, Seoul, Korea <MOB>  May 5-6: Ansan International Street Arts Festival (ASAF), Korea <Look Look>  May 17: The 10th Dancing City Incheon, Incheon, Korea <MOB>  June 1: The 14th Busan International Dance Festival, Busan, Korea <MOB>  June 2: Busan International Street Arts Festival, Busan, Korea <MOB>  June 20: Haebichi Art Festival Showcase, Jeju, Korea <Look Look>  July 5: Hanam Asia Comic Dance Festival, Hanam, Korea <Look Look>  July 25: Chuncheon Culture & Art Center - La Siesta, Korea <MOB>, <No Comment>  August 13: The 63rd Anniversary Kukbang UNIV., Korea <MOB>  August 31: Tanzmesse, Germany <No Comment>  September 22-24: La Merce, Barcelona, Spain <Look Look>  September 27 - October 2: MilanOltre Festival, Italy <No Comment>, <BOW>, <Look Look>, <Black Comedy>  October 24: Ansan Arts Center <THIS IS NOT MY LIFE>  October 28: All That Dance Festival, Seoul, Korea <MOB>  November 16 - December 1: The Istanbul State Opera & Ballet - Modern Dance Theatre Istanbul Invited Choreography <Heyecan>  November 29: Early Winter Festival, Incheon Culture and Arts Center, Korea <No Comment>, <BOW>, <MOB>  December 11: Seoul International Choreography Festival, GALA, Arko Arts Theater, Korea <MOB>    2017 March 31 - April 2: 17th Laboratory Dance Project, Arko Arts Theater, Seoul, Korea  June 13: 10th Haebichi Art Festival Showcase, Jeju, Korea <MOB>  October 6-7: Seoul Street Arts Festival (SSAF), Seoul, Korea <Look Look>  October 10-11: Seoul Performing Arts Festival (SPAF), Seoul, Korea <Look Look>  October 14: Daegu Asia Dance Festival (DACDF), Daegu, Korea <Look Look>