United StatesWashington, D.C.

On September 5, the Korean Cultural Center Washington, D.C., in collaboration with the DC Jazz Festival, presented Pureum Jin & The Empress at Union Stage in Washington, D.C. Led by Korean-born saxophonist Pureum Jin, the seven-piece ensemble captivated audiences with dynamic performances of jazz standards and selections from their debut album, Square One. The performance celebrated the distinctive voices of Korean and Korean American jazz artists while fostering cultural exchange through jazz.

The Korean Cultural Center Washington, D.C. (KCCDC), in partnership with Indiana University Bloomington Institute for Korean Studies (IKS) , will present the 2026 Hangeul Day Celebration on Thursday, October 8, at the Indiana University Bloomington campus. Held in celebration of Hangeul Day, the event invites Indiana University students and the local community to discover Korean language and culture through a variety of interactive activities. Participants can enjoy a Korea and Hangeul-themed quiz, tote bag decorating, Korean food, and raffle prizes. Earlier in the day, a Korean Rice Cake Workshop will be held in two sessions at 11:00 a.m. and 2:00 p.m. Led by Rice Blossoms,  the workshop will introduce participants to the cultural significance of Chuseok and songpyeon, a traditional Korean rice cake, followed by a hands-on opportunity to make their own songpyeon. The celebration will also feature a traditional Korean music performance by the Korean Performing Arts Institute of Chicago (KPAC). Featuring samulnori percussion and gayageum, the performance will introduce audiences to the dynamic sounds and traditions of Korean music. 2026 Hangeul Day Celebration Date: Thursday, October 8, 2026 Location: Indiana University Bloomington, Global and International Studies Building (GISB), 355 N Eagleson Ave., Bloomington, IN Korean Rice Cake Workshop 11:00 a.m.–12:30 p.m. / 2:00–3:30 p.m. GISB 1060 Hangeul Day Celebration 5:30–7:00 p.m. Shreve Auditorium Please refer to Indiana University’s event information for additional details and registration requirements for individual programs.

The Korean Cultural Center Washington, D.C. (KCCDC), in partnership with the Nam Center for Korean Studies at the University of Michigan and the Ann Arbor District Library (AADL), will present the "Korea Week 2026" from Monday, September 28 through Sunday, October 4. The festival invites the University of Michigan community and Ann Arbor residents to discover and experience Korean culture through a variety of programs. Throughout the week, visitors can enjoy hanbok workshops, traditional Korean games and crafts, Korean ink wash painting, a lecture on Korean food and culture, Hangul activities, traditional Korean percussion, and Korean storytime, with programs designed for both children and adults. A special highlight on September 28 will be “The Beauty of Hanbok: Discovering Korean Culture Through Traditional and Modern Hanbok,” led by professional hanbok designer Laura Park. Participants will learn about the history and cultural significance of hanbok while exploring and experiencing both traditional and modern styles. Through Korea Week, KCCDC aims to expand opportunities for communities beyond the Washington, D.C. area to experience Korean culture firsthand while strengthening long-term cultural exchange and partnerships with local educational and cultural institutions. ※ For the full schedule, locations, and details about each program, please visit the Ann Arbor District Library’s Korea Week event page.

Seoul Metropolitan Dance Theatre to Make International Debut of MIMESIS in Washington, D.C. A Contemporary Reimagining of Korean Traditional Dance Celebrating the U.S. 250th Anniversary Join the Korean Cultural Center Washington, D.C. (KCCDC) and the Embassy of the Republic of Korea as we proudly present the international premiere of MIMESIS by the Seoul Metropolitan Dance Theatre at Washington, D.C.’s Warner Theatre on Sunday, September 27, 2026!    This landmark original work by one of Seoul’s premier dance companies reimagines eight traditional dances through a contemporary lens. Following its world premiere in Seoul in 2025, this first performance of MIEMESIS outside Korea also commemorates the 250th anniversary of the founding of the United States in 2026 and the rich history of Korea-US ties through the universal language of dance.   Drawing on archetypal figures from traditional Korean society—including influential women, scholars (seonbi), shamans, and royalty—MIMESIS brings Korea’s cultural heritage to the modern stage through contemporary choreographic language. Twenty dancers from the Seoul Metropolitan Dance Theatre will be part of a 30-member performing company traveling to Washington, D.C. for this epic 75-minute production.   As K-Pop, dramas, and other Korean cultural content continue to capture global attention, various icons of Korean cultural heritage have become familiar sights for international audiences, including the wide-brimmed traditional Korean hat (gat) and aesthetically structured traditional Korean clothing (hanbok). MIMESIS, however, invites audiences to experience a deeper dimension of Korean culture beyond mere visual elements, through the distinctive movement, breathing rhythm, and emotional expression of Korean traditional dance.   This free, public performance aims to bring the artistic depth and contemporary beauty of Korean traditional dance to American audiences while expanding the possibilities of cultural exchange between Korea and the United States. Seoul Metropolitan Dance Theatre presents MIMESIS Sunday, September 27, 2026, 8:00 p.m. (75 minutes) The Warner Theatre (513 13th St NW, Washington, DC 20004) Admission to this event is free with advance registration (below).  RESERVE TICKETS FOR THIS EVENT! About MIMESIS   MIMESIS is a contemporary reinterpretation of eight traditional Korean dances, drawing inspiration from the elemental flow of nature. The work’s title refers to the artistic representation of an essential reality, and the production looks beyond the established forms and conventions of traditional dance to explore their underlying spirit expressed on a contemporary stage. Premiered at the Sejong Center for the Performing Arts in Seoul in 2025, MIMESIS drew significant public attention, selling out all performances. The 2026 Washington, D.C. engagement marks the work’s international premiere.   The eight traditional dance forms that comprise MIMESIS include classical court dance, Hanryangmu, Sogochum, sword dance, Salpuri, Seungmu, shamanic dance, and Taepyeongmu. The distinct movements of each dance are reimagined through the conceptual imagery and rhythm of water, wind, earth, lightning, air, sky, fire, and light. Each section represents a distinct visual and emotional world while also merging Korea’s cultural heritage with contemporary aesthetics.   Rather than simply reproducing traditional forms, MIMESIS explores the essence of Korean dance through distinct concepts of movement, breath, rhythm, gesture, and emotional expression. Contemporary music, costume design, and staging serve to further transport these historical dances into the modern era, creating a work that bridges Korea’s past and present. Artistic Director & Choreographer Hea Joung Yun Hea Joung Yun, Artistic Director and Choreographer of MIMESIS, is a dancer, choreographer, and arts director whose work brings together the depth of Korean traditional dance and contemporary creativity. A former principal dancer of the National Dance Company of Korea, Yun is also a designated practitioner of Hanryangmu, recognized as Seoul Intangible Cultural Heritage No. 45. Yun previously served as Artistic Director and Resident Choreographer of the Gangwon Provincial Dance Company and has created works including A Slow Dream I & II, Digital Bonpuli, and Twisting the Myth—Mago. Her work explores tradition and modernity, history and the human experience through contemporary perspectives. She has received honors including a Minister of Culture, Sports and Tourism Commendation, a Prime Minister’s Commendation, and the Traditional Artist of the Year Award. She currently leads the Seoul Metropolitan Dance Theatre as its Artistic Director. About the Seoul Metropolitan Dance Theatre   Established in 1974, the Seoul Metropolitan Dance Theatre is one of the resident companies at Seoul’s esteemed Sejong Center for the Performing Arts and has been a leading force in Korean dance for more than five decades. Dedicated to preserving and reinterpreting Korea’s cultural heritage while expanding the possibilities of Korean dance, the company has developed a diverse repertoire spanning traditional Korean dance and contemporary creative works.   The company has represented Korea at major international events, including the 1984 Los Angeles Olympic Closing Ceremony and the 1990 Beijing Asian Games Arts Festival, and has toured extensively throughout Europe, the United States, South America, and Northern Europe. It has also appeared at internationally recognized festivals, including the Shanghai International Arts Festival.   The company’s signature work, One Dance, received the New York Dance and Performance Award (The Bessies), bringing international recognition to the excellence and originality of Korean dance. Through its continued artistic development and international activities, the Seoul Metropolitan Dance Theatre remains committed to sharing the richness and distinctive beauty of Korean dance with audiences worldwide and advancing international cultural exchange. For more information and content visit their website.  ▲ MIMESIS  Photo Credit: Seoul Metropolitan Dance Theatre Production Credits   Artistic Director & Choreographer | Hea Joung Yun Assistant Choreographer | Chin Hee Chun Dance Captains | Kyunga Cho, Taesun Choi Music | Insang Yoo Costume Designer | Jiwon Kim Lighting | Jeong Tae Kim Stage Manager | Minjae Lee Wardrobe | Mira Byun, Jiyeon Cheon Lighting Programmer | Hyung Jin Lee Production Manager | Tae Im Kim International Cooperation | Hwiyoung Cobb Cho, Hyeri Moon Presented by: The Korean Cultural Center Washington, D.C. and Embassy of the Republic of Korea In collaboration with: The Seoul Metropolitan Dance Theatre and Warner Theatre Produced by: The Sejong Center for the Performing Arts, Seoul Metropolitan Dance Theatre

The Korean Cultural Center Washington, D.C. (KCCDC) proudly opened its latest exhibition, Hanji: Embracing Color, featuring works by artist Lee Seung-chul that explore the chromatic and sculptural possibilities of hanji, traditional Korean paper, while also tracing its deep cultural roots as a hand-made medium for both craft and communication. On view August 20 through November 20 at the KCCDC, the exhibition was preceded by a hanji-making workshop with the artist at the National Museum of Asian Art on August 16 supported and presented in cooperation with the KCCDC and Dongduk Women’s University. The exhibition formally launched with a public pre-opening reception and artist talk on Wednesday, August 19 and a second fully attended public hanji-making workshop with the artist at the KCCDC on August 21. 

Registration is now OPEN for Fall 2026 classes at the King Sejong Institute Washington, D.C.!  Focused on practical language skills and cultural context, the King Sejong Institute Washington, D.C. (KSIDC) offers a range of classes that build skills in speaking, reading, listening, and writing Korean. All classes are limited in size (10-14 learners on average) and led by native Korean-speaking instructors with teaching experience at U.S. universities or professional institutions. Classes primarily teach language skills, while also introducing students to the traditional, modern, and social culture of Korea. Most KSIDC courses are currently offered remotely online with no location restrictions, typically in addition to some in-person course options in Washington, D.C.  The KSIDC is a DC-based 501(c)3 nonprofit organization which operates Korean language classes and educational programs in partnership with the Korean Cultural Center. Registration for all KSIDC classes is open to the public, and all those who wish to improve their Korean are welcome! For more details, see our nondiscrimination policy below. Nondiscrimination Policy  The King Sejong Institute Washington, D.C. admits students of any race, color, national and ethnic origin to all the rights, privileges, programs, and activities generally accorded or made available to its students. It does not discriminate on the basis of race, color, national and ethnic origin in administration of its educational policies, admission and registration policies, support related to registration costs, and other school-administered programs. All are welcome! Follow the KSIDC on Facebook for early updates and more!  2026 Schedule Spring: early February – May Summer: early June – August Fall: September – December Exact start and end dates for each class vary. A detailed schedule will be added to this website and sent to our mailing list a few weeks before each session of classes. Overview Schedule The Fall 2026 session offers a majority of courses that meet online/remote with regular video meetings via Zoom or other platforms, generally during weekday evenings with some Saturday morning and afternoon options, as well as in-person courses that meet at the Korean Cultural Center Washington, D.C. In-person and online courses cover the same content and meet for the same amount of time. All courses meet primarily once per week for a total of 24 class hours/12 meetings and finish by mid-December at the latest (earlier without cancellations). All online courses include the option to review full class recordings for a period of time after each meeting; in-person class meetings do not include recordings, but do include other perks: light Korean refreshments during every meeting, cultural exposure and special invites from the KCCDC, and a final class catered Korean dinner party. In the future, the majority of courses will remain online/remote as we expand in-person options. Fees  Registration fees are as follows, per entire course (comprising 24 class hours / 12 meetings):  Registration Fees Online In-person/Hybrid New Students: $240 $250 Returning Students: $220 $230 The registration fee for new registrants is $240 (online) or $250 (in-person/hybrid) per complete course (comprising 24 class hours/12 meetings). Returning registrants receive a discounted rate of $220 (online) or $230 (in-person/hybrid). Textbooks are required for all courses, and can be purchased independently or through the KSIDC for $45 with registration (excluding those for Advanced and certain special topic courses; details below). All courses are contingent upon a minimum enrollment, and tuition is fully refundable until the day after the first class meeting. Fees may change in the future, as we adjust our online/offline pricing. Textbooks The KSIDC offers textbooks for all regular sequence courses (Beginner through Intermediate) for $45 per complete set (comprising the Sogang student book, workbook, and grammar booklet together). However, textbooks purchased from the KSIDC MUST be picked up locally in Washington, D.C. on one of the designated pickup dates (we cannot ship individual textbooks). Non-local students are thus encouraged to purchase their books independently. View a complete reference list of textbooks with links for this session here.  In-Person Courses We are pleased to maintain some in-person courses that meet at the Korean Cultural Center Washington, D.C., including core Beginner 1 and Beginner 2 levels. In-person classes are generally a similar size to online (12-14). In-person class meetings are not recorded for review like online meetings, but instructors are generally available before in-person class to help anyone catch up. On-site parking is not provided, but local street parking is generally available in the mostly residential nearby neighborhoods. Textbooks purchased with registration can be picked up in-person the first day. Those participating in in-person classes are also required to sign a general waiver/release form, which will be provided by email upon registation. We hope to offer more robust in-person options in future sessions!  Please note: in-person courses may schedule 1-2 meetings on a Thursday this session, if needed to finish on time, although we will strive to minimize this possibility. Eligibility & Other Terms KSIDC classes are open to anyone, but registrants must be at least age 15 at the start (a parental consent/waiver/media release form is also required for those under age 18). Classes are generally taught in English, except for some advanced and special topic options. Parents of minors should be aware that most registrants are adults and most classes involve either virtual breakout rooms or pair work, and thus parents are required to supervise and take primary responsibility for participating minors throughout the course, in-person and online. We hope to offer youth classes in the future, so please stay tuned and join our mailing list for updates. See our nondiscrimination policy for details. Perks  Learners with 75% attendance or better receive a certificate of completion upon completion of the course. All online courses include the option to review class recordings for a period of time after each meeting. Students can also arrange to meet before or after class with their instructor during virtual or in-person office hours, as available. In-person classes do not include recordings but instructors are usually available before class and in-person courses also include light Korean refreshments during the breaktime of every meeting as well as a final class catered Korean dinner party and food-making workshop. Although refreshments and the dinner are not possible remotely, online courses instead feature reduced average class size to help facilitate online learning and greater individualized attention, in addition to more schedule and viewing options. Registration To register for any course listed here, scroll down to see the registration steps at the bottom of this page.  Schedule of Classes Scroll down for complete class description, textbook, and placement information below. Special or irregular times/dates are underlined. If a class is full, sometimes from the start due to continuing students, join the waitlist! Depending on demand, additional groups may be added. Those on the waitlist will be notified first of any new options. All lettered "groups" cover the same content within each level, but may occur on different schedules or with different instructors. Regular Sequence Courses Beginner 1 Beginner 1, Group A (Mondays) 4:45-6:45pm EDT Instructor: Eunhae Ro, starting Sept. 21 IN-PERSON  This group may also meet 1-2 times on Thursdays, if needed. Tentatively full! Join the waitlist. Beginner 1, Group B (Mondays) 6:00-8:00pm EDT.  Instructor: Hyewon Kang, starting Sept. 14 ONLINE Tentatively full! Join the waitlist. Beginner 1, Group C (Tuesdays) 6:00-8:00pm EDT.  Instructor: Juyoung Park, starting Sept. 15 ONLINE Tentatively full! Join the waitlist. Beginner 1, Group D (Thursdays) 6:00-8:00pm EDT.  Instructor: Hannah Chong, starting Sept. 17 ONLINE Tentatively full! Join the waitlist. Beginner 1, Group E (Saturdays) 10:00am-12:00pm EDT.  Instructor: Jiyoung Yim, starting Sept. 12 ONLINE Beginner 2   Beginner 2, Group A (Monday) 4:45-6:45pm EDT.  Instructor: Yun Jang, starting Sept. 21 IN-PERSON  This group may also meet 1-2 times on Thursdays, if needed. Tentatively full! Join the waitlist. Beginner 2, Group B (Monday) 6:00-8:00pm EDT.  Instructor: Hannah Chong, starting Sept. 14 ONLINE Beginner 2, Group C (Tuesdays) 6:00-8:00pm EDT.  Instructor: Jin Choi, starting Sept. 15 ONLINE Tentatively full! Join the waitlist. Beginner 2, Group D (Thursdays) 6:00-8:00pm EDT.  Instructor: Eunjin "Hannah" Kim, starting Sept. 17 ONLINE Tentatively full! Join the waitlist. Beginner 2, Group E (Saturdays) 1:00-3:00pm EDT.  Instructor: Hannah Chong, starting Sept. 19 ONLINE   Beginner 3   Beginner 3, Group A (Tuesdays) 6:00-8:00pm EDT.  Instructor: Jiyoung Yim, starting Sept. 15 ONLINE Tentatively full! Join the waitlist. Beginner 3, Group B (Wednesdays) 6:00-8:00pm EDT.  Instructor: Heecho Kim, starting Sept. 16 ONLINE Tentatively full! Join the waitlist. Beginner 3, Group C (Thursdays) 6:00-8:00pm EDT.  Instructor: Keum Sook Yang, starting Sept. 17 ONLINE Beginner 3, Group D (Saturdays) 1:00-3:00pm EDT.  Instructor: Heecho Kim, starting Sept. 19 ONLINE   Intermediate 1   Intermediate 1, Group A (Tuesdays) 6:00-8:00pm EDT.  Instructor: Yun Jang, starting Sept. 15 ONLINE Tentatively full! Join the waitlist. Intermediate 1, Group B (Wednesdays) 6:00-8:00pm EDT.  Instructor: Jiyoung Yim, starting Sept. 16 ONLINE Intermediate 1, Group C (Saturdays) 10:00am-12:00pm EDT.  Instructor: Heecho Kim, starting Sept. 19 ONLINE See also Intermediate 1: Extended + Review below!   Intermediate 2   Intermediate 2, Group A (Tuesdays) 6:00-8:00pm EDT.  Instructor: Eunjin "Hannah" Kim, starting Sept. 15 ONLINE Tentatively full! Join the waitlist. Intermediate 2, Group B (Saturdays) 10:00am-12:00pm.  Instructor: Hannah Chong, starting Sept. 19 ONLINE Tentatively full! Join the waitlist. See also Intermediate 1: Extended + Review below! Intermediate 3   Intermediate 3, Group A (Wednesdays) 6:00-8:00pm EDT.  Instructor: Hei Sook Yoo, starting Sept. 16 ONLINE   Special Topic & Advanced   Intermediate 1 Extended + Review (Wednesdays) 6:00-8:00pm EDT.  Instructor: Eunjin "Hannah" Kim, starting Sept. 16 ONLINE This course primarily reviews and completes the content covered in Intermediate 1, to help reinforce learning at this level.  Tentatively full! Join the waitlist. Advanced: Exploring Korean Communication and Culture through Zodiac Proverbs (Mondays) 6:00-8:00pm EDT. Instructor: Hei Sook Yoo, starting Sept. 14 (high intermediate/advanced). Descrtiption: This high intermediate/advanced course explores how Korean proverbs (속담, sok-dam) are not merely fixed expressions for everyday life, but profound cultural reflections that reveal how people understand human behavior, values, and social relationships. This advanced course explores common Korean proverbs and idioms through the particular symbolic lens of the twelve zodiac animals (십이지, sip-i-ji). For example, one might comprehend the saying “even in a mouse hole, the sun shines” (쥐구멍에도 볕 들 날 있다), but what might it convey emotionally, imply for the future, or reveal about the speakers’ relationship? Learners will analyze how animal imagery can function as a metaphor for universal aspects of human life, conveying wisdom, caution, humor, or moral judgment as needed.  Prerequisite: Completion of KSIDC Intermediate 3, any advanced course, or equivalent. See the course overview and proficiency details/self-test reading samples here, or email adam@ksiwashingtondc.org to receive a detailed syllabus or to contact the instructor.  Click here to join the general WAITLIST for any class that is tentatively full! Depending on demand, new groups may be added. Registration / More Information The King Sejong Institute Washington, D.C. admits students of any race, color, national and ethnic origin to all the rights, privileges, programs, and activities generally accorded or made available to its students. It does not discriminate on the basis of race, color, national and ethnic origin in administration of its educational policies, admission and registration policies, support related to registration costs, and other school-administered programs. All are welcome! All registration is first come, first served by email request, until maximum enrollment. Please first check the class status above (updated weekdays). To submit a registration request, indicate the specific class/group for which you would like to register in an email to Adam Wojciechowicz at adam@ksiwashingtondc.org. Requests will receive a reply with details on registration / payment forms within 1-3 days, in the case that the class is still open—thank you for your patience! If a class is full, we strongly recommend joining the waitlist, as additional sections might be added based on demand, or space may open up. There is no location restriction for online courses (but all class times are EDT). PLEASE NOTE: Registration requests are taken in the order received until a class is full, at which point a waitlist option will be added to the website and existing registration requests will be confirmed. Classes may become full before we are able to update the website. Joining the waitlist is a good idea, as enrollment often shifts before the start of class and space opens up. Some classes fill up very quickly, especially with smaller online groups, so we appreciate your patience and understanding. For any questions, contact Adam at adam@ksiwashingtondc.org or (202) 587-6168 (email is best). Nondiscrimination Policy Course Descriptions, Textbooks, & Placement Reading Samples For reference links to specific textbooks for this session, see the detailed guide linked above. Beginner 1 Textbook: NEW Sogang Korean 1A Student Book AND Workbook (2nd Edition) Description: This class is designed for those who have no previous experience learning Korean. Students will be introduced to the Korean alphabet Hangeul, basic sentence structures, simple vocabulary, and conversation. By the end of the semester, students will be able to read and write Hangeul, introduce themselves, exchange greetings, count numbers, order food at a restaurant, and carry out basic daily conversation. Cultural aspects will also be included in the course content, so that students may grow in their understanding of Korean culture and share their cultural experiences. Students will be encouraged to speak Korean in class through different communicative activities often carried out in pairs or groups. There will be weekly assignments and quizzes to review what was covered in class. Students in this class will be able to continue to Beginner 2 during the next session. Beginner 2 Textbook: NEW Sogang Korean 1A Student Book AND Workbook (2nd Edition) Description: Beginner 2 is a continuation from Beginner 1 and is appropriate for beginner learners who have some prior experience learning Korean. Students are expected to be able to read and write the Korean alphabet, Hangul, and understand basic Korean dialogue, such as exchanging greetings, ordering food, and asking for information. This course will focus on developing essential conversational skills needed for daily communication in Korean, such as making an appointment, talking about daily activities and past events, and asking for/giving directions. In addition, students will learn to use the formal/deferential speech style and make the 5 Wh- questions in Korean. Cultural aspects will also be included in the course content, so that students may understand social and historical distinctiveness of Korean culture. Students will be encouraged to speak Korean in class through different communicative activities carried out in pairs or groups. There will be weekly assignments and quizzes to review materials covered in class. Students in this class will be able to continue to Beginner 3 in the next session. New students registering for Beginner 2 should understand most of the following sample dialogue:    앤디: 미나 씨, 오늘 일해요?  미나: 아니요.  앤디: 그럼 뭐 해요?  미나: 친구 집에 가요.  앤디: 몇 시에 친구 집에 가요?  미나: 여덟 시에 친구 집에 가요. Beginner 3 Textbook: NEW Sogang Korean 1B Student Book AND Workbook (2nd Edition) Description: Beginner 3 builds on the basic foundation established in Beginner 1 and 2. This class is appropriate for those who have completed both Beginner 1 and 2 at the King Sejong Institute or those who have taken an elementary Korean course in college. Students who register for this class need to have basic knowledge of sentence structures, the present and past tense verb conjugation, informal and formal speech styles, and numeral systems in Korean. In this class, students will be introduced to diverse settings of daily conversation and specific tasks to be carried out in Korean. By the end of the semester, students will be able to talk about future plans and previous experiences, describe and compare varied things, make suggestions, ask for a favor, give reasons, prepare for a job interview, and use honorifics. Authentic materials in Korean, including drama clips, news, commercials, and music will be used to understand the usage of varied expressions and to broaden cultural understanding. There will be regular assignments and quizzes to review the materials covered in class.   New students registering for Beginner 3 should understand most of the following sample dialogue:   앤디: 미나 씨, 주말에 뭐 했어요? 미나: 공원에 갔어요. 앤디: 공원에 운동하러 갔어요? 미나: 아니요, 친구를 만나러 갔어요. 앤디: 그런데 근처에 공원이 있어요? 미나: 네, 집 앞에 있어요. Intermediate 1 Textbook: NEW Sogang Korean 2A Student Book AND Workbook (2nd Edition) Description: Intermediate 1 is a continuation from Beginner 3 and is appropriate for those who have taken Beginner 1-3 or 1-2 college semesters of Korean. This course aims to further enhance students’ understanding of the intermediate-low level of Korean language skills as a second language; it emphasizes practicing diverse settings of conversation, additional grammatical structures, broadening vocabulary, various styles of conjugation including the future tense, context-sensitive honorific speech styles, and cultural understanding of historical and contemporary written texts. Students will have the opportunity to synthesize their speaking, composition, and comprehension skills in through brief class presentations. Students who register for this level need to have basic level grammar knowledge including basic tenses, informal and formal speech styles, numbers, about thirty action verbs, and basic sentence structures.   New students registering for Intermediate 1 should understand MOST of the following sample dialogue and text (if not necessarily all vocabulary):    한국:  미국 씨, 한국 음식을 드셔 보셨어요? 미국:  네, 먹어 봤어요. 한국:  김치를 좋아하세요? 미국:  아니요, 김치는 좋아하지 않아요.  한국: 왜요?  미국:  김치가 맛있지만 너무 매워서 못 먹어요.     저는 회사원이에요. 집에서 회사까지 버스로 30분쯤 걸려요. 그래서 보통 7시에 일어나요. 8시에 집에서 출발해요. 그런데 오늘은 1시간 늦게 일어났어요. 버스 정류장까지 뛰었어요. 그런데 정류장에 사람이 너무 많았어요. 버스도 안 왔어요. 그래서 택시를 탔어요. 택시가 정말 빨리 갔어요. 9시 전에 도착했어요. 그래서 회사에 들어가기 전에 편의점에서 우유를 하나 샀어요.   Level Guideline: Students need to have basic knowledge of sentence structures, present and past tense verb conjugation, informal and formal speech styles, and numeral systems in Korean. Intermediate 2 Textbook: NEW Sogang Korean 2B Student Book AND Workbook (2nd Edition) Description: Intermediate 2 is a continuation of the Intermediate 1 Korean language course and is appropriate for those who have taken at least 2 college semesters of Korean. This course is designed to enhance students’ ability to speak, listen to, and write various nuanced Korean in an interpersonal and an interpretive situation with a contextual understanding of intermediate-mid level grammar. Students therefore develop an expanded ability to communicate in a culturally appropriate manner and critically examine current Korean issues. When students attend this course regularly, they will be expected to be able to comprehend and communicate suggestions, sharing experiences, thoughts, intentions, desires, feelings, and abilities using about about seventy various action verbs. In addition, students will develop their cultural competencies by acquiring cross-cultural understanding of Korean ways of thinking. New students registering for Intermediate 2 should understand MOST of the following sample dialogue and text (if not necessarily all vocabulary): 앤디: 미나 씨, 축구 보는 것을 좋아하세요? 미나: 왜요? 텔레비전에서 경기를 본 적이 있어요. 앤디: 그럼, 오늘 같이 축구 보러 가요! 미나: 미안해요. 오늘은 다른 친구하고 만나기로 했어요. 앤디: 그럼, 다음에 같이 갑시다. 미나: 네, 다음에 갈 때 꼭 알려 주세요. 김민수 씨는 회사 동료인데 한국 무역 회사애 다닌 지 1년쯤 됐어요. 한국 회사에 다닌 지 1년쯤 됐어요. 대학에서 경영학을 전공했어요. 민수 씨와 함께 일하고 있는 사람은 수지 씨인데, 두 사람은 내가 회사에 처음 들어왔을 때부터 나를 많이 도와 줘서 항상 고맙게 생각하고 있어요. 민수 씨는 내년부터 해외 출장을 다녀야 해서 요즘 영어 공부를 열심히 하고 있어요. 민수 씨는 10년쯤 후에 무역 회사애 사장님이 되고 싶어 해요. Level Guideline: Students need to handle verb/adjective conjugation rules in tenses and make sentences using basic causal conjunctives (-아/어서,  -고, -(으)려고, etc.), and have basic knowledge of noun-modifying forms.  Intermediate 3 Textbook: NEW Sogang Korean 3A Student Book AND Workbook (2nd Edition) Description: Intermediate 3 is a continuation of the Intermediate 2 Korean language course and is appropriate for those who have taken at least 2-3 college semesters of Korean. This course is designed to enhance students’ ability to speak, listen to, read, and write various nuanced Korean in intermediate-high level. In this course, students will develop an expanded ability to communicate in proper usage of vocabulary and expressions. In addition, students would be able to comprehend the situations in consulting and suggestions, sharing experiences, describing appearance and characters, expressing thoughts, solving problems, by using various speech styles. Students will practice a variety of class activities such as role-plays, pair works, conversation stations, group activities, playing games, etc. assigned by the instructor. Students are also expected to improve their cultural competencies by adapting contemporary Korean culture trends using various media materials. New students registering for Intermediate 3 should understand MOST of the following sample dialogue and text (if not necessarily all vocabulary): 미나: 앤디 씨, 이사 잘 했어요? 앤디: 네, 친구들이 도와줘서 잘 끝났어요. 미나: 이사 간 집은 어때요? 좋아요? 앤디: 네, 좋아요. 지은 지 얼마 안 돼서 깨끗한 편이에요. 미나: 그런데 학교에서 좀 멀지 않아요? 앤디: 좀 멀긴 하지만 괜찮아요. 미나: 언제 집들이 한번 하세요. 앤디: 네, 그럴게요. 한글을 만든 사람은 세종대왕이에요. 세종대왕이 한글을 만들기 전에는 한국에 글자가 없었어요. 말은 지금과 같은 한국말을 사용했지만 글을 쓸 때는 글자가 없어서 중국의 한자를 사용하고 있었어요. 세종대황은 이것을 안타깝게 생각해서 1443년에 한글을 만들었어요. 만든 사람과 만들어진 시기가 정확하게 알려진세계에서 유일한 문자예요. Level Guideline: Students need to handle all verb/adjective conjugation rules including irregular rules and noun-modifying forms in various aspects. Special Topic Courses The prerequisited and proficiency requirements vary for Special Topic courses, which may not be offered every session. See the schedule above for details. Advanced Advanced-level courses vary and may not be offered every session, and levels may vary. To review the current or most recent course, including proficiency information applicable to such courses, visit our Advanced classes website here. 

On September 5, the Korean Cultural Center Washington, D.C., in collaboration with the DC Jazz Festival, presented Pureum Jin & The Empress at Union Stage in Washington, D.C. Led by Korean-born saxophonist Pureum Jin, the seven-piece ensemble captivated audiences with dynamic performances of jazz standards and selections from their debut album, Square One. The performance celebrated the distinctive voices of Korean and Korean American jazz artists while fostering cultural exchange through jazz.

The Korean Cultural Center Washington, D.C. (KCCDC) proudly opened its latest exhibition, Hanji: Embracing Color, featuring works by artist Lee Seung-chul that explore the chromatic and sculptural possibilities of hanji, traditional Korean paper, while also tracing its deep cultural roots as a hand-made medium for both craft and communication. On view August 20 through November 20 at the KCCDC, the exhibition was preceded by a hanji-making workshop with the artist at the National Museum of Asian Art on August 16 supported and presented in cooperation with the KCCDC and Dongduk Women’s University. The exhibition formally launched with a public pre-opening reception and artist talk on Wednesday, August 19 and a second fully attended public hanji-making workshop with the artist at the KCCDC on August 21. 

The Korean Cultural Center Washington, D.C. (KCCDC), in partnership with JS Brewery, successfully hosted Session 1 of the K-Culture Talk: Korean Traditional Alcohol (K-Sool) Workshop. The program introduced participants to the rich history and cultural significance of Korea’s traditional brewing heritage through an engaging lecture, followed by a guided tasting of five varieties of traditional Korean alcoholic beverages. Participants also enjoyed a hands-on cultural experience inspired by Korea’s traditional liquor, gaining a deeper appreciation for the craftsmanship and traditions behind Korean brewing culture.

The Korean Cultural Center Washington, D.C. (Director Park Jongtaek) successfully presented Onstage Korea 2026: Maria Kim Live in Concert on August 5 at the Woolly Mammoth Theatre in Washington, D.C. The concert received an enthusiastic response from local audiences, selling out in advance with standing-room attendance. Maria Kim's soulful vocals and exceptional artistry, accompanied by distinguished jazz musicians from Korea and New York, created a memorable evening that celebrated the richness of Korean jazz and cultural exchange. The Korean Cultural Center Washington, D.C. extends its sincere appreciation to the artists and to everyone who attended and supported the performance. We look forward to welcoming audiences to future Onstage Korea programs and continuing to share outstanding Korean performing arts with the Washington, D.C. community.

The Korean Cultural Center Washington, D.C. (KCCDC) successfully concluded the 2026 K-Pop Academy, bringing together K-Pop enthusiasts from across the region through both the One-Day Dance Classes and the Two-Week Intensive Program. We sincerely thank all participants for their enthusiasm, dedication, and passion throughout the program. We hope the academy provided a meaningful opportunity to experience Korean culture through K-Pop and created lasting memories for everyone involved.

The Korean Cultural Center Washington, D.C. (KCCDC) successfully concluded the Korean Women in Jazz Series at Blues Alley Jazz from July 6–8, 2026. Featuring acclaimed pianists Dabin Ryu, Hayoung Lyou, and Jihee Heo, the three-night series celebrated the richness of Korean jazz and strengthened cultural exchange between Korea and the United States through unforgettable performances.

Join us this fall at the KCCDC for the Sejong Culture Academy 2026! This global cultural education program organized by the King Sejong Institute Foundation offers a diverse range of one-session workshops and hands-on experiences introducing Korean culture, traditions, and contemporary content to audiences around the world. In 2026, the Academy will operate in 217 locations across 80 countries, delivering 12 diverse Korean culture courses across multiple fields. This year’s program will feature a series of six cultural workshops at the KCCDC offered to the general public and the King Sejong Institute Washington, D.C. as well as additional private programs for students at American University, George Washington University, and George Mason University. Participants will learn by experiencing three engaging aspects of Korean culture: Hanbok (traditional attire), K-Beauty, and traditional Korean games. The program aims to help learners deepen their appreciation of Korean cultural heritage by exploring traditional and contemporary aspects of Korean culture and their social contexts. To register, please first see the schedule below and then select the matching date and time through the eventbrite form (coming soon). Sejong Culture Academy 2026 September 7 - 18 KCCDC and local universities  Register for this Event! Program Overview Participants are asked to select and register for one session only, to maximize overall participation. Each activity includes two identical sessions at different times. Additional events at local universities will be announced separately to their respective communities.  Traditional Korean Games Instructor: Seo-yeong Park (Director, Urinnori Cooperative, a social enterprise) Experience traditional Korean games featured in the globally beloved Netflix series Squid Game! Through hands-on activities, participants will discover Korea’s unique play culture and the values of community and togetherness, while gaining a deeper interest in and understanding of Korean culture. Activities include Mu-gung-hwa kko-chi pi-eot-seum-ni-da (The mugunghwa flower has bloomed), Ddakji-chigi (Korean Paper Tile Flipping), Biseok-chigi (Stone-Hitting Game), Jegichagi (Korean Shuttlecock Kicking),  and Gonggi (Korean Jacks). ●Tuesday, September 8, 5:30–8:00 PM (NEW TIME!) ●Wednesday, September 9, 6:00–8:30 PM Hanbok: Traditional Korean Attire Instructor: Bo Ryong Jeon (Traditional Hanbok Instructor, Malssaem School) Discover the history and cultural significance of hanbok, Korea’s traditional attire. Through a hands-on traditional accessory-making activity, participants will experience the beauty and cultural values of hanbok while exploring Korean traditions and fostering cross-cultural exchange. Activities include an introduction to the history and symbolism of Hanbok, introduction to the traditional meaning and use of Daenggi (traditional hair accessory), hands-on Daenggi (traditional hair accessory) keychain-making activity using sewing and Geumbak (gold foil decoration), and decorating and completing the Daenggi keychain. ●Monday, September 14, 6:00–8:30 PM ●Tuesday, September 15, 2:00–4:30 PM K-Beauty Workshop Instructor: Jin-su Lee (Head of the Makeup Pro Team, Amorepacific) Discover the secrets of K-Beauty! Learn about Korean makeup trends, including signature base makeup techniques and point makeup styles. The class features professional demonstrations and hands-on practice, giving participants an engaging and accessible introduction to Korean beauty culture. Activities include an introduction to K-Beauty (Skincare-first philosophy and the glass-skin look), Base Makeup & Skin Prep (Tone correction, cushion application, and dewy base techniques), Eyes, Brows & Lips (Natural gradient eye makeup, soft brows, and gradient lips), and Wrap-Up (Product guide, daily routine tips, and Q&A).  ●Wednesday, September 16, 2:00–4:30 PM ●Wednesday, September 16, 6:00–8:30 PM

  The KCCDC invites you to discover Korea through contemporary literature with a new Fall 2026 session of our popular K-Literature Book Club: Stories of Korea!    Each session celebrates Korean fiction through a series of thoughtful reading and discussion events. This season, we explore three acclaimed Korean novels that reflect on what it means to be human in a rapidly changing world. From imaginative science fiction to heartwarming stories of everyday life, each book offers a unique perspective on empathy, resilience, community, and the connections that shape our lives.   Through guided discussions, participants will have the opportunity to exchange ideas, share personal perspectives, and discover how contemporary Korean literature speaks to universal human experiences while offering meaningful insights into modern Korea.   Participants who apply will receive a complimentary English-language copy of their chosen book (for pickup at the KCCDC, first come first served, limited quantities!). Each title will be discussed in a dedicated in-person book club session, where readers are encouraged to engage in open conversation and thoughtful dialogue. Those who already own a copy of the featured books are also welcome to register for the discussion sessions.   Whether you are new to Korean literature or a longtime reader, we invite you to join us in discovering and sharing Korea through its stories!    K-Literature Book Club: Stories of Korea (Fall 2026 Session) Meeting Location: Korean Cultural Center Washington, DC (in-person only) Meeting Dates: Various dates in September, October, & November Sign up Period: Ongoing Book Pick-Up Dates: August 24 - 28 Questions? Email us at culturedc@mofa.or.kr for assistance regarding this program.    Please note: preference may be given to those not signed up for multiple sessions to allow greater overall participation. Selected participants will receive a final confirmation email after the sign-up period. If you would like to be sure to join a certain session, please complete the sign-up form for that book first, and then other sessions.  Featured Books & Meeting Dates:   If We Cannot Go at the Speed of Light by Cho-yeop Kim Tuesday, September 22, 6:00 PM This event is currently full! Please consider another book club gathering. A Thousand Blues by Seon-ran Cheon Tuesday, October 6, 6:00 PM The Second Chance Convenience Store by Ho-yeon Kim Tuesday, November 3, 6:00 PM   For more on each featured book, see below. All club meeting take place at the KCCDC in person (no virtual option) and will be conducted primarily in English in a casual sharing and guided conversation format. Light refreshments will be provided at each meeting. Please be sure that you can attend the in person book club session on the above date before signing up!  Sign-up for this event!  Please note that book/session options will be removed from the form as they become full, and the form will close entirely when all sessions are full.      If We Cannot Go at the Speed of Light  Cho-yeop Kim An award-winning collection of science fiction stories that explores love, loss, memory, and human connection through imaginative visions of the future. Kim Cho Yeop combines scientific imagination with emotional depth to ask timeless questions about what makes us human.   A Thousand Blues Seon-ran Cheon A moving novel about a racehorse, a humanoid robot, and a family brought together through compassion and care. Blending science fiction with heartfelt storytelling, the novel reflects on empathy, hope, and the true meaning of humanity.   The Second Chance Convenience Store Ho-yeon Kim Set in a neighborhood convenience store in Seoul, this bestselling novel follows the unexpected relationships that develop among ordinary people whose lives intersect in meaningful ways. Warm and uplifting, it offers a touching portrait of community, kindness, and second chances.    

    The Korean Cultural Center Washington, D.C. (KCCDC), in partnership with JS Brewery in Columbia, Md., is pleased to present a two-part talk and hands-on workshop exploring the rich tradition of Korean alcoholic beverages – known broadly as sool – and the famous rice-based makgeolli!   Discover the history, culture, and science of fermentation behind Korea's traditional drinks while enjoying a guided tasting and unique opportunity to make your own batch of sool. Join us for an immersive experience that offers a deeper appreciation of Korea's centuries-old brewing heritage.   Beyond the beverages themselves, participants will discover how Korean traditional alcohol has long been intertwined with family gatherings, seasonal celebrations, regional traditions, and everyday meals.   This event will occur in two different sessions on separate dates, each requiring registration. A nominal participation fee will apply for each session; participants can register for either one or both sessions for the full experience. Session 1 introduces the history and diverse varieties of Korean traditional alcohol, along with the fundamentals of fermentation. Participants will also enjoy a guided tasting of selected traditional beverages and discover a unique skincare experience inspired by natural ingredients traditionally used in Korean traditional liquor. Session 2 is a makgeolli brewing workshop where participants will learn the traditional brewing process and make their own batch of Korea's beloved rice wine.   Session 1 | The Beauty of Korean Traditional Alcohol (K-Sool) & Fermentation Monday, August 3, 6:00–8:30 PM (Participation fee: $20) Korean Cultural Center Washington, D.C.  Enjoy a lecture on Korean traditional alcohol culture, a guided tasting of five traditional beverages, and a unique skincare experience inspired by natural ingredients from Korean traditional liquor. Register for this event! (opens July 22 at 10:00 am)   Session 2 | Hands-on Makgeolli Brewing Workshop Monday, August 17, 6:00–8:30 PM (Participation fee: $25) Korean Cultural Center Washington, D.C.  Learn about Korean traditional alcohol and fermentation culture and then create your own batch of makgeolli through a hands-on brewing activity. Participants will take home their makgeolli batch to finish fermenting. Register for this event! (opens July 22 at 10:00 am)   Please Note: due to the inclusion of alcoholic beverages, participation in this program is restricted to individuals aged 21 and older. Participants must present a valid government-issued photo ID upon request.   About JS Brewery   JS Brewery brews fresh, unpasteurized makgeolli (생막걸리), a traditional Korean rice wine with centuries of brewing history. The handcrafted makgeolli contains naturally occurring living microorganisms produced during fermentation, with no artificial flavors or preservatives. JS Brewery opened its doors in August 2025, but its story began years earlier. Founded by a husband-and-wife team with a shared passion for traditional Korean Sool (술), the journey began in 2020 when they met in Ann Arbor, Michigan, and found it difficult to find the kind of makgeolli they loved. This inspired years of homebrewing, experimentation, and learning how to navigate U.S. brewing regulations.   Through visits to makgeolli breweries across Korea and the completion of makgeolli brewing courses, they gained practical knowledge and experience before bringing the tradition of fresh, unpasteurized makgeolli to Maryland in the United States. For more information or to plan a visit, visit their website at jsbrewery.com.   Jung-Sun Cho (조정선)   Jung-Sun Cho is a scientist, fermentation educator, and co-founder of JS Brewery. She holds a Ph.D. and brings nearly three decades of research experience in the biological sciences. She approaches makgeolli as both a living cultural heritage and a biological process, combining scientific understanding with Korea's traditional brewing heritage. She is certified in makgeolli brewing.   Rajiv Aggarwal (라지브)   Rajiv Aggarwal is a software engineer and co-founder of JS Brewery. His years living in Korea introduced him to the rich culture surrounding traditional Korean alcohol—from rainy days shared over makgeolli and jeon to mountain hikes where hikers celebrate with makgeolli at the summit. Inspired by these experiences, he began brewing makgeolli after returning to the United States, eventually co-founding JS Brewery.    Featured Korean Traditional Alcohol (K-Sool, 술)   Sun (막걸리) Makgeolli Fresh, roughly filtered Korean rice wine crafted through single-stage fermentation, celebrated for its creamy texture and lively character.   Joy (약주) Yakju A refined, crystal-clear rice wine traditionally enjoyed on special occasions and favored by royalty.   Secret (흑미주) Black Rice An elegant two-stage fermented rice wine brewed with black rice, offering a deep purple hue and rich, layered aromas.   Soul (탁주) Takju A traditional cloudy rice wine with a full-bodied texture, gentle sweetness, and the authentic taste of natural fermentation.   Samchon (삼촌) Samyangju A premium three-stage fermented rice wine, prized for its remarkable depth, complexity, and smooth finish.

The Korean Cultural Center Washington, D.C. (KCCDC) invites you to an interactive talk, demonstration, and hands-on workshop exploring the art and craft of traditional hanji paper and joomchi blending technique, with interdisciplinary artist Esther Jihye Cho!   Cho will introduce hanji as a versatile and practical material with many craft applications, followed by a demonstration of basic techniques and a hands-on workshop session in which guests can create their own simple hanji craft. Participants will also learn about joomchi, a traditional technique to fuse together segments of hanji by hand into a durable, leather-like material that opens up further artistic and craft possibilities from fashion accessories to sculpture. Both hanji and joomchi have been iconic parts of Korean cultural and artistic heritage for centuries.   A selection of diverse hanji artwork created by Cho will also be on display to view after the workshop. Join us to appreciate these unique pieces and experience the beauty and charm of traditional Korean hanji crafts up close! K-Culture Talk & Workshop: Exploring Hanji and Joomchi Crafts Korean Cultural Center Washington, D.C. (2370 Massachusetts Ave. NW) Two Sessions: Thursday, July 9 (6-8 PM) & Friday, July 10 (2-4 PM)   PLEASE NOTE: An RSVP is required for each session, and space is limited. Participants are kindly asked to register for only one session, as both sessions offer the same program.   RSVP FOR THIS EVENT!  (Opens June 29 at 10:00 AM EDT)   Session 1: Thursday, July 9 (6-8 PM) Session 2: Friday, July 10 (2-4 PM)   Hanji is Korea’s traditional handmade paper, made from the inner bark fibers of the paper mulberry tree through a traditional manual process. Thanks to its long and strong fiber structure, hanji exhibits excellent durability and flexibility, and has been used for centuries to produce high quality books, calligraphy, painting, traditional window panes, and various crafts.   Within Korean cultural heritage, hanji also embodies the skill of artisans and the wisdom of communities passed down for generations. It continues to be highly valued today in diverse new fields of art, design, and the conservation and restoration of archival materials.   Joomchi is a traditional Korean papermaking technique in which multiple sheets of hanji are soaked in water and repeatedly rubbed, kneaded, crumpled, and pounded together by hand. Through this process, the fibers become interlocked, forming physical and chemical bonds that fuse the sheets into a single, durable material without the use of adhesives.   This technique is possible because the inner bark of the paper mulberry tree yields exceptionally long and strong fibers. While ordinary paper would tear easily when wet, hanji retains its strength akin to a textile, and becomes even more cohesive as the fibers intertwine through repeated handling and friction.   Those who experience making joomchi discover how paper can be transformed into a flexible, fabric-like material and gain a profound appreciation for the remarkable strength, texture, and beauty of traditional Korean hanji.     Esther Jihye Cho is an interdisciplinary artist and designer working in wood, paper, and performance. Her practice focuses on preserving traditional Korean craft techniques while reinterpreting them through a contemporary lens. Central to her work are meticulous and labor-intensive processes such as joomchi (paper felting) and jiseung (paper weaving), which serve as both inspiration and a means of creative expression. The time and effort Cho invests in these techniques shape her ideas and reflect her commitment to merging tradition with contemporary artistic practices as she explores themes of identity, storytelling, and materiality.   Cho is the recipient of various awards and recognitions, including the Windgate-Lamar Fellowship from the Center for Craft, the ALL Prize from Art + Literature Laboratory, the Caxton Club Grant, and the Creative Arts Award from the University of Wisconsin-Madison. She holds two MFAs from the University of Wisconsin-Madison in Woodworking and Furniture Design as well as Design Studies, in addition to two BFAs in Interior Design and Craft/Material Studies from Virginia Commonwealth University.   In addition to her studio practice, Cho is an experienced educator, teaching courses in design and craft that help students develop their technical skills and creative voices. She has exhibited her work widely and conducted workshops on Korean papermaking techniques. For more, visit the artist's website at www.estherjihyecho.com.  self  2024  corded and twined hanji 6"w x 6"h x 2.5"d  Secrets from Room 2103  2024  corded and twined hanji 5"w x 10"h x 5"d 3 hours  2023  joomchi, handmade mulberry paper by Nicholas Cladis 30.5"w x 60"h

2026 K-Pop Academy – Apply to join the FREE two-week intensive class or try a special one-day class!  Calling all K-Pop fans! Ready to dance like your favorite idols? Join the 2026 K-Pop Academy and bring your stage dreams to life! This year, we are offering both a two-week intensive course and several one-day classes to make the program even more accessible to all. Please choose the option that best fits your interests. Please note: applicants may apply to only one program option! Duplicate applications may be disqualified.  There is no cost to apply or participate, but space is highly limited for all program options. The application process is competitive for the two-week intensive program, and participants will be selected based on their application; the one-day K-Pop dance programs are not competitive, but and participants will be accepted on a first come, first served basis. Please see below for full details and application instructions. Inquiries: For more information, please visit the KCCDC website for updates or email us at soh24@mofa.or.kr. Two-Week Intensive Dance Class Applications Open June 10 at 10:00 AM!  Two-Week Intensive Dance Class Application Link  ●Dates/Schedule: July 20 – August 1, 2026 (6 two-hour sessions plus a final showcase on Saturday, August 1) ●Application Period: June 10 - June 17 ●Selection Results Announced: June 23 ●Location: Korean Cultural Center Washington, D.C. (2370 Massachusetts Ave NW, Washington, DC 20008) ●Participants: 20 participants will be selected each for the Beginner Class and Intermediate Class ●Eligibility: Open to K-Pop fans ages 15 and older. Participants must be able to attend all class sessions in person in Washington, D.C. ●Fee: Free to apply and participate!  ●Language: All classes will be conducted in English. Korean language ability is not required. Instructor & Class Format   A professional K-Pop dance choreographer from Korea with experience training well-known K-Pop idol groups will lead the program, providing high-quality instruction tailored to participants' levels across two groups. This year’s academy will focus on dance training without a separate vocal training group.   [Beginner] ●For those who are interested in K-Pop but have little or no dance experience ●Focuses on basic choreography, performance understanding, teamwork building [Intermediate] ●For those with prior experience in K-Pop dance at an intermediate level ●Focuses on choreography creation, effective practice techniques, role sharing, and leadership skills Not sure which level to choose? No worries! Just upload a 1-minute dance video in the application form, and our instructor will help determine the best level for you.   One-day K-Pop Dance Classes Applications Open June 10 at 10:00 AM! (first-come, first-served)  One-day Dance Class Application Link  July 21, 7PM July 28, 7 PM July 30, 7 PM ●Dates: July 21, July 28, July 30 (7 - 9 PM) Please choose just one date option! ●Location: Korean Cultural Center Washington, D.C. (2370 Massachusetts Ave NW, Washington, DC 20008) ●Participants: 20 participants for each class ●Eligibility: Open to K-Pop fans ages 15 and older. Participants must be able to attend all class sessions in person in Washington, D.C. ●Fee: Free to apply and participate! ●Language: All classes will be conducted in English. Korean language ability is not required. Participants can select only one class from the three options below. The choreography will be original choreography created by the instructor. ●July 21, 2026 | 7:00 – 9:00 PM Dance Song: Love, Maybe by MeloMance (멜로망스), Beginner Level ●July 28, 2026 | 7:00 – 9:00 PM Dance Song: Free from KPop Demon Hunters, Intemediate Level and up ●July 30, 2026 | 7:00 – 9:00 PM Dance Song: Heaven by Taemin (태민), Intermediate Level and up    

Click HERE to RSVP Overview: - K-Food Experience at Asia North: The Art of Kimbap - Date&Time: Friday, May 29, 6:30 - 8:00 PM - Location: Motor House (120 W North Ave, Baltimore, MD) Join us for an engaging evening exploring the art and culture of kimbap with special guest chef and restaurateur Des So. Participants will hear stories about Korean cuisine, Des So’s journey building Korean food businesses in the DC area, enjoy a live kimbap-making demonstration, and take part in a delicious kimbap tasting experience. Small Korean souvenir giveaways will also be available for attendees!   About Asia North: Asia North is an Asian arts and culture festival in Baltimore’s Station North Arts District that celebrates the Charles North–Station North neighborhood’s evolving identity as a Koreatown, arts district, and creative hub. The festival is co-produced by the Asian Arts & Culture Center and the Central Baltimore Partnership.   About the Instructor: Des So (서대석) - Born in Seoul, South Korea; immigrated to the U.S. in 1986 - Studied Film/Video at Rochester Institute of Technology (NY) - Has owned and operated more than 30 restaurants across DC, Maryland, and Virginia since 1992 - Currently operates four restaurants in Washington, DC, including Soho Cafe & Market, Met Cafe the Venue, and Met Cafe Lite @ DOI - Specializes in breakfast & lunch cafeterias, catering, venues, events, and modern Asian & American cuisine   About Kimbap: Kimbap is one of Korea’s most beloved comfort foods, known for its balance of flavors, vibrant presentation, and versatility. Often enjoyed for picnics, travel, and family gatherings, kimbap reflects the creativity and warmth of Korean home-style cooking. Through this program, participants will learn more about Korean food culture, traditional ingredients, and the enduring popularity of this iconic dish.

Seoul Metropolitan Dance Theatre to Make International Debut of MIMESIS in Washington, D.C. A Contemporary Reimagining of Korean Traditional Dance Celebrating the U.S. 250th Anniversary Join the Korean Cultural Center Washington, D.C. (KCCDC) and the Embassy of the Republic of Korea as we proudly present the international premiere of MIMESIS by the Seoul Metropolitan Dance Theatre at Washington, D.C.’s Warner Theatre on Sunday, September 27, 2026!    This landmark original work by one of Seoul’s premier dance companies reimagines eight traditional dances through a contemporary lens. Following its world premiere in Seoul in 2025, this first performance of MIEMESIS outside Korea also commemorates the 250th anniversary of the founding of the United States in 2026 and the rich history of Korea-US ties through the universal language of dance.   Drawing on archetypal figures from traditional Korean society—including influential women, scholars (seonbi), shamans, and royalty—MIMESIS brings Korea’s cultural heritage to the modern stage through contemporary choreographic language. Twenty dancers from the Seoul Metropolitan Dance Theatre will be part of a 30-member performing company traveling to Washington, D.C. for this epic 75-minute production.   As K-Pop, dramas, and other Korean cultural content continue to capture global attention, various icons of Korean cultural heritage have become familiar sights for international audiences, including the wide-brimmed traditional Korean hat (gat) and aesthetically structured traditional Korean clothing (hanbok). MIMESIS, however, invites audiences to experience a deeper dimension of Korean culture beyond mere visual elements, through the distinctive movement, breathing rhythm, and emotional expression of Korean traditional dance.   This free, public performance aims to bring the artistic depth and contemporary beauty of Korean traditional dance to American audiences while expanding the possibilities of cultural exchange between Korea and the United States. Seoul Metropolitan Dance Theatre presents MIMESIS Sunday, September 27, 2026, 8:00 p.m. (75 minutes) The Warner Theatre (513 13th St NW, Washington, DC 20004) Admission to this event is free with advance registration (below).  RESERVE TICKETS FOR THIS EVENT! About MIMESIS   MIMESIS is a contemporary reinterpretation of eight traditional Korean dances, drawing inspiration from the elemental flow of nature. The work’s title refers to the artistic representation of an essential reality, and the production looks beyond the established forms and conventions of traditional dance to explore their underlying spirit expressed on a contemporary stage. Premiered at the Sejong Center for the Performing Arts in Seoul in 2025, MIMESIS drew significant public attention, selling out all performances. The 2026 Washington, D.C. engagement marks the work’s international premiere.   The eight traditional dance forms that comprise MIMESIS include classical court dance, Hanryangmu, Sogochum, sword dance, Salpuri, Seungmu, shamanic dance, and Taepyeongmu. The distinct movements of each dance are reimagined through the conceptual imagery and rhythm of water, wind, earth, lightning, air, sky, fire, and light. Each section represents a distinct visual and emotional world while also merging Korea’s cultural heritage with contemporary aesthetics.   Rather than simply reproducing traditional forms, MIMESIS explores the essence of Korean dance through distinct concepts of movement, breath, rhythm, gesture, and emotional expression. Contemporary music, costume design, and staging serve to further transport these historical dances into the modern era, creating a work that bridges Korea’s past and present. Artistic Director & Choreographer Hea Joung Yun Hea Joung Yun, Artistic Director and Choreographer of MIMESIS, is a dancer, choreographer, and arts director whose work brings together the depth of Korean traditional dance and contemporary creativity. A former principal dancer of the National Dance Company of Korea, Yun is also a designated practitioner of Hanryangmu, recognized as Seoul Intangible Cultural Heritage No. 45. Yun previously served as Artistic Director and Resident Choreographer of the Gangwon Provincial Dance Company and has created works including A Slow Dream I & II, Digital Bonpuli, and Twisting the Myth—Mago. Her work explores tradition and modernity, history and the human experience through contemporary perspectives. She has received honors including a Minister of Culture, Sports and Tourism Commendation, a Prime Minister’s Commendation, and the Traditional Artist of the Year Award. She currently leads the Seoul Metropolitan Dance Theatre as its Artistic Director. About the Seoul Metropolitan Dance Theatre   Established in 1974, the Seoul Metropolitan Dance Theatre is one of the resident companies at Seoul’s esteemed Sejong Center for the Performing Arts and has been a leading force in Korean dance for more than five decades. Dedicated to preserving and reinterpreting Korea’s cultural heritage while expanding the possibilities of Korean dance, the company has developed a diverse repertoire spanning traditional Korean dance and contemporary creative works.   The company has represented Korea at major international events, including the 1984 Los Angeles Olympic Closing Ceremony and the 1990 Beijing Asian Games Arts Festival, and has toured extensively throughout Europe, the United States, South America, and Northern Europe. It has also appeared at internationally recognized festivals, including the Shanghai International Arts Festival.   The company’s signature work, One Dance, received the New York Dance and Performance Award (The Bessies), bringing international recognition to the excellence and originality of Korean dance. Through its continued artistic development and international activities, the Seoul Metropolitan Dance Theatre remains committed to sharing the richness and distinctive beauty of Korean dance with audiences worldwide and advancing international cultural exchange. For more information and content visit their website.  ▲ MIMESIS  Photo Credit: Seoul Metropolitan Dance Theatre Production Credits   Artistic Director & Choreographer | Hea Joung Yun Assistant Choreographer | Chin Hee Chun Dance Captains | Kyunga Cho, Taesun Choi Music | Insang Yoo Costume Designer | Jiwon Kim Lighting | Jeong Tae Kim Stage Manager | Minjae Lee Wardrobe | Mira Byun, Jiyeon Cheon Lighting Programmer | Hyung Jin Lee Production Manager | Tae Im Kim International Cooperation | Hwiyoung Cobb Cho, Hyeri Moon Presented by: The Korean Cultural Center Washington, D.C. and Embassy of the Republic of Korea In collaboration with: The Seoul Metropolitan Dance Theatre and Warner Theatre Produced by: The Sejong Center for the Performing Arts, Seoul Metropolitan Dance Theatre

The Korean Cultural Center Washington, D.C. (KCCDC), in collaboration with the DC Jazz Festival, proudly co-presents Pureum Jin & The Empress on Saturday, September 5 at 6:00 p.m. at Union Stage in The Wharf neighborhood of Washington, D.C., part of the legendary and esteemed festival’s five-day 2026 lineup. This collaboration aims to introduce the distinctive musical voices of Korean and Korean American jazz artists while expanding cultural exchange between Korea and the United States.   The Empress, a New York-based jazz ensemble built around a unique frontline of four female saxophonists, was founded and is led by Korean-born saxophonist Pureum Jin. The ensemble brings together four individual musical voices to create one cohesive and powerful sound. Pureum Jin (alto/soprano saxophone), Tessie Overmyer (alto saxophone), Chelsea Baratz (tenor saxophone), and Lisa Parrott (baritone saxophone) draw from the bebop and jazz standard traditions and are distinguished by their sophisticated arrangements, tight ensemble interplay, precision, and expressive improvisation. The Empress released its debut album, Square One, in 2025 through Cellar Music Group. Recorded at the legendary Rudy Van Gelder Studio, the album received strong recognition on U.S. jazz radio charts and has established this rising ensemble on the New York jazz scene.   For this special Washington, D.C. performance, the four saxophonists will be joined by Allyn Johnson (piano), Amy Shook (bass), and Billy Williams (drums), creating a seven-piece ensemble. The 60-minute program will feature jazz standards and selections from Square One. The Empress aims to offer a fresh perspective on jazz traditions while highlighting the diversity and international character of today’s New York jazz scene.   Pureum Jin & The Empress at the DC Jazz Festival Saturday, September 5, 2026, at 6:00 p.m. Union Stage, The Wharf (740 Water St SW, Washington, DC 20024) Tickets for this Event & Full Lineup The Empress About the DC Jazz Festival   Founded in 2005, the DC Jazz Festival is one of the leading jazz festivals in the United States and an internationally recognized cultural event featuring acclaimed jazz artists from around the world. In addition to concerts, the festival supports the development and appreciation of jazz through educational programs, workshops, and master classes.   The KCCDC has collaborated with the DC Jazz Festival over the years to introduce Korean jazz artists to Washington audiences and present them on the festival’s main stages. Previous collaborations have included Song Youngjoo Septet (2017), SEUM (2018), Ji Hye Lee (2019), and Jongkuk Kim (2025). Through its continued partnership with the DC Jazz Festival, the KCCDC seeks to expand opportunities for Korean and Korean American jazz artists and to strengthen mutual cultural exchange.   About Pureum Jin & The Empress   Pureum Jin | Leader, Saxophonist, Composer/Arranger Pureum Jin is a South Korea-born, New York City-based award-winning saxophonist, arranger, composer, and educator. She established herself as a distinctive voice in the international jazz scene with her debut studio album, The Real Blue, released through Cellar Live in June 2019. The album received critical acclaim from leading jazz publications, including a four-star review from DownBeat, and was featured in Jazz at Lincoln Center’s new-release roundup. Pureum Jin has since performed at leading jazz clubs, festivals, and venues in New York and around the world. She was a finalist in the Made in New York Jazz Competition in 2018 and performed at the Tribeca Performing Arts Center alongside acclaimed musicians including Al Foster and John Lee. In 2019, she received multiple honors at the New York Readers Jazz Awards, including Best Alto Saxophone, Best Female Rising Star, and Jazz Artist of the Year. She was also nominated for the Best Jazz/Crossover Performance category at the 2020 Korean Music Awards. Her discography includes Live in Europe (Nagel-Heyer, 2013), The Real Blue Live in Barcelona (SWIT Music, 2020), and other collaborative projects. She holds a Master of Music in Jazz Performance from Manhattan School of Music and a Bachelor of Music in Postmodern Music from Kyung Hee University in South Korea.   Chelsea Baratz | Saxophonist, Composer, Arranger, and Vocalist Chelsea Baratz is a critically acclaimed saxophonist, composer, arranger, and vocalist based in New York City. Born and raised in Pittsburgh, she developed her musical foundation under influential Pittsburgh jazz musicians including Roger Humphries, Dwayne Dolphin, and Sean Jones before moving to New York in 2006. A graduate of The New School, Baratz has performed and recorded with artists including Aretha Franklin, Kali Uchis, Andromeda Turre, Maurice Brown, Orrin Evans, Nicholas Payton, Brandee Younger, Talib Kweli, Ben Williams, and Dezron Douglas. She is the founder, musical director, and business manager of HERA, and is known for her genre-defying musical approach, versatility, and distinctive voice as both an instrumentalist and vocalist.   Tessie Overmyer | Alto Saxophone Originally from Newcastle, Australia, Tessie Overmyer is a New York-based alto saxophonist, composer, and bandleader known for her dynamic and distinctive musical voice. A prizewinner in Australia's National Jazz Awards, she has performed with artists including Mike Nock, Andrea Keller, Barney McCall, and Will Vinson, appearing at major festivals in Australia and the United States.   Lisa Parrott | Baritone Saxophone Australian-born, New York-based Lisa Parrott is an acclaimed baritone and alto saxophonist, composer, and educator known for her highly original voice. She has performed with artists and ensembles including Dave Brubeck, Nancy Wilson, Cindy Blackman, Jimmy Heath's Big Band, and the DIVA Jazz Orchestra, earning recognition in the DownBeat Critics Poll for baritone saxophone.   Allyn Johnson | Piano A native Washingtonian, Allyn Johnson is a distinguished pianist, composer, arranger, producer, and educator known for his soulful and versatile artistry. He serves as Associate Professor and Director of Jazz Studies at the University of the District of Columbia, where he plays a leading role in shaping the next generation of jazz musicians.   Amy Shook | Bass Amy Shook is one of the Mid-Atlantic's most sought-after acoustic bassists, celebrated for her powerful sound, driving groove, and versatility. An accomplished composer and multi-instrumentalist, she co-leads the 3D Jazz Trio and the Shook/Russo Quartet and has performed with prominent artists at major venues and festivals worldwide.   Billy Williams | Drums A native of Virginia Beach, Billy Williams is an internationally acclaimed drummer, recording artist, and educator known for his musicianship and versatility. He has toured worldwide and performed with artists including Benny Golson, Cyrus Chestnut, Gary Bartz, Christian McBride, and Ellis Marsalis. A SONOR artist, Williams has contributed to more than 50 recordings.   About The Empress   The Empress is a New York-based jazz ensemble built around a frontline of four female saxophonists, each bringing a strong individual voice to a unified group sound. Founded and led by Korean-born saxophonist Pureum Jin, the ensemble draws from the bebop tradition through refined horn writing, strong collective interplay, and expressive improvisation. Their debut album, Square One (Cellar Music Group), was recorded at the legendary Rudy Van Gelder Studio and received strong recognition on U.S. jazz radio charts, establishing the group's growing presence on the contemporary jazz scene. The group is distinguished by its clarity, precision, and momentum, as well as its balance between a cohesive ensemble sound and distinct individual voices. On stage, The Empress delivers a confident and engaging performance grounded in swing, interaction, and expressive improvisation. Pureum Jin

Onstage Korea 2026: Award-Winning Jazz Vocalist Maria Kim Live in Concert Celebrating Korean Jazz and Cultural Exchange in Washington, D.C. Wednesday, August 5, 2026 at 7:00 p.m. Woolly Mammoth Theatre  641 D Street NW, Washington, DC 20004 Thank you for your interest! This event is current at maximum registration. Walk-in guests without an RSVP may still be addmitted, but subject to seating availability shortly before the start.  The Korean Cultural Center Washington, D.C. (KCCDC) proudly presents Onstage Korea 2026: Jazz Vocalist Maria Kim Live in Concert featuring the acclaimed singer and pianist at 7:00 p.m. on Wednesday, August 5, 2026 for an intimate performance at DC’s Woolly Mammoth Theatre.   Maria Kim will be joined by four outstanding New York-based jazz musicians:bassist Ben Wolstein, drummer Aaron Seeber, and saxophonists Asaf Yuria and Pureum Jin. Together, the artists will present a dynamic program showcasing the expressive possibilities of contemporary jazz. The concert aims to introduce the sophistication, creativity, and emotional depth of Korean jazz while highlighting the unique artistic voices of Korean musicians active on the global stage.  The 60-minute concert will feature beloved jazz standards including “Softly as in a Morning Sunrise,” “One Note Samba,” “The Very Thought of You,” “Ain’t No Sunshine,” and “Honeysuckle Rose,” along with iconic Korean folk songs. Through sophisticated arrangements and emotionally rich performances, this ensemble will present a musical journey that reflects both the universal language of jazz and the distinctive artistry of Korean musicians. Onstage Korea is the KCCDC’s signature performing arts series dedicated to discovering exceptional Korean and Korean-inspired artists, providing opportunities to share their creativity with American audiences. Through live performances in the Washington, D.C. metropolitan area, the series promotes cultural exchange by expanding the visibility of Korean performing arts and artists within the broader American arts community.   Since its launch, Onstage Korea has presented innovative Korean and Korean-inspired artists across diverse genres, from traditional Korean music and contemporary fusion performances to jazz and other forms of creative expression. Through collaborations with local cultural institutions, the program continues to connect Korean artists with diverse audiences in the United States.   Maria Kim is a celebrated jazz pianist and vocalist known for her distinctive musical expression and elegant interpretations of jazz standards. A graduate of both the Berklee College of Music and the New England Conservatory, she has performed at influential jazz venues in New York and throughout Asia. Combining her artistry as a pianist with a captivating vocal style, Kim has developed a unique identity that bridges jazz tradition with contemporary sensibilities. She has been recognized with numerous awards, including Best Jazz Vocal Album Award at the 2022 Korean Music Awards, the Jazz Audio Disc Award from Japan’s Jazz Critics Association, and the Jazz Artist Award at the 2023 Korean Entertainment Arts Awards.   This event is free with advance registration. Additional information regarding registration and event details will be available through the Korean Cultural Center Washington, D.C. website and social media channels. About OnStage Korea   Onstage Korea, presented by the Korean Cultural Center Washington, D.C., is a performing arts series that introduces outstanding Korean and Korean-inspired artists from around the world to audiences in the Washington, D.C. metropolitan area. The program discovers talented artists and ensembles across diverse genres and provides opportunities to share their creativity through live performances. By offering exceptional performances free to the public, Onstage Korea promotes international cultural exchange, expands the presence of Korean performing arts in the United States, and fosters meaningful connections between Korean artists and local communities.   Featuring a new selection of artists each year, Onstage Korea continues to serve as a platform for innovative performances that showcase the diversity, creativity, and global influence of Korean culture.   About the Artists   Maria Kim |  Jazz Vocalist & Pianist Maria Kim, a world-class jazz musician, is an outstanding jazz pianist and vocalist who has captivated audiences around the globe with her free spirited artistry. Having won Best Jazz Vocal Album at the 2022 Korean Music Awards, received the Jazz Audio Disc Award selected by Japan's Jazz Hihyo (Jazz Critique) magazine, and earned the Jazz Artist Award at the 29th Korea Entertainment Arts Awards in 2023, Maria Kim has firmly established herself as one of Korea's leading jazz artists. With a recording contract from the U.S. based jazz label La Reserve, she released acclaimed studio albums such as Misty Blue and Love Letters, both of which reached No. 1 on jazz charts on platforms including Apple Music and Yes24. In this performance, Maria Kim will present a special collaboration with some of New York’s finest musicians: Ben Wolstein (bass), Aaron Seeber (drums), Asaf Yuria (saxophone), and Pureum Jin (saxophone).   Ben Wolstein | Bass Ben Wolstein is a New York City–based jazz bassist whose expressive playing, deep sense of swing, and thoughtful musicianship have made him a sought-after collaborator on the city's vibrant jazz scene. Grounded in the tradition of the great bassists while bringing a fresh, modern voice to every performance, he is known for his warm tone, melodic improvisation, and intuitive accompaniment. Ben Wolstein has performed alongside acclaimed Johnny O'Neal, Samara Joy, Richard Cortez, collaborating with leading members of New York City's vibrant jazz community. His versatility allows him to move effortlessly between straight-ahead jazz, bebop, ballads, and contemporary styles, always providing a strong rhythmic foundation while contributing creatively to the music. Whether anchoring a trio, supporting vocalists, or performing in larger ensembles, Wolstein approaches every performance with sensitivity, musical integrity, and a deep commitment to communication through jazz. His growing presence in the New York jazz community reflects both his technical artistry and his dedication to the enduring tradition of improvised music.   Aaron Seeber | Drums Aaron Seeber a drummer living in Queens, NY is making his name as an emerging Jazz drummer in New York City. Aaron attended SUNY Purchase, where he studied Jazz Drums under the tutelage of renowned instructors Kenny Washington and John Riley. As a performer, Seeber has had the incredible opportunity to share the stage with greats Eric Reed,  Johnny O'Neal, Eric Alexander, Pete Malinverni, Warren Wolf, Grant Stewart, Jeremy Pelt, Tim Green, Ugonna Okegwo, Bruce Harris, Gary Smulyan,  Mike Ledonne, Freddie Redd, Butch Warren, Chuck Redd, and many others. He has performed internationally with The Warren Wolf Trio and nationally with the grammy award winning group, The New York Voices. Seeber recently recorded his debut record "First Move" featuring Warren Wolf, Tim Green, Sullivan Fortner, and Ugonna Okegwo. It will be released May 13th, 2022 on Cellar Live Records. Aaron endorses Murat-Diril Cymbals and Canopus Drums   Asaf Yuria | Saxophone Born in Tel Aviv, Israel in 1985, Yuria was raised on the recordings of John Coltrane, Charlie Parker and countless others. By high school, he’d advanced to play alongside some of the top musicians in the capital’s close-knit jazz scene. However, the bright lights of New York City were always an aspiration for the young Yuria. He eventually moved to the US to follow his dreams, spending thirteen successful years playing in jazz clubs, jam sessions and music festivals around the world. Yuria soon enrolled at the New School for Jazz and Contemporary Music in the late 2000’s where he came under the influence of close mentor Billy Harper, as well as George Cables, Reggie Workman, Billy Hart and Charles Tolliver. “The expression of study has to come out through the prism of my life experience and ideas,” he reflects. Yuria is bold with his goals, which shine through his highly intuitive charts steeped in detailed knowledge of great masters of the past.   Pureum Jin | Saxophone Pureum Jin is a South Korea-born, NYC-based award-winning saxophonist, arranger, and composer, establishing herself as one of the leading figures in the jazz world with her first studio album ‘The Real Blue’ released through Cellar Live in June 2019. Since its release, the album has been receiving rave reviews from prestige jazz magazines, such as a 4-star review from Downbeat on its September issue, being featured as one of the albums on Jazz at Lincoln Center blog’s June New Release Round-up, making a cover of Jazz People Magazine in Korea, etc. Pureum’s quickly establishing as a key figure in NYC jazz scene, as she quickly makes debuts on most notable jazz clubs in the city and getting rave reviews from prestige jazz magazines around the world, including Downbeat, New York City Jazz Magazine, Jazz People, MM Jazz, etc. She was selected as one of the finalists for the Made in New York jazz competition 2018, making on stage as one of the few selected finalists at The Tribeca Performing Arts Center with legends including Al Foster and John Lee for the competition’s awards ceremony. Pureum also has recently won ‘Best Alto Saxophone’, ‘Best Female Rising Star’, and ‘Jazz Artist of the Year’ categories of New York Readers Jazz Awards 2019 hosted by Hot House Jazz Magazine and JazzMobile. She was also selected as one of the nominees in Korean Music Awards 2020’s “The best Jazz/Crossover - The Best Performance” category.     Images (Full resolution available upon request)   ▲ Maria Kim – Jazz Vocalist / Jazz Pianist ▲  Ben Wolstein – Bassist ▲ Aaron Seeber – Drummer ▲ Asaf Yuria – Saxophonist ▲ Pureum Jin – Saxophonist <Photo Provided by Soundpuzzle>

The Korean Cultural Center Washington, D.C. (KCCDC) proudly presents the Korean Women in Jazz Series in collaboration with DC’s historic Blues Alley Jazz club, July 6 – 8, highlighting exceptional New York-based Korean talent in celebration of the 250th anniversary of the United States.   Aimed at broadening cultural ties between Korea and the United States by spotlighting one of the two countries’ most longstanding and influential genres of artistic exchange – jazz music – this series presents exceptional Korean talent currently performing at the top of their game in the United States. Jazz pianists Dabin Ryu, Hayoung Lyou, and Jihee Heo have each embraced their unique artistic voice within the contemporary jazz scene and will present music from their latest individual albums, each in a unique piano-drums-bass trio format, in DC’s most storied and revered Jazz club: Blues Alley.   Blues Alley Jazz, established in 1965, is one of Washington, D.C.’s most iconic jazz clubs with a 60-year history and is widely recognized as a landmark venue that has hosted numerous world-renowned jazz musicians. Known for its intimate performance setting and excellent acoustics, the venue offers audiences a distinctive live music experience in close proximity to the artists. Since 2025, the Korean Cultural Center Washington, D.C. (KCCDC) has partnered with Blues Alley Jazz to regularly present Korean jazz artists to local audiences. This series continues that cultural exchange and collaboration between the two institutions with deep local roots.   On Monday, July 6 award-winning pianist Dabin Ryu presents selections from her latest album Trio! that showcase her refined and intricate sound in a contemporary jazz piano trio format. She will be joined by acclaimed drummer Jimmy Macbride and bassist Walter Stinson.   On Tuesday, July 7 internationally recognized jazz pianist and composer Hayoung Lyou performs works from her album The Myth of Katabasis, exploring a musical journey that bridges classical sensibilities and modern jazz expression. She will be joined by drummer Steven Crammer and bassist Walter Stinson as part of a trio.   On Wednesday, July 8 acclaimed jazz pianist and composer Jihee Heo concludes the series with a trio performance that highlights the intersection of Korean musical sensibility and jazz tradition, inviting listeners into a narrative and expressive musical world. She will perform with renowned bassist Boris Kozlov and drummer Chris Beck as part of her trio ensemble.   Each evening features two performances, at 7:00 p.m. and 9:30 p.m. Tickets are $25 per show, available through the Blues Alley Jazz website. For more information, visit the websites of the Korean Cultural Center Washington, D.C. and Blues Alley Jazz.   TICKETS AVAILABLE VIA BLUES ALLEY JAZZ:  Monday, July 6: Dabin Ryu Tuesday, July 7: Hayoung Lyou Wednesday, July 8: Jihee Heo About the Artists   Dabin Ryu Trio Dabin Ryu | Jazz Pianist Dabin Ryu is an award-winning jazz pianist and composer from Seoul, South Korea, currently based in New York City. She holds a Bachelor of Music from Berklee College of Music, a Master of Music from Manhattan School of Music, and an Artist Diploma from The Juilliard School. She has collaborated with internationally acclaimed artists including Ralph Peterson, Billy Harper, Randy Brecker, Johnathan Blake, Joe Martin, Anat Cohen, David Virelles, Godwin Louis, Rodney Jones, and Jaleel Shaw, among others. As a versatile performer, she has led her own ensembles and participated in projects such as Ralph Peterson’s Next Generation Big Band and David Virelles’ Nosotros Ensemble. Ryu is the winner of the 15th UNISA International Piano Competition and the 2025 Jazz Gallery Residency Commission. She currently serves as an associate professor at Berklee College of Music.   Walter Stinson | Bass Walter Stinson is a bassist, educator and composer currently based between Brooklyn, NY and Montréal, QC. After graduating from Purchase College in 2012, he moved to New York City where he has been working steadily ever since. Some of his most frequent collaborators include Adam O’Farrill, Kevin Sun, Max Light and Aaron Quinn. He has shared stages all over the world with Billy Hart, John Hollenbeck, Caroline Davis, Kenny Werner, Roy Nathanson, Arturo O’Farrill, Anna Webber, David Binney and Jean-Michel Pilc. In 2025, Stinson, along with pianist Evan Main and drummer Steven Crammer, released their eponymous collaboratively-led piano trio “Prawntail” on Endectomorph Records. Originally from Ithaca, NY, Stinson began studying the upright bass at the age of 10. His first exposure to music came from his mother, a pianist who would sing and play jazz standards. While growing up in Ithaca, he also had the good fortune of being mentored by two unsung heroes of the New York City jazz scene, bassist Bernie Upson and drummer George Reed as well as being under the tutelage of Nicholas Walker, a protégé of Francois Rabbath. Along his educational journey, Stinson also studied privately with Doug Weiss, Todd Coolman, Kermit Driscoll, Scott Colley, Stephan Crump, Greg August, and William Parker. Walter continues to tour worldwide, devoting himself to a variety of improvised and creative music.   Jimmy Macbride | Drums Since moving to New York in 2009, drummer Jimmy Macbride has established himself as one of the most exciting and creative young voices on his instrument. Named as one of “25 For the Future” by Downbeat Magazine, Macbride is an extremely in-demand and highly regarded sideman, valued for his musicality, versatility, and adept touch on his instrument. Coming from an artistic family (his father was a composer and mother is a visual artist), Jimmy began playing drums at age 3 and gravitated toward jazz music at an equally young age. He is a graduate of the Juilliard School, where he studied with Carl Allen, Billy Drummond, and Kenny Washington. Since finishing his studies, Macbride has worked with some of the most important voices in jazz, including Terence Blanchard, Kurt Rosenwinkel, Jimmy Greene, Kevin Hays, and Steve Nelson. He regularly performs throughout New York City, at venues such as Dizzy’s Club, Smalls, The Jazz Gallery, and The Blue Note. In addition, Jimmy’s musical skills have also taken him worldwide, affording him the opportunity to perform at clubs and festivals on five continents, including the Newport Jazz Festival, North Sea Festival, and Monterey Jazz Festival. A testament to his artistic range and willingness to be part of any musical situation, Jimmy can be seen performing and touring regularly with a wide variety of artists and groups, encompassing a vast array of styles. Some of these include Manuel Valera, Samuel Torres, Troy Roberts, Michael Rodriguez, Marshall Gilkes, Mike Moreno, Dave Kikoski, Nir Felder, Eldar Djangirov, and his wife and frequent collaborator Miki Yamanaka, among many others. He is also noted for his powerful and supportive drumming in a big band setting, appearing with the Mingus Big Band, Ryan Keberle’s All Ears Orchestra, and the Terraza 7 Big Band regularly. An active recording artist, Macbride has appeared on over 70 albums as a sideman to date.   Hayoung Lyou Trio   Hayoung Lyou | Jazz Pianist Hayoung Lyou (b. 1992, Seoul, South Korea) is a pianist and composer based in New York City. Her latest album, The Myth of Katabasis (Endectomorph Music), featuring Thomas Morgan and Steven Crammer, has received critical acclaim from publications including DownBeat and Il Manifesto. Her music explores the intersections of bebop, free improvisation, and modern classical idioms, creating a sonic language that expresses the complexity of human emotion beyond words. She performs actively across the New York and New England regions and is also a member of Elijah Shiffer’s Dada bebop ensemble featuring James Paul Nadien and Dmitry Shenko/Anna Abondolo.   Steven Crammer | Drums Steven Crammer is an in-demand drummer based in Brooklyn, NY. His uniquely flexible musicianship has led to a rising stature on the jazz scene, since moving to NYC in 2018. Steven has released two albums, both with co-led projects. His debut album Nortonk was released on Biophilia Records in 2021. The album received praise in multiple publications including Pop Matters, Jazz Trail, Jazzwise, and All About Jazz. In November 2025, his piano trio Prawntail released their first record on Endectomorph Music. He is also a highly active sideman, having performed and/or recorded with a broad range of artists including Max Light, Cecil Alexander, Marty Ehrlich, Brian Krock, Matt Pavolka, Chris McCarthy, and many more. You can catch Steven regularly playing in NYC in a wide variety of settings as well as on tour across the US, Canada, and Europe.   Walter Stinson | Bass See artist biography above.   Jihee Heo Trio   Jihee Heo | Jazz Pianist Jihee Heo is a South Korean pianist and composer based in New York City, recognized as a distinctive voice in the contemporary jazz scene. Over the past 15 years, she has developed a unique musical identity that bridges Korean musical sensibility with the traditions of jazz, soul, and gospel, creating a sound that is both deeply rooted and forward-looking. Heo has performed at major venues and festivals including Smalls, Mezzrow, Birdland, the Guggenheim Museum, Dizzy’s Club at Jazz at Lincoln Center, Zinc Bar, The Django, and Sunset Sunside in Paris. She has been praised by saxophonist Vincent Herring as “a promising voice at the piano, pointing to the future of jazz.” She studied in Amsterdam before earning her Master’s degree from the Manhattan School of Music. Her work explores themes of identity, migration, and artistic evolution, offering emotionally rich and narrative-driven musical expression.     Boris Kozlov | Bass Moscow born, three-time Grammy Award winning acoustic and electric bassist, composer and arranger Boris Kozlov has been on the New York & international jazz scene for the past 35 years. In addition to his own projects and co-leading OPUS 5, he has been serving as a bassist, arranger & musical director for the Mingus Big Band, Mingus Dynasty and The Orchestra for 22 years, winning a Grammy in 2011 for their Live at The Jazz Standard album. Boris has also been a first-call bassist for the likes of Michael Brecker, John Blake, Ray Barretto’s New World Spirit, Lew Tabackin, David Kikoski, Alex Sipiagin, Jean-Michel Pilc, John DiMartino, The Manhattan Transfer and many others. His playing & arranging can be heard on nine Grammy nominated albums plus Eddie Palmieri’s Grammy-winning Simpatico (in addition to 160+ other albums). In 2019 he recorded on another Grammy winning album, Brian Lynch’s The Omni-American Book Club. Boris also performs solo bass and teaches masterclasses around the world.   Chris Beck | Drums With the release of his debut album, The Journey, Chris Beck is making a name for himself on the New York scene as a hard-swinging, powerhouse drummer and composer. Beck’s refreshing and soulful vision as an artist is on full display, as is his unique ability to pay homage to the classic straight-ahead style of jazz while infusing elements of his African roots and Gospel upbringing. Born into a musical family, Chris Beck, a native of Philadelphia, PA has been exposed to music from a young age. Deciding to make music a career, he earned a Bachelor’s Degree in Music from Temple University in 2004. In 2006, Beck moved to New York City to establish himself on the jazz scene. After settling in New York, he began studying with highly esteemed master drum teacher, Michael Carvin. In 2010, Beck graduated with a Master’s Degree in Music from Rutgers University’s Mason Gross School of the Arts, where he studied with Victor Lewis. Chris Beck currently performs with talented musicians such as Cyrus Chestnut, Oliver Lake, and Grammy nominated Rufus Reid. He has also been blessed to share the stage with renowned musicians such as McCoy Tyner, legendary Motown recording artist Martha Reeves and the Vandellas, James “Blood” Ulmer, The Mingus Big Band, David Murray, Billy Harper, Curtis Fuller, James Spaulding, Harold Mabern, Charles Fambrough, Mulgrew Miller, Wynton Marsalis, Terell Stafford, Tim Warfield Jr., Nicholas Payton, Roy Hargrove, Wycliffe Gordon, Orrin Evans, Bruce Barth, Nicole Henry, Jennifer Holliday, Macy Gray, Mark Whitfield, Derrick Hodge, Ralph Bowen, Joanna Pascale, Joe Locke, Duane Eubanks, Eric Lewis, and many others around the world.  

The Korean Cultural Center Washington, D.C. (KCCDC) is pleased to partner with the Trump-Kennedy Center to present fusion ensemble Korean Fever on February 19 for The Legacy of Light, Korea!, a dynamic music, dance, and DJ showcase celebrating the Lunar New Year on the Millennium Stage.   Korean Fever, a diverse ensemble of world music artists led by gayageum zither master Rami Seo, fuses traditional Korean music with contemporary creative compositions, offering a distinctly immersive cultural experience. The Legacy of Light, Korea! weaves together K-Classic, K-Pop, K-Jazz, and Korean traditional performing arts with global styles, transforming five millennia of Korean cultural heritage into a powerful artistic narrative of resilience, hope, and emotional depth.   This event also marks the Lunar New Year, an important traditional holiday of communion celebrated in Korea and elsewhere in 2026 officially on February 17. For their debut at this prestigious venue, Korean Fever will showcase the uniqueness of creative Korean music in a 60-minute performance that blends traditional Korean and Western instruments with live K-Pop inspired dance and DJ sets.  The ensemble features Rami Seo (gayageum, Korean Fever founder), guitarist Ho-Kyung Choi, contrabassist Jeong-Hwan Park, drummer Peter Manheim, vocalists Rina Kim and Eun-Ki Park, DJ Larry Jung, K-pop dance group ALLNIGHTERS (Clara Kim, Seunga Park, Evgeniya Yanzhuraeva), and media artist Sunghyun Jang. Featured Performers Rami Seo | Gayageum Hokyung Choy | Guitar Ian Kang | Bass Peter Manheim | Drum Rina Kim | Vocals Eunki Hera Park | Vocals Guest Performers | Abigail Sieun Lee, Ariana Siel Lee, Antonio Camardi, Ayoung OliviaPark, Bomi Kim, David Hanju Youk, Dayeon Lee, Ellis Jinyoung Park, Gianluca Camardi, Hanniel Kim, Lime Park, Marcello Camardi, Minji Kim, Nathanael Siyoo Lee, Nayun Lee, Raham Park West1ne (Larry Jung) | DJ ALL NIGHTERS (Clara Kim, Christina Lee, Evgeniya Yanzhuraeva) | Dance Sunghyun Jang | Media Arts The Legacy of Light, Korea!  A Lunar New Year Celebration featuring World Music Ensemble Korean Fever  Thursday, February 19, 6:00 PM  Millennium Stage, The Trump Kennedy Center Tickets are free, with advance reservations available beginning Wednesday, February 4, 2026, at 10:00 a.m. via the Kennedy Center website: RSVP FOR THIS EVENT! About the Artists   Korean Fever began in 2019 with Korean Fever: Returns and carrying the hope that Korea—having experienced remarkable economic growth and a cultural renaissance from the 1988 Seoul Olympics through the 2000s—would once again enter a new season of prosperity following the 2018 Pyeongchang Olympics. Although the pandemic brought significant challenges, Korean Fever views this as an opportunity for Korea to reveal its potential as a future global leader in economy, culture, and other fields. Since its launch, Korean Fever has completed tours across Korea, East Africa, and three states in the United States, as well as performances throughout Europe (France, Italy, Belgium, Germany), Uzbekistan, Mexico, Israel, Indonesia, and India. Continuing this momentum, Korean Fever is embarking on a world tour aiming to inspire dreams, share Korea’s artistic legacy, and bring healing to audiences across Asia, Central Asia, Eastern Europe, and South Africa. Korean Fever provides opportunities for not only Koreans, but also people from all over the world who love Korean culture and Koreans to experience a variety of music genres, from Korean traditional music to K-pop. By sublimating the lives and sufferings unique to immigrants into performing arts, Korean Fever aims to deliver comfort and hope to Koreans and immigrants worldwide. Korean Fever takes as its mission to support the lives of immigrants and inspire pride as Koreans and in Korean culture.   Rami Seo | Leader of Korean Fever, Gayageum Player Rami Seo is an internationally acclaimed gayageum artist whose work bridges ancient Korean traditions with contemporary global music. She trained in Seoul under world-renowned masters, including several holders of Korea’s National Intangible Cultural Heritage titles. She graduated with top honors from the National Gugak High School and the Seoul National University of Traditional Arts, and later served as valedictorian at Chung-Ang University. She is currently completing her Master’s degree in Ethnomusicology at Hunter College. With more than 3,000 performances across Korea, Japan, China, Malaysia, India, Uzbekistan, Israel, France, Italy, Belgium, Germany, Kenya, Tanzania, the United States, Panama, Nicaragua, Honduras, Trinidad and Tobago, and Mexico, Ms. Seo has appeared on many of the world’s most prestigious stages. Her credits include Carnegie Hall, Lincoln Center, Jazz at Lincoln Center (as the first Korean artist to perform), the United Nations, the Kennedy Center, the Smithsonian Institution, the Metropolitan Museum of Art, Blue Note, Smalls Jazz Club, Flushing Town Hall, Symphony Space, La MaMa, and major international theaters and festivals. Since 2007, she has led Rami Seo’s World Music Ensemble and GEMiNY as founder and music director. She is also a prominent radio host on AM1660 K-Radio. Her ongoing world tour project, Korean Fever, continues to share Korea’s artistic legacy and inspire audiences around the globe.   Ho-kyung Jesse Choy | Guitar Jesse Choy is a highly versatile guitarist known for his natural lyricism, fluency across diverse musical languages, and refined technical command. Equally respected as a performer and educator, he has built an international career grounded in musical depth and integrity. Born and raised in Seoul, Korea, Jesse began his musical training in classical guitar and composition before discovering jazz through the music of Wes Montgomery. After gaining recognition through numerous competitions, he quickly established himself as one of Korea’s most in-demand guitarists. He later received a scholarship to Berklee College of Music, completing his undergraduate degree in just two and a half years, followed by a master’s degree in Jazz Studies from New York University. He has completed all coursework toward a Doctor of Musical Arts (DMA) degree and is currently finishing his dissertation. Now based in New York City, Jesse remains an active presence on the jazz scene, performing at leading venues and collaborating with distinguished musicians. His compositions and performances have been presented throughout the United States and Europe. As a faculty member at multiple universities, he is deeply committed to mentoring the next generation of musicians.   Peter Manheim | Drums & Percussion Peter Manheim is a drummer and percussionist from Evanston, Illinois. He holds a bachelor’s degree in music from the Oberlin Conservatory, where he studied with acclaimed drummers Billy Hart and Jamey Haddad. Currently based in Brooklyn, Peter performs regularly throughout New York City as well as nationally and internationally with a wide range of ensembles. His debut EP, In Time, was released in 2023 on Northern Spy Records, followed by a full-length album, Early Waves, released in 2025 on his own label, Nü Bossa Recordings. Rina Kim | Soprano Soprano Rina Kim is a New York–based performer and vocal educator active in both classical music and musical theatre. She holds degrees from Ewha Womans University, the Mannes School of Music, and Teachers College at Columbia University, and is also a full-scholarship graduate of the American Musical and Dramatic Academy (AMDA). She made her musical theatre debut in The King and I alongside Lou Diamond Phillips and has since performed in productions and concerts across the United States as a member of Actors’ Equity Association. As a classical soprano, she is a winner of the Artist International Competition and has appeared in recital at Carnegie Hall and Merkin Concert Hall. Ms. Kim currently serves on the voice faculty at Poly Prep Country Day School and is completing coursework in voice science at New York University. She is preparing the release of her debut album following a recording collaboration with the Hungarian MAV Orchestra.   Eunki Hera Park | Vocals Eunki Hera Park is a versatile vocalist based in New York and New Jersey, known for her expressive style and strong command of Korean popular music. She won first place in a major pop vocal competition in New York and previously received top honors at a collegiate music festival in Korea. As the lead vocalist of a live band and a beloved radio personality for three years, she has captivated audiences with her dynamic performances and engaging stage presence. Hera continues to promote Korean music and connect with listeners through her distinctive voice.   Larry Jung (west1ne) | DJ & Music Producer Larry Jung, professionally known as west1ne, resides in New Jersey and is originally from Queens, New York. He has been an active music producer for over 15 years, working across a wide range of genres. His career includes a platinum record with artist Joji and widespread respect from peers and mentors within the industry. In recent years, Larry has expanded his artistic practice to DJing and audio engineering, curating music for live performances and producing large-scale events. He has also been involved in producing cultural events such as Manse, which explore and celebrate Korean American identity. He is passionate about sharing his experience in music production and continuing to contribute to the cultural and creative community.   ALLNIGHTERS (Clara Kim, Seunga Park, Evgeniya Yanzhuraeva) | Dance Crew ALLNIGHTERS is a New York City–based K-pop dance team founded by Clara Kim. The group is known for its high-energy dance covers and signature one-take performance videos filmed in Times Square. Blending expression, musicality, and group synchronization, the team aims to bridge fan culture with professional performance. Under Clara Kim’s leadership and creative direction, ALLNIGHTERS has built a strong digital presence, with their YouTube channel surpassing 120,000 subscribers and performance videos averaging over 300,000 views. Notable performances include K-Pop Club Night, Korea Fest, and the Annual Korean Parade & Festival hosted by KAAGNY. In 2025, the team earned first place at both the NJKACC K-Pop Dance Contest and the Skyview High K-Pop Cover Competition.

Join us at the Korean Cultural Center Washington, D.C. (KCCDC) for a K-Art Song Storytelling Workshop: Re-imagining Peace and Humanity, a performance, discussion, and workshop at the intersection of traditional Korean music and poetry, presented in partnership with the K-Art Song Cultural Bridge Project.   Experience live performances of Korean art songs, a genre known in Korean as gagok (가곡), that synthesize music and poetry with lyrical storytelling that reflects the complex modern history of the Korean Peninsula. Through collaborative narrative discourse with participants, this workshop intends to not only introduce the genre’s unique artistry but to awaken a collective sense of compassion and shared moral imagination, inviting listeners to re-imagine global peace together.   Art songs, also known as Lied music, are a traditional form of sung poetry. In Korea, this operatic, classically-minded genre adapts a European concept with Korean aesthetics, expression, and musicality, often integrating works by influential 20th century Korean poets like independence activist Yun Dong-ju (1917-1945) and others.   Through the “K-Art Song” medium, this event aims to evoke sound- and emotion-based dialogues and lyric-centered conversations. Participants are invited to join in this collaborative process by sharing their own experiences, co-creating stories of empathy and cultural solidarity on the path toward peace.   K-Art Song Storytelling Workshop: Re-imagining Peace and Humanity Thursday, December 11, 2025 at 6:00 PM Korean Cultural Center Washington, D.C. Free with an RSVP (below) RSVP FOR THIS EVENT!   About the K-Art Song Cultural Bridge Project   The K-Art Song Cultural Bridge Project, affiliated with the Narrative Transformation Lab at the Carter School, seeks to cultivate shared experiences of the narratives embedded in Korean art song through storytelling and collective narrative discourse with international audiences. As a nexus model that interweaves live performance with participants’ narrative exchanges, the project aims to evoke empathy, foster moral imagination, and contribute to peacebuilding and community building—bridging intercultural narratives through creativity and imagination.   By integrating artistic expression with dialogue-based methodologies, the K-Art Song Cultural Bridge Project explores how Korean art songs can be not only a cultural treasure but also a medium for cross-cultural communication—advancing empathy, fostering intercultural understanding, and contributing to sustainable peace. The K-Art Song Cultural Bridge Project connects emerging young professionals, composers, researchers, and storytellers across Korea, the United States, and a wider global community, cultivating a network dedicated to creative peace advocacy, collaborative learning, and inclusive global engagement. For more about the organization, visit www.k-artsongculturalbridgeproject.org.   Program   Part 1: Fostering Imagination through Sound and Emotion Live Performances and Open Dialogue   Self-portrait (Written by Yun Dong-ju, Composed by YoungJu Jung) Baritone David Maeng, Pianist Austin Reed   Prologue (Written by Yun Dong-ju, Composed by YoungJu Jung) Bass Josh Slutsky, Pianist Austin Reed   A Night for Counting Stars (Written by Yun Dong-Ju, Composed by YoungJu Jung) Soprano Nancy McClain, Tenor Ross Calvin, Pianist Austin Reed   Part 2: Storytelling and Interweaving a Peace Narrative Storytelling, Live Performances, and Open Dialogue   Bimok (Written by Hahn Myung Hee, Composed by Sungeun Jo) Soprano Nancy McClain, Soprano Julianne Kim, Mezzo-Soprano Rebecca Rock, Pianist Austin Reed   Dream Road (Written by Kim Sowol, Composed by Sungeun Jo) Tenor Jiheon Sung, Tenor Ross Calvin, Soprano Nancy McClain, Soprano Julianne Kim, Pianist Austin Reed   Part 3: Sharing Takeaways & Narrative Transformation Activity Closing Remark & Networking