United StatesWashington, D.C.

Thank you to everyone who joined us for Passport DC: Around the World Embassy Tour 2026 at the Korean Cultural Center Washington, D.C.! We were thrilled to welcome our visitors for a full day of K-culture—from traditional performances and K-pop dance workshops to hands-on crafts, exhibitions, and our 𝘒-𝘗𝘰𝘱 𝘋𝘦𝘮𝘰𝘯 𝘏𝘶𝘯𝘵𝘦𝘳𝘴-themed experiences. Your energy and enthusiasm made the day truly unforgettable. We hope you enjoyed celebrating Korean culture with us—and we look forward to seeing you again soon!

On April 27, our first Book Club session was held and concluded meaningfully with a shared reading and discussion of 'Please Look After Mom' by Shin Kyung-sook. In particular, held ahead of Mother’s Day, the session carried special significance as we reflected together on the meaning of “mother” and motherhood. Participants generously shared their personal reflections and experiences in a sincere and thoughtful manner, and the discussion flowed naturally with active questions and exchanges. This created a lively and engaging atmosphere that went beyond a simple reading group, becoming a truly participatory space for dialogue and shared perspectives. It was also a meaningful moment in which participants from diverse cultural backgrounds were connected through the universal emotion of maternal love, allowing for mutual understanding and resonance across Eastern and Western contexts. Many participants expressed their anticipation for the next Book Club session, and we look forward to continuing with even more enriching and meaningful programs in the future.

The opening reception for Connecting Lines: Works by Park Hyewon and Kim So Jeong was successfully held on April 21 at the Korean Cultural Center Washington, D.C.,  welcoming visitors for an evening of art and dialogue. Guests had the opportunity to hear directly from the artists and explore works that reflect on connection, repetition,  and the structures that shape our lives. The exhibition remains on view through June 5, 2026—visit KCCDC to experience it in person.

The K-Culture Talk, Onggi: A Journey from Ancient Breath to Modern Form, concluded successfully with strong audience engagement. Artist Yeonsoo Kim offered a compelling look into the history and contemporary reinterpretation of onggi through an insightful talk and live demonstration. The event provided a meaningful opportunity for attendees to experience the enduring tradition and evolving artistry of Korean onggi.

The Korean Cultural Center Washington, D.C. (KCCDC) co-hosted a special advance screening of the Netflix original series Beef Season 2 on April 14, in collaboration with Netflix. The event took place at the Motion Picture Association (MPA) in Washington, D.C. ahead of its official release. Episodes 1 and 2 of Beef Season 2 were exclusively previewed.  The screening was followed by a panel discussion featuring director Lee Sung Jin and actors Youn Yuh-jung, Jang Seo-yeon, and Matthew Kim. They shared insights into the creative vision and casting process behind the series. Jinny Howe, Head of Scripted Series for the US and Canada (UCAN) at Netflix, moderated the discussion. The event also featured welcoming remarks by Elissa Alben, Vice President of Global Affairs for US and Canada at Netflix, followed by congratulatory remarks from Ambassador Kang Kyung-wha, Ambassador of the Republic of Korea to the United States.  The event served as an opportunity to build anticipation for the upcoming release of Beef Season 2, while showcasing the excellence of content created by Korean and Korean American talent to audiences in the United States. It also highlighted the expanding global recognition of collaborative content between creators and industries in both countries. The Korean Cultural Center Washington, D.C. will continue to promote cultural exchange and cooperation between Korea and the United States through diverse cultural programming.   More information about Beef Season 2 can be found here: https://www.netflix.com/tudum/articles/beef-season-2-premiere-preview

The Korean Cultural Center Washington, D.C. participated in the closing program of The Way of Nature: Art from Japan, China, and Korea at the Baltimore Museum of Art. Through traditional Korean craft activities and culture booth KCCDC was pleased to share Korean culture with visitors and support the museum’s public program in partnership with BMA. Photo by Maximilian Franz

Click HERE to RSVP Overview: - K-Food Experience at Asia North: The Art of Kimbap - Date&Time: Friday, May 29, 6:30 - 8:00 PM - Location: Motor House (120 W North Ave, Baltimore, MD) Join us for an engaging evening exploring the art and culture of kimbap with special guest chef and restaurateur Des So. Participants will hear stories about Korean cuisine, Des So’s journey building Korean food businesses in the DC area, enjoy a live kimbap-making demonstration, and take part in a delicious kimbap tasting experience. Small Korean souvenir giveaways will also be available for attendees!   About Asia North: Asia North is an Asian arts and culture festival in Baltimore’s Station North Arts District that celebrates the Charles North–Station North neighborhood’s evolving identity as a Koreatown, arts district, and creative hub. The festival is co-produced by the Asian Arts & Culture Center and the Central Baltimore Partnership.   About the Instructor: Des So (서대석) - Born in Seoul, South Korea; immigrated to the U.S. in 1986 - Studied Film/Video at Rochester Institute of Technology (NY) - Has owned and operated more than 30 restaurants across DC, Maryland, and Virginia since 1992 - Currently operates four restaurants in Washington, DC, including Soho Cafe & Market, Met Cafe the Venue, and Met Cafe Lite @ DOI - Specializes in breakfast & lunch cafeterias, catering, venues, events, and modern Asian & American cuisine   About Kimbap: Kimbap is one of Korea’s most beloved comfort foods, known for its balance of flavors, vibrant presentation, and versatility. Often enjoyed for picnics, travel, and family gatherings, kimbap reflects the creativity and warmth of Korean home-style cooking. Through this program, participants will learn more about Korean food culture, traditional ingredients, and the enduring popularity of this iconic dish.

Explore the evolution of Korean contemporary art!   The Korean Cultural Center Washington, D.C. (KCCDC) and the National Museum of Modern and Contemporary Art, Korea (MMCA) present two special 30-minute screenings of MMCA curator talks that explore how Korean art developed in the 20th century to become one of the world’s hottest art scenes today.   Inside Korean Art highlights key examples from current exhibitions in Korea and features MMCA expert curators as they outline major trends and changes in the past century of Korean art, from the early twentieth century to the postwar emergence of abstraction and experimental art. Guests can also join an in-person introduction and Q&A with the KCCDC’s own art curator while browsing the contemporary art exhibition Connecting Lines after the screenings.    Presented here for the first time with full English subtitles, the MMCA talks provide valuable context and are a complement to understanding Connecting Lines, currently on view at KCCDC. Each screening is designed to provide a broader picture of the history and development of modern and contemporary Korean art that forms the foundation of these artists’ innovative practices.   Part 1 on May 22 presents a conversation between the curators on MMCA’s permanent exhibition collection, introducing key artists and major artistic movements across different periods from the early 1900s to today. Part 2 on May 29 explores influential post-war Korean artist collectives such as the Modern Art Association (1957–1960), one of the first independent artist groups in Korea which helped shape the abstract visual language of future generations. After each screening, guests are invited to browse Connecting Lines and chat with the curator.   Experience Inside Korean Art and the exhibition Connecting Lines in concert and gain a profound new appreciation for the modern and contemporary art of Korea.   Inside Korean Art: Screening & Curator Talks May 22 & 29 at 6:00 PM (both days) Korean Cultural Center Washington, DC Part 1: Introduction to Modern and Contemporary Korean Art (May 22) | RSVP Part 2: Focus on 1950 – 1960s Korean Art (May 29) | RSVP Timeline (both dates): 6:00 PM: Introduction to Korean Art and Connecting Lines 6:10 PM: Inside Korean Art (screening) 6:40 PM: Connecting Lines exhibition self-guided tour and Q&A   All screenings are presented in Korean with English subtitles. Part 1: Introduction to Modern and Contemporary Korean Art May 22 at 6:00 PM RSVP FOR THIS EVENT! Modern and contemporary Korean art is often divided around the period following the Korean War in the 1950s, and MMCA’s Gwacheon branch has organized its permanent exhibition around the year 1950. This talk by MMCA Curators Yi Soojung and Lee Hyunju discusses both works from before the 1950s, in chronological order, and Korean art post-1950, organized by both historical periods and artistic themes, highlighting the characteristics of different artists and movements. In this screening, two MMCA curators guide viewers through the branch’s exhibition galleries and introduce their overall structure and themes.   Part 2: Focus on 1950 – 1960s Korean Art May 29 at 6:00 PM RSVP FOR THIS EVENT! Korean modern art underwent significant changes following the 1950-53 Korean War, particularly through the emergence of artist collectives formed in the late 1950s and the 1960s. MMCA’s Cheongju branch presents an exhibition exploring these groups, including the Modern Art Association (1957–1960), one of the first independent artist groups in Korea.   The exhibition introduces artists who challenged the realism-centered National Art Exhibition of Korea (Kukjeon) and experimented with abstraction and modernist practices while developing their own distinctive visual language. This talk by MMCA Curator Lee Hyojin will help viewers explore how these artist collectives contributed to the development of Korean abstract art and laid the foundation for future contemporary Korean art.

The Korean Cultural Center Washington, D.C. (KCCDC) presents A Window into K-Culture: Focus on Korean Literature, a special two-day event organized in collaboration with the National Museum of Korean Literature (NMKL) as part of the global Touring K-Arts program supported by the Ministry of Culture, Sports and Tourism and the Korea Foundation for International Cultural Exchange (KOFICE).   Researcher Young-in Seo of the National Museum of Korean Literature will speak in-person about how Korean literature offers the chance to go beyond simply enjoying K-Culture to gaining a deeper understanding of it. By connecting familiar Korean Wave content such as K-dramas and K-Pop with literary traditions, this program explores the cultural narratives and context embedded within contemporary Korean culture.   The first of two sessions focuses on Tradition and the Present in Korean Literature, while the second session examines Contemporary Korean Literature and the Diversity of the Korean Wave.   Each evening presents distinct themes and will introduce notable Korean literary works and authors for curious readers to discover. A curated on-site exhibition of works featured in the lectures will also be available for viewing in both Korean and English, and a special quiz will offer participants the chance to win copies of select books.   Newcomers and avid fans alike are invited to take a deep dive into Korean literature and culture through this special event.   [K-Culture: Explore More, Enjoy More]  A Window into K-Culture: Focus on Korean Literature Korean Cultural Center Washington, D.C. Session 1: Tradition and the Present in Korean Literature Monday, May 18, 2026, 6:00–7:30 PM Session 2: Contemporary Korean Literature and the Diversity of the Korean Wave Tuesday, May 19, 2026, 6:30–8:00 PM Session 1 (May 18, 6:00–7:30 PM) RSVP LINK Session 2: (May 19, 6:30–8:00 PM) RSVP LINK PLEASE NOTE: participants may attend either one or both sessions, but separate registration is required for each. Free with registration.  Speaker Biography & Featured Exhibited Books    Young-in Seo is a researcher at the National Museum of Korean Literature, where she is engaged in the collection, management, and research of Korean literary materials. She holds a Ph.D. in Korean Literature. Since her literary debut in 2000 through the publisher Changbi (창비), she has worked as a literary critic and has lectured on Korean literature at various universities in Korea. Seo’s published works include collections of literary criticism, essays, and academic research.  

  The Korean Cultural Center Washington, D.C. (KCCDC) and the Smithsonian National Museum of Asian Art (NMAA) invite you to a series of hands-on workshops exploring traditional Korean crafts and cultural practices, presented in partnership with the National Folk Museum of Korea (NFMK). Led by Youngjae Kim, former Senior Curator at the National Folk Museum of Korea, each session offers a unique opportunity to learn about Korean traditions while handling or creating your own handcrafted items including the daenggi (댕기) decorative hair ribbon, jangmyeongru (장명루) five-colored longevity bracelet, and bojagi (보자기) wrapping cloth. Participants will explore traditional materials, embedded symbolism, and crafting techniques through engaging, hands-on activities. This program is supported by and presented in cooperation with the National Folk Museum of Korea.     PLEASE NOTE: An RSVP is required for each session and space is limited. Participants are asked to kindly RSVP for only one session (at either the KCCDC or NMAA) to maximize overall participation. Two additional sessions on May 26 and 27 are by invitation only and not listed below.    Korean Cultural Center Washington, D.C. 2370 Massachusetts Ave. NW, Washington, D.C. Wednesday, May 27, 5:00 – 7:00 PM RSVP FOR THIS EVENT! This session will focus on introducing and crafting the daenggi (댕기) decorative hair ribbon and jangmyeongru (장명루) five-colored longevity bracelet. ●Sew and decorate a traditional daenggi using gold foil ●Make a jangmyeongru, symbolizing health and protection ●Optional: Try on traditional Korean hanbok clothing   National Museum of Asian Art 1050 Independence Ave. SW, Washington, D.C. Thursday, May 28, 1:00 – 3:00 PM RSVP FOR THIS EVENT!   This session will focus on introducing and crafting the bojagi (보자기) wrapping cloth and jangmyeongru (장명루) five-colored longevity bracelet. ●Learn six different traditional bojagi wrapping techniques, each with unique artistic appearance ●Make a jangmyeongru, symbolizing health and protection ●Optional: Try on traditional Korean hanbok clothing About the Instructor and Crafts Youngjae Kim is a former Senior Curator at the National Folk Museum of Korea with over 20 years of experience in Korean traditional attire and cultural heritage. She currently leads research and cultural programs through the Hansan Research Institute.     Daenggi (댕기)   This traditional Korean ribbon is used to adorn a traditional Korean hair braid for women and is often made of silk and with gold or silver foil patterns. Participants will complete stitching, apply decorative motifs, and learn how to wear the daenggi. See an example video here!    Jangmyeongru (장명루) This five-colored braided bracelet symbolizes health, protection, and longevity. Participants will create their own bracelet that integrates this traditional color symbolism. See an example video here!         Bojagi (보자기) Bojagi is an icon of traditional Korean culture. This versatile and beautiful wrapping cloth is rooted in women’s domestic culture, where many everyday household objects were carefully crafted with both form and function in mind. Influenced by royal traditions of the Joseon Dynasty, bojagi reflects both practicality and aesthetic refinement. Reusable and eco-friendly, it embodies flexibility, creativity, and the beauty of thoughtful wrapping without waste. In this workshop, participants will explore a variety of bojagi fabrics, colors, and patterns while learning how different wrapping styles can create unique forms and expressions. Each participant will discover their own style through hands-on practice and creative experimentation. Participants will receive a mystery box to create their own magical bojagi, with each result offering a unique surprise. See example videos here and here!  

Join us to celebrate Korean pottery artist Yeonsoo Kim's participation in the 2026 Smithsonian Craft Show with a special K-Culture Talk about this timeless art and craft.  This in-depth exploration of onggi (옹기), Korea's traditional “breathing” earthenware vessel, traces the journey of onggi from its historical function as a practical fermentation and storage container to its contemporary reinterpretation as fine art, highlighting both its functional purpose and evolving aesthetic forms.  Kim will detail his creative process and the cultural context behind his work, offering insight into the evolution of his artistic practice. The program will feature an artist talk and a brief live demonstration with selected participants. On-site, attendees will have the opportunity to view his unique onggi works, along with selected pieces to be showcased at the Smithsonian Craft Show. Don’t miss this unique opportunity to experience both the tradition and modern possibilities of onggi in one engaging event!   Onggi: A Journey from Ancient Breath to Modern Form Monday, April 20, 2026, 6:00–8:00 PM Korean Cultural Center Washington, D.C. Program: Introduction to the history and culture of Korean onggi & live demonstration   Thanks for your interest! This event is currently full and no longer accepting RSVPs, but please look out for more K-Culture Talk events coming soon!  Yeonsoo Kim is a South Korean ceramic artist currently based in the United States. His work has received both national and international recognition, including being named by the National Council on Education for the Ceramic Arts (NCECA) among its Emerging Artists in 2020. Most recently, he won Best in Show at the 2025 Smithsonian Craft Show and was honored as Featured Artist and Best in Show winner at Richmond Art and Design (2025).   Kim has participated in prestigious residencies, including the Archie Bray Foundation, where he was awarded the Matsutani Fellowship and the Etchart-Satre Fellowship, as well as at the Houston Center for Contemporary Craft and the Korea Ceramic Foundation. He earned his Master of Fine Arts degree in Ceramics at Lamar Dodd School of Art, University of Georgia in Athens, GA, and his Bachelor of Fine Arts in ceramics and glass from the Hongik University located in Seoul. Kim has held apprenticeships with onggi masters in Korea’s Jeolla Province (Hayngjong Oh) and Gyeongsang Province (Jinkyu Huh).   His practice continues to explore the dialogue between traditional and contemporary form, focusing on the evocative "breathing volume" and the visceral presence of clay. For more, visit his website at www.yeonsooceramics.com.     Above, center: This piece features diverse characters and lines that interact and communicate with each other conveying their relationships to viewers. Formally the work suggests implied images and stories. The shape of the images represents my own relationships (red clay, white slip, underglaze, 2023).

  Discover Korea through its stories! As Korean novels attract newfound popular interest and critical acclaim worldwide, the KCCDC is launching the K-Literature Book Club: Stories of Korea to help introduce influential works in this important genre of culture.   This spring in April and May, we invite you to read and discuss three contemporary Korean literary works by celebrated authors like Nobel Laureate Han Kang and Kyung-sook Shin that explore themes of empathy, family, identity, loss, and social change in Korean society. Readers can exchange ideas and questions at each meeting while KCCDC staff will help guide casual conversations about the characters and stories in these books, providing deeper insight into Korean society and culture.   Participants are also eligible to receive a free English-language copy of the book in advance! Anyone can sign up for one, two, or all three club meetings, but please note that preference may be given to those not signed up for multiple sessions to allow greater overall participation. Selected participants will receive a final confirmation email after the sign-up period. Complimentary books must be picked up at the KCCDC in person (details below). All meetings will be in person at the KCCDC (no virtual option), and there will be one club meeting per book. Space is limited and participation is first come, first served, so secure your spot!   Already read the book? Great! You’re all set, and can simply sign up to join the club meeting for that book to learn, share, and get the most our of these amazing works of fiction. K-Literature Book Club: Stories of Korea Korean Cultural Center Washington, DC Various dates, April – May 2026   Sign up Period: March 11 – 18, 2026 Book Pick-Up Dates: March 23 – 27, 2026 Questions? Email us at culturedc@mofa.or.kr for assistance regarding this program.    Please note: preference may be given to those not signed up for multiple sessions to allow greater overall participation. Selected participants will receive a final confirmation email after the sign-up period. If you would like to be sure to join a certain session, please complete the sign-up form for that book first, and then other sessions.    Featured Books & Meeting Dates:   Please Look After Mom by Kyung-sook Shin (winner of the Man Asian Literary Prize) Monday, April 27, 6:00 PM   Almond by Won-pyung Sohn Wednesday, May 13, 6:00 PM   The White Book by Han Kang (Nobel Prize in Literature recipient) Thursday, May 21, 6:00 PM   For more on each featured book, see below. All club meeting take place at the KCCDC in person (no virtual option) and will be conducted primarily in English in a casual sharing and guided conversation format. Light refreshments will be provided at each meeting. Please be sure that you can attend the in person book club session on the above date before signing up!    UPDATE: REGISTRATION IS FULL. JOIN THE WAITLIST! Thank you for your interest in this program! All original sessions have reached maximum capacity and are currently not accepting registration, but those who are interested are invited to join a WAITLIST for possible openings, new sessions, or future K-Literature and book club events. Thank you for you understanding and continued support!   Please note that book/session options will be removed from the form as they become full, and the form will close entirely when all sessions are full.    Please Look After Mom Kyung-sook Shin   When sixty-nine-year-old So-nyo is separated from her husband among the crowds of the Seoul subway station, her family begins a desperate search to find her. Yet as long-held secrets and private sorrows begin to reveal themselves, they are forced to wonder: how well did they actually know the woman they called Mom? Photo © Lee Byungryul Kyung-Sook Shin is the author of numerous works of fiction and is one of South Korea’s most widely read and acclaimed novelists. She was the first woman to be awarded the Man Asian Literary Prize (for Please Look After Mom), and she has also been honored with the Manhae Literature Prize, the Dong-in Literature Prize, and the Yi Sang Literary Prize, as well as France’s Pirx de l’Inapercu. Please Look After Mom was her first book to appear in English and has been published in twenty-nine countries with over 2 million copies sold in South Korea alone.   Almond Won-pyung Sohn   This story is, in short, about a monster meeting another monster. One of the monsters is me.   Yunjae was born with a brain condition called Alexithymia that makes it hard for him to feel emotions like fear or anger. He does not have friends—the two almond-shaped neurons located deep in his brain have seen to that—but his devoted mother and grandmother provide him with a safe and content life. Their little home above his mother’s used bookstore is decorated with colorful Post-it notes that remind him when to smile, when to say "thank you," and when to laugh. Then a shocking act of random violence shatters his world, leaving him alone and on his own. Struggling to cope with his loss, Yunjae retreats into silent isolation, until troubled teenager Gon arrives at his school, and they develop a surprising, unlikely friendship. When Gon suddenly finds his life at risk, Yunjae will have the chance to step outside of every comfort zone he has created to perhaps become the hero he never thought he would be.   Translated by Sandy Joosun Lee.   Photo © Channel Yes Won-pyung Sohn is a film director, screenwriter, and novelist living in South Korea. She earned a BA in social studies and philosophy at Sogang University and film directing at the Korean Academy of Film Arts. She has won several prizes, including the Film Review Award of the 6th Cine21, and the Science Fantasy Writers’ Award for her movie script. She also wrote and directed a number of short films and made her feature film directorial debut with Intruder. She made her literary debut in 2016 with Almond, her first full-length novel, which won the Changbi Prize for Young Adult Fiction. Released the following year, Counterattacks at Thirty received the Jeju 4.3 Peace Literary Prize and the 2022 Japanese Booksellers' Award.   The White Book  Han Kang, recipient of the Nobel Prize in Literature   Shortlisted for the International Booker Prize, Han Kang’s The White Book is a meditation on color, as well as an attempt to make sense of her older sister’s death, who died in her mother’s arms just a few hours after she was born. In captivating, starkly beautiful language, The White Book is a letter from Kang to her sister, offering a multilayered exploration of color and its absence, and of the tenacity and fragility of the human spirit.   Translated by Deborah Smith. Photo © Paik Dahuim Han Kang was born in 1970 in South Korea. She is the author of The Vegetarian, winner of the International Booker Prize, as well as Human Acts, The White Book, Greek Lessons, Light and Thread, and We Do Not Part. In 2024, she was awarded the Nobel Prize in Literature. According to the Swedish Academy, Han was selected for the prestigious prize—the first to a Korean author—for her "intense poetic prose that confronts historical traumas and exposes the fragility of human life."

The Korean Cultural Center Washington, D.C. (KCCDC) is pleased to partner with the Trump-Kennedy Center to present fusion ensemble Korean Fever on February 19 for The Legacy of Light, Korea!, a dynamic music, dance, and DJ showcase celebrating the Lunar New Year on the Millennium Stage.   Korean Fever, a diverse ensemble of world music artists led by gayageum zither master Rami Seo, fuses traditional Korean music with contemporary creative compositions, offering a distinctly immersive cultural experience. The Legacy of Light, Korea! weaves together K-Classic, K-Pop, K-Jazz, and Korean traditional performing arts with global styles, transforming five millennia of Korean cultural heritage into a powerful artistic narrative of resilience, hope, and emotional depth.   This event also marks the Lunar New Year, an important traditional holiday of communion celebrated in Korea and elsewhere in 2026 officially on February 17. For their debut at this prestigious venue, Korean Fever will showcase the uniqueness of creative Korean music in a 60-minute performance that blends traditional Korean and Western instruments with live K-Pop inspired dance and DJ sets.  The ensemble features Rami Seo (gayageum, Korean Fever founder), guitarist Ho-Kyung Choi, contrabassist Jeong-Hwan Park, drummer Peter Manheim, vocalists Rina Kim and Eun-Ki Park, DJ Larry Jung, K-pop dance group ALLNIGHTERS (Clara Kim, Seunga Park, Evgeniya Yanzhuraeva), and media artist Sunghyun Jang. Featured Performers Rami Seo | Gayageum Hokyung Choy | Guitar Ian Kang | Bass Peter Manheim | Drum Rina Kim | Vocals Eunki Hera Park | Vocals Guest Performers | Abigail Sieun Lee, Ariana Siel Lee, Antonio Camardi, Ayoung OliviaPark, Bomi Kim, David Hanju Youk, Dayeon Lee, Ellis Jinyoung Park, Gianluca Camardi, Hanniel Kim, Lime Park, Marcello Camardi, Minji Kim, Nathanael Siyoo Lee, Nayun Lee, Raham Park West1ne (Larry Jung) | DJ ALL NIGHTERS (Clara Kim, Christina Lee, Evgeniya Yanzhuraeva) | Dance Sunghyun Jang | Media Arts The Legacy of Light, Korea!  A Lunar New Year Celebration featuring World Music Ensemble Korean Fever  Thursday, February 19, 6:00 PM  Millennium Stage, The Trump Kennedy Center Tickets are free, with advance reservations available beginning Wednesday, February 4, 2026, at 10:00 a.m. via the Kennedy Center website: RSVP FOR THIS EVENT! About the Artists   Korean Fever began in 2019 with Korean Fever: Returns and carrying the hope that Korea—having experienced remarkable economic growth and a cultural renaissance from the 1988 Seoul Olympics through the 2000s—would once again enter a new season of prosperity following the 2018 Pyeongchang Olympics. Although the pandemic brought significant challenges, Korean Fever views this as an opportunity for Korea to reveal its potential as a future global leader in economy, culture, and other fields. Since its launch, Korean Fever has completed tours across Korea, East Africa, and three states in the United States, as well as performances throughout Europe (France, Italy, Belgium, Germany), Uzbekistan, Mexico, Israel, Indonesia, and India. Continuing this momentum, Korean Fever is embarking on a world tour aiming to inspire dreams, share Korea’s artistic legacy, and bring healing to audiences across Asia, Central Asia, Eastern Europe, and South Africa. Korean Fever provides opportunities for not only Koreans, but also people from all over the world who love Korean culture and Koreans to experience a variety of music genres, from Korean traditional music to K-pop. By sublimating the lives and sufferings unique to immigrants into performing arts, Korean Fever aims to deliver comfort and hope to Koreans and immigrants worldwide. Korean Fever takes as its mission to support the lives of immigrants and inspire pride as Koreans and in Korean culture.   Rami Seo | Leader of Korean Fever, Gayageum Player Rami Seo is an internationally acclaimed gayageum artist whose work bridges ancient Korean traditions with contemporary global music. She trained in Seoul under world-renowned masters, including several holders of Korea’s National Intangible Cultural Heritage titles. She graduated with top honors from the National Gugak High School and the Seoul National University of Traditional Arts, and later served as valedictorian at Chung-Ang University. She is currently completing her Master’s degree in Ethnomusicology at Hunter College. With more than 3,000 performances across Korea, Japan, China, Malaysia, India, Uzbekistan, Israel, France, Italy, Belgium, Germany, Kenya, Tanzania, the United States, Panama, Nicaragua, Honduras, Trinidad and Tobago, and Mexico, Ms. Seo has appeared on many of the world’s most prestigious stages. Her credits include Carnegie Hall, Lincoln Center, Jazz at Lincoln Center (as the first Korean artist to perform), the United Nations, the Kennedy Center, the Smithsonian Institution, the Metropolitan Museum of Art, Blue Note, Smalls Jazz Club, Flushing Town Hall, Symphony Space, La MaMa, and major international theaters and festivals. Since 2007, she has led Rami Seo’s World Music Ensemble and GEMiNY as founder and music director. She is also a prominent radio host on AM1660 K-Radio. Her ongoing world tour project, Korean Fever, continues to share Korea’s artistic legacy and inspire audiences around the globe.   Ho-kyung Jesse Choy | Guitar Jesse Choy is a highly versatile guitarist known for his natural lyricism, fluency across diverse musical languages, and refined technical command. Equally respected as a performer and educator, he has built an international career grounded in musical depth and integrity. Born and raised in Seoul, Korea, Jesse began his musical training in classical guitar and composition before discovering jazz through the music of Wes Montgomery. After gaining recognition through numerous competitions, he quickly established himself as one of Korea’s most in-demand guitarists. He later received a scholarship to Berklee College of Music, completing his undergraduate degree in just two and a half years, followed by a master’s degree in Jazz Studies from New York University. He has completed all coursework toward a Doctor of Musical Arts (DMA) degree and is currently finishing his dissertation. Now based in New York City, Jesse remains an active presence on the jazz scene, performing at leading venues and collaborating with distinguished musicians. His compositions and performances have been presented throughout the United States and Europe. As a faculty member at multiple universities, he is deeply committed to mentoring the next generation of musicians.   Peter Manheim | Drums & Percussion Peter Manheim is a drummer and percussionist from Evanston, Illinois. He holds a bachelor’s degree in music from the Oberlin Conservatory, where he studied with acclaimed drummers Billy Hart and Jamey Haddad. Currently based in Brooklyn, Peter performs regularly throughout New York City as well as nationally and internationally with a wide range of ensembles. His debut EP, In Time, was released in 2023 on Northern Spy Records, followed by a full-length album, Early Waves, released in 2025 on his own label, Nü Bossa Recordings. Rina Kim | Soprano Soprano Rina Kim is a New York–based performer and vocal educator active in both classical music and musical theatre. She holds degrees from Ewha Womans University, the Mannes School of Music, and Teachers College at Columbia University, and is also a full-scholarship graduate of the American Musical and Dramatic Academy (AMDA). She made her musical theatre debut in The King and I alongside Lou Diamond Phillips and has since performed in productions and concerts across the United States as a member of Actors’ Equity Association. As a classical soprano, she is a winner of the Artist International Competition and has appeared in recital at Carnegie Hall and Merkin Concert Hall. Ms. Kim currently serves on the voice faculty at Poly Prep Country Day School and is completing coursework in voice science at New York University. She is preparing the release of her debut album following a recording collaboration with the Hungarian MAV Orchestra.   Eunki Hera Park | Vocals Eunki Hera Park is a versatile vocalist based in New York and New Jersey, known for her expressive style and strong command of Korean popular music. She won first place in a major pop vocal competition in New York and previously received top honors at a collegiate music festival in Korea. As the lead vocalist of a live band and a beloved radio personality for three years, she has captivated audiences with her dynamic performances and engaging stage presence. Hera continues to promote Korean music and connect with listeners through her distinctive voice.   Larry Jung (west1ne) | DJ & Music Producer Larry Jung, professionally known as west1ne, resides in New Jersey and is originally from Queens, New York. He has been an active music producer for over 15 years, working across a wide range of genres. His career includes a platinum record with artist Joji and widespread respect from peers and mentors within the industry. In recent years, Larry has expanded his artistic practice to DJing and audio engineering, curating music for live performances and producing large-scale events. He has also been involved in producing cultural events such as Manse, which explore and celebrate Korean American identity. He is passionate about sharing his experience in music production and continuing to contribute to the cultural and creative community.   ALLNIGHTERS (Clara Kim, Seunga Park, Evgeniya Yanzhuraeva) | Dance Crew ALLNIGHTERS is a New York City–based K-pop dance team founded by Clara Kim. The group is known for its high-energy dance covers and signature one-take performance videos filmed in Times Square. Blending expression, musicality, and group synchronization, the team aims to bridge fan culture with professional performance. Under Clara Kim’s leadership and creative direction, ALLNIGHTERS has built a strong digital presence, with their YouTube channel surpassing 120,000 subscribers and performance videos averaging over 300,000 views. Notable performances include K-Pop Club Night, Korea Fest, and the Annual Korean Parade & Festival hosted by KAAGNY. In 2025, the team earned first place at both the NJKACC K-Pop Dance Contest and the Skyview High K-Pop Cover Competition.

Join us at the Korean Cultural Center Washington, D.C. (KCCDC) for a K-Art Song Storytelling Workshop: Re-imagining Peace and Humanity, a performance, discussion, and workshop at the intersection of traditional Korean music and poetry, presented in partnership with the K-Art Song Cultural Bridge Project.   Experience live performances of Korean art songs, a genre known in Korean as gagok (가곡), that synthesize music and poetry with lyrical storytelling that reflects the complex modern history of the Korean Peninsula. Through collaborative narrative discourse with participants, this workshop intends to not only introduce the genre’s unique artistry but to awaken a collective sense of compassion and shared moral imagination, inviting listeners to re-imagine global peace together.   Art songs, also known as Lied music, are a traditional form of sung poetry. In Korea, this operatic, classically-minded genre adapts a European concept with Korean aesthetics, expression, and musicality, often integrating works by influential 20th century Korean poets like independence activist Yun Dong-ju (1917-1945) and others.   Through the “K-Art Song” medium, this event aims to evoke sound- and emotion-based dialogues and lyric-centered conversations. Participants are invited to join in this collaborative process by sharing their own experiences, co-creating stories of empathy and cultural solidarity on the path toward peace.   K-Art Song Storytelling Workshop: Re-imagining Peace and Humanity Thursday, December 11, 2025 at 6:00 PM Korean Cultural Center Washington, D.C. Free with an RSVP (below) RSVP FOR THIS EVENT!   About the K-Art Song Cultural Bridge Project   The K-Art Song Cultural Bridge Project, affiliated with the Narrative Transformation Lab at the Carter School, seeks to cultivate shared experiences of the narratives embedded in Korean art song through storytelling and collective narrative discourse with international audiences. As a nexus model that interweaves live performance with participants’ narrative exchanges, the project aims to evoke empathy, foster moral imagination, and contribute to peacebuilding and community building—bridging intercultural narratives through creativity and imagination.   By integrating artistic expression with dialogue-based methodologies, the K-Art Song Cultural Bridge Project explores how Korean art songs can be not only a cultural treasure but also a medium for cross-cultural communication—advancing empathy, fostering intercultural understanding, and contributing to sustainable peace. The K-Art Song Cultural Bridge Project connects emerging young professionals, composers, researchers, and storytellers across Korea, the United States, and a wider global community, cultivating a network dedicated to creative peace advocacy, collaborative learning, and inclusive global engagement. For more about the organization, visit www.k-artsongculturalbridgeproject.org.   Program   Part 1: Fostering Imagination through Sound and Emotion Live Performances and Open Dialogue   Self-portrait (Written by Yun Dong-ju, Composed by YoungJu Jung) Baritone David Maeng, Pianist Austin Reed   Prologue (Written by Yun Dong-ju, Composed by YoungJu Jung) Bass Josh Slutsky, Pianist Austin Reed   A Night for Counting Stars (Written by Yun Dong-Ju, Composed by YoungJu Jung) Soprano Nancy McClain, Tenor Ross Calvin, Pianist Austin Reed   Part 2: Storytelling and Interweaving a Peace Narrative Storytelling, Live Performances, and Open Dialogue   Bimok (Written by Hahn Myung Hee, Composed by Sungeun Jo) Soprano Nancy McClain, Soprano Julianne Kim, Mezzo-Soprano Rebecca Rock, Pianist Austin Reed   Dream Road (Written by Kim Sowol, Composed by Sungeun Jo) Tenor Jiheon Sung, Tenor Ross Calvin, Soprano Nancy McClain, Soprano Julianne Kim, Pianist Austin Reed   Part 3: Sharing Takeaways & Narrative Transformation Activity Closing Remark & Networking  

The Korean Cultural Center Washington, D.C. (KCCDC) proudly welcomes the Korea National Opera to the Capital region for a performance of Opera Voyage, a dynamic showcase of classical arias, art songs, original creative works, and Korean tradition-inspired opera, free and open to the public with registration on Wednesday, October 8, 2025, at 7:00 PM at Capital One Hall in Tysons, Va.   This performance, jointly organized by the KCCDC and the Korea National Opera under Artistic Director Choi Sang-ho, is part of the Touring K-Arts program that highlights diverse aspects of traditional and popular Korean culture globally and is sponsored by the Ministry of Culture, Sports and Tourism and the Korea Foundation for International Cultural Exchange. The esteemed national opera company’s North American tour includes stops in New York, Washington D.C., Los Angeles, and Ottawa, Canada.   Opera Voyage will feature a dynamic and passionate operatic stage performance led by the young artists of the Korea National Opera, showcasing the excellence of Korean classical vocalists while fostering deeper artistic exchanges between Korea and the United States. This concert represents an important opportunity to elevate mutual understanding through art.   The program will blend Korean operatic tradition with Western classical opera arias, offering a diverse musical journey in one evening that includes performances from the company’s acclaimed original opera Cheonsangyeonbun. The performance will combine traditional Korean folk music with a modern classical sensibility, incorporating Korea’s most famous songs and folk tunes with the goal of sharing the captivating qualities of Korean music with local audiences.   The company’s tour features seven distinguished Korean artists: sopranos Kim Hee-jeong and Koo Na-woon, tenors Kim Seong-hyun and Kim Jae-yeol, baritones Kim Young-hoon and Park Seung-bin, and pianist Park So-hong. For more about the company, visit the official website of the KNO.  Korea National Opera: Opera Voyage  Wednesday, October 8 at 7:00 p.m.  The Vault at Capital One Hall (7750 Capital One Tower Rd, Tysons, VA 22102) RSVP Coming Soon!    About the Company Founded in 1962 and established as an independent foundation in 2000, the Korea National Opera (KNO) is Korea’s leading opera company. As a national arts organization, KNO presents world-class productions and plays a central role in the development of opera in Korea. The company is committed to making opera accessible through its programs such as Regional Touring Opera, the KNO Vocal Concours, and the KNO Studio, nurturing new talents and providing educational opportunities for both professionals and the public.   The KNO operates an on-site training program to foster emerging opera professionals: the Korea National Opera Studio – Young Artist Program. Each year, young graduates in vocal performance, directing, coaching, and stagecraft are selected for intensive training in music, languages, acting, humanities, and stage techniques. Through international partnerships—most notably with the Deutsche Oper Berlin—participants gain invaluable global experience.

RSVP FOR THIS EVENT! FREE ADMISSION!  Friday, Sept. 19 at 7:30 PM   |   Saturday, Sept. 20 at 7:30 PM Maximum of 4 reservations per person. Both dates feature the same program.  Please note that our registration form has been updated, but all previous RSVPs will be honored!  The Korean Cultural Center Washington, D.C. (KCCDC) proudly presents Melodies of Peace, a spectacular two-day joint concert event celebrating the enduring friendship and vibrant history of cultural exchange between the Republic of Korea and the United States featuring groups POET and G-Hwaja at the Kennedy Center on September 19 and 20.   As Korean culture continues to captivate audiences around the world, this special event held in honor of Korea’s 80th Liberation Day has been thoughtfully curated to delight and inspire, showcasing the culture of innovation that defines Korean arts and entertainment.   Headlining the concert are Korea’s acclaimed “popera” (pop opera) group POET and the renowned New York–based fusion band G-Hwaja—two pioneering ensembles that masterfully blend musical genres and styles from both countries. The evening will feature stirring tributes inspired by themes of freedom and resilience, selections from the celebrated musical Hero, popular K-pop hits, and beloved songs from Korean films and television dramas.   National Liberation Day, celebrated annually on August 15 and known in Korean as Gwangbokjeol, meaning “restoration of light,” is a national holiday commemorating the end of colonial rule in Korea in 1945 at the close of World War II. The year 2025 marks Korea’s 80th National Liberation Day, a particularly auspicious occasion.   Melodies of Peace will feature an extraordinary fusion of musical expressions, highlighting the richness of collaboration between Korean and American performers. Audiences can look forward to a one-of-a-kind cultural experience and a rare opportunity to immerse themselves in the energy and excitement of the multi-genre Korean Wave, also known as Hallyu.   Through this performance, the KCCDC aims to not only commemorate the legacy of Korean independence and the Korea-US Alliance, but to further deepen societal cultural connections, foster mutual understanding, and showcase the unifying power of music in the spirit of cultural diplomacy. This event is an external rental presented in coordination with the Kennedy Center Campus Rentals Office and is not produced by the Kennedy Center.   Melodies of Peace: A Commemorative Concert Marking 80 Years of Korean Liberation Friday, September 19 & Saturday, September 20, 2025 at 7:30 P.M. each day Terrace Theater, The Kennedy Center (2700 F St NW, Washington, DC 20566)   About the Performers: POET   POET, a four-member male “popera” (pop opera) group from South Korea, was formed in 2013. Their music combines classical vocal techniques with delicate yet powerful harmonies, delivering each song as if a poet were reciting a heartfelt work. Through their performances, POET aims to give audiences “the strength to live another day.”   POET has performed extensively in Korea and internationally, including in Japan, China, Thailand, Iran, Vietnam, and Indonesia, leading a new wave of K-Popera beyond Korea. Their appearances include national events, award ceremonies, commemorative ceremonies, concerts, and broadcasts such as the KBS Open Concert and Immortal Songs. POET was awarded the Korea Culture and Arts Awards for two consecutive years in 2018 and 2019. Their four released albums are Dream, I Love You, The Prayer, and CACTUS.   Artists   Hwang Hojung | Team Leader, Tenor Hwang Hojung has led POET since 2013 as the team’s leader. With outstanding emotional delivery and a soulful tone, he primarily guides the melody line and is responsible for the distinctive color of POET’s music with his dramatic high notes.   Song Seunghoon | Tenor Song Seunghoon is a lyric tenor with a sweet voice and a wide range, responsible for the high part in the group. He graduated from the Vocal Music Department at Korea National University of Arts and completed his master’s degree in the United States, earning the nickname “Andrea Bocelli of Korea” for his exceptional talent.   Kim Yongsung | Lyric Tenor Kim Yongsung is a powerful lyric tenor whose passion and dedication to music are evident, despite starting his musical journey later than others. He is an all-around tenor capable of performing across diverse musical genres.   Roheon |  Baritone Roheon is the youngest member of POET and serves as the group’s mood maker. With model-like visuals and a grand baritone tone, he is beloved by many female fans and is regarded as the prince of popera. About the Performers: G-Hwaja   G-Hwaja performs creative music through a combination of Western and Korean traditional instruments, blending diverse tones and styles. The group seeks to express the emotions of the times dramatically by utilizing the uniquely expressive characteristics of Korean traditional music—particularly the sense of excitement known as heung, and its bittersweet sense of grief, known as han—to deliver familiar music with new emotional dimensions. G-Hwaja strives to popularize Korean traditional music by presenting a dynamic and vivid image of Korea to the modern world. Following the group’s founding, G-Hwaja had its first performance at the John F. Kennedy Center for the Performing Arts in Washington, D.C.   Artists   Junghee Oh | Team Leader, Gayageum Byeong-chang, Pansori Junghee Oh is a certified trainee of Korea’s National Intangible Cultural Heritage in Gayageum Sanjo and Byeong-chang. She earned her Master’s degree in Korean music from Chung-Ang University and teaches at Seoul Institute of the Arts and Sangmyung University. She serves as music director of G-Hwaja and actively performs in the NY/NJ metropolitan area.   Grace Leekyung Kang | Haegeum, Vocal Dr. Grace Leekyung Kang graduated from Korea National High School of Traditional Arts and Yong-In University, and earned her Ph.D. in traditional Korean music from Hanyang University. She is a gold prize winner at the Nan-Gye Korean Traditional Music Competition and a certified successor of the National Intangible Cultural Heritage “Gasa.” She performs with G-Hwaja and promotes traditional Korean music worldwide.   You Shin Kim | Composer, Arranger, Keyboard You Shin Kim graduated from Berklee College of Music with a degree in Film Scoring. He co-wrote “Mother” for singer Seung Chul Lee and composed and arranged music for the musical King David. He serves as composer, arranger, and keyboardist for G-Hwaja, blending classical, pop, jazz, and traditional Korean music in his work.   Song Eun Shin | 25-string Gayageum Song Eun Shin graduated from Korea National High School of Traditional Arts and Chung-Ang University. She is an award-winning 25-string gayageum player who has performed internationally, including at the Shanghai Expo and the G20 Summit, and is an active member of G-Hwaja.   Woosung Jung | Daegeum & Wind/Percussion Instruments Mr. Woosung Jung is a designated practitioner of Korea’s National Intangible Cultural Heritage “Daegeum Jeongak” and a versatile performer of wind and percussion instruments. He has performed in Korea, China, and the United States, including at Carnegie Hall, the Kennedy Center, and Lincoln Center, and teaches traditional Korean music to students worldwide.   Daseul Kim | Bass Daseul Kim holds B.A. and M.A. degrees in Jazz Bass from William Paterson University and currently performs as a bassist with the U.S. Navy Band. He has collaborated with numerous renowned musicians and performed at prestigious venues such as Carnegie Hall and Lincoln Center.   Olivia Kim | Cello Olivia Kim, a Korean-American cellist, was raised in Chile and graduated from Pontifical Catholic University of Chile. She earned her Artist Diploma from Montclair State University and performs as a cellist and teacher in ensembles including the Adelphi Orchestra.   Whanho Oh | Drums Whanho Oh studied jazz performance at the City University of New York and is a New York-based drummer. He explores a wide musical spectrum centered on jazz, performing with refined sensitivity and dynamic expression.   Sungwon Kim | Guitar Sungwon Kim earned his M.A. in Jazz Studies from NYU and has performed in Broadway musicals including Wicked, Hamilton, and Frozen, and with top K-pop artists. He has collaborated with numerous international musicians and continues to perform and teach actively.     About the Program   Melodies of Peace brings together an extraordinary range of music on one stage. Audiences will journey from the dramatic highs of musical theater courtesy of POET, with songs like This is the Moment from Jekyll & Hyde and Let It Go from Frozen, to the infectious rhythms of global pop and classic rock, including Bruno Mars’ Uptown Funk and hits by Queen. Korean traditional folk songs such as Arirang, Saetaryeong, and Sukdaemori are reimagined with modern arrangements by G-Hwaja, performed in collaboration with artists who bridge Eastern and Western styles. The program also weaves in medleys from The Beatles, popular K-pop songs, and cherished Korean classics, Experience Korea’s rich tapestry of music, where tradition and contemporary sounds, East and West, will all come together in a single, unforgettable performance.   The same program will be presented on September 19 and 20, including two acts featuring both groups each day.   Act 1 (POET)   1.The Danji Pact (from the musical theater production Hero) 2.This is the Moment (Jekyll & Hyde) 3:32 3.Let it Go, Into the Unknown (Frozen) 4:37 4.Summer Night (from POET’s third album) 3:10 5.Uptown Funk (Bruno Mars) 4:29 6.This is Me (The Greatest Showman) 3:54 7.Queen Medley (We Will Rock You, The Show Must Go On, & We Are the Champions) 6:01   Act 2 (POET & G-Hwaja)   1.Sae-Nal (Fusion Korean Traditional Song) 3:30 2.Fly Me to the Moon (Jazz Standard) 4:00 3.Liber Tango (Tango) 3:00 4.Saetaryeong (Korean Traditional Folk Song) 3:00 5.Sukdaemori (Korean Traditional Folk Song) 4:00 6.Arirang (Korean Traditional Folk Song) 4:00 7.Cinema Paradiso / Perfect (Film Music & Korean Traditional Fusion) 6:00 8.The Beatles Medley (Let it Be, Imagine, & Hey Jude) 6:00 9.K-pop Medley (covers of APT & Golden) 5:00 10.The Day (K-Drama Mr. Sunshine OST) 5:00 11.The Beautiful Land (Composed by Tae-su Han) 5:00

The Korean Cultural Center Washington, D.C. (KCCDC) and the DC Jazz Festival proudly presents acclaimed Korean drummer and bandleader JK Jongkuk Kim and his quintet on Sunday, August 31, at 4:00 PM on the renowned festival’s main stage at The Wharf in Washington, D.C. Part of the DC Jazz Festival’s full lineup August 27-31, this performance highlights the extraordinary talent of Korean jazz artists and collaborations with international counterparts. JK Jongkuk Kim, a drummer, composer, and electronic musician from Incheon, Korea, is recognized as one of the most innovative voices in contemporary jazz. A full scholarship graduate of the Berklee College of Music, Kim has performed with world-renowned artists including Dave Santoro, Hal Crook, George Garzone, Darren Barrett, John Clayton, Robin Eubanks, Maria Schneider, Rudresh Mahanthappa, and Terence Blanchard. He has appeared on major international stages including at the Monterey Jazz Festival, Blue Note Jazz Club, and Toronto Jazz Festival. His music blends traditional jazz with electronic music, rock, and improvisation. Collaborations with artists such as BTS’ RM, Aaron Parks, Meshell Ndegeocello, Dayna Stephens, Eric Nam, and So!YoON! have solidified his presence on the global music scene, and he has been featured in leading publications including Billboard, Grammy, and Vogue, earning recognition as one of the most prominent jazz drummers of his generation. The August 31 performance will feature JK Jongkuk Kim as drummer and bandleader, accompanied by Simon Moullier on vibraphone, Tommy Holladay on guitar, Chris McCarthy on piano, and Dana Hawkins on bass, from 7000 Miles Management. The DC Jazz Festival, since its founding in 2005, has been a premier annual event in Washington, D.C., providing a platform for jazz artists worldwide and promoting the growth of jazz music. The festival offers also workshops and masterclasses, fostering artistic exchange and education. The KCCDC has helped present numerous Korean artists at the festival, including the Song Youngjoo Septet (2017), music group SEUM (2018), and Lee Ji-hye Orchestra (2019). The KCCDC also co-presented JK Jongkuk Kim for a DC Jazz Festival Embassy Series concert and reception in June 2025, introducing Kim’s exceptional skill and the richness of Korean jazz and culture to the greater DC jazz community. Ticket purchase is required for this event. See the DC Jazz Festival website for more information.  DC JazzFest: JK Jongkuk & his Quintet Sunday, August 31, 2025 at 4:00 P.M. Transit Pier at The Wharf DC (760 Maine Avenue SW, Washington, DC 20024) Tickets & More Information: https://www.dcjazzfest.org/

The Korean Cultural Center Washington, D.C. (KCCDC) proudly presents innovative Korean fusion band GONIA Performance Group for the first OnStage Korea performance of 2025! GONIA will showcase their unique blend of Korean traditional music and jazz fusion in a free concert at Capital One Hall’s The Vault.   GONIA is a distinctive “K-jazz” fusion group combining percussion and vocals rooted in Korean traditional music with guitar and bass musicians who have extensive jazz experience. Their music, though a simple combination on paper, is surprisingly captivating in practice. The energetic interplay of bass lines over the rhythms of the traditional Korean Janggu percussion instrument, vibrant improvisations on guitar, and the expressive stage presence of the traditional vocalist has left audiences mesmerized both in Korea and internationally. GONIA has performed at prominent world music festivals including Seoul Music Week, England’s English Folk Expo, Morocco’s Visa for Music, Chile’s Fluvial Festival, and Denmark’s Copenhagen Jazz Festival. Their international tours and festival appearances have earned them critical acclaim and a growing global fan base.   A Tension is GONIA's 60-minute performance that immerses audiences in a dynamic soundscape where Korean traditional and creative music converge. This tour features four talented members: Minsung Kim (Bass), Hyunjeong Kim (Janggu), Youjung Lee (Vocal), and Hyungtaek Kim (Guitar).   Don’t miss this extraordinary opportunity to experience the vibrant fusion of Korean tradition and modern jazz in a captivating live performance. Join us for an unforgettable evening with GONIA to kick off the On Stage Korea 2025! 2025 OnStage Korea: GONIA Performance Group Saturday, July 19, 2025 at 7:00pm Venue: The Vault at Capital One Hall 7750 Capital One Tower Rd, Tysons, VA 22102 RSVP UPDATE: This event has reached full capacity and is no longer accepting additional RSVPs. We appreciate your understanding. Walk-in guests may still be admitted if space is available, but please note that admission and seating cannot be guaranteed. Thank you for your interest and we hope to see you at future events!  About the Performers   GONIA (고니아) Performance Group is a unique quartet that pioneers an original genre called “K-Jazz” by blending traditional Korean rhythms with modern jazz. Through musical experimentation and cultural fusion, they showcase both artistic innovation and the depth of Korean culture.   The group creatively combines traditional Korean rhythmic patterns such as Gutgeori, Jajinmori, and Hwimori with jazz improvisation, forging a new musical language that offers fresh and captivating experiences to audiences both in Korea and internationally. At the heart of GONIA’s sound is the Janggu, a traditional Korean hourglass-shaped drum. This iconic double-sided instrument transcends percussion and serves as a vital medium to express a distinct Korean rhythmic identity within jazz.   GONIA’s dynamic bass performances, brilliant guitar improvisations, and the traditional vocalist’s expressive stage presence have impressed audiences worldwide. Their 2020 album A Tension, received widespread critical acclaim, including a nomination for Best Crossover Album at the Korean Music Awards, demonstrating the group’s musical excellence and originality. The group has performed at major international music festivals such as Seoul Music Week (Korea), English Folk Expo (UK), Visa for Music (Morocco), Fluvial (Chile), and the Copenhagen Jazz Festival (Denmark), earning positive reviews and promoting Korean cultural music on the global stage.   Members   Hyungtaek Kim (Leader / Guitar) Minsung Kim (Bass) Hyunjeong Kim (Janggu) Youjung Lee (Vocals) Yuri Jeong (Producer)   Performance History   Seoul Music Week (Korea) — 2018, 2019 Journey to Korean Music (Korea) — 2019 Japan Tour (Japan) — 2019 Colombia & Costa Rica Tour — 2021 Hidden Kingdom World Music Festival (Bhutan) — 2021 Copenhagen Jazz Festival (Denmark) — 2022 Aarhus Jazz Festival (Denmark) — 2022 English Folk Expo (UK) — 2023 Visa for Music (Morocco) — 2023 Fluvial Festival & Chile Tour (Chile) — 2023   About the Program   GONIA’s 2020 album A Tension showcases their innovative blend of traditional Korean rhythms and modern jazz improvisation. The album highlights the dynamic interplay between the janggu drum, bass, and guitar, creating a fresh sound that bridges cultural and musical boundaries. Recognized for its originality and artistry, A Tension was nominated for Best Crossover Album at the Korean Music Awards, cementing GONIA’s reputation as pioneers of the K-Jazz genre. Run Time: 60 minutes.   A Tension, 7:00 (Guitar, Bass, Janggu) Daseureum, 5:00 (Guitar, Bass, Janggu) Green Bee, 4:50 (Guitar, Bass, Janggu) Deongideok, 4:40 (Guitar, Bass, Janggu) Goeum, 5:10 (Guitar, Bass, Janggu, Vocal) Dancing the Fan Dance, 3:20 (Guitar, Bass, Janggu, Vocal) Baeksong, 4:30 (Guitar, Bass, Janggu) Penance, 5:00 (Guitar, Bass, Janggu) Sirirung, 3:30 (Guitar, Bass, Janggu, Vocal) Baedal Song, 4:20 (Guitar, Bass, Janggu, Vocal) East Sea, 3:00 (Guitar, Bass, Janggu, Vocal) Ongheya, 3:30 (Guitar, Bass, Janggu, Vocal)   About OnStage Korea   OnStage Korea presented by the Korean Cultural Center Washington, D.C. seeks to discover brilliant Korean and Korean-inspired artists and groups performing around the world, giving them an opportunity to showcase their creativity on stage for the American public in the Capital region. The program also fosters international cultural exchange by expanding the visibility of Korean performing arts and artists in mainstream America. Featuring a diverse range of new artists each year, OnStage Korea presents unique, exceptional performances free to the public in and around Washington, D.C.